Why Theory

Ryan and Todd discuss the first half of Jean-Paul Sartre's magnum opus Being and Nothingness. They cover the difference between the in-itself and the for-itself, bad faith, temporality, the unconscious, and other important concepts. The next episode will cover the second half of the book.

In an annual attempt to theorize the Christmas film, Ryan and Todd examine the concept of the misfit in three famous stop-motion Christmas films from the 1960s and 1970s: Rudolph the Red-Nosed Reindeer, Santa Claus Is Coming To Town, and The Year Without a Santa Claus. They discover the politics of nonbelonging at work in these films as it is figured through the idea of the misfit. Clips: We’re a...

Ryan and Todd discuss the role that debt plays in the structure of capitalist society and in the psyche necessary for sustaining this society. They explore debt as a subject matter in film and television, as well as debt's relationship to the lacking subject.

Ryan and Todd discuss Todd's latest book Enjoyment Right & Left, which examines the political divide in terms of the different forms that enjoyment takes. They engage with this divide across a variety of issues, from anti-trans violence to the controversy surrounding the World Cup.

This is a special Why Theory episode that was recorded live at the Impakt Festival that took place in Utrecht, Netherlands. Ryan and Todd discuss the theme of the festival--"the curse of smooth operations"--in terms of our relationship to technology. They question how technology provides enjoyment for us. The introduction ends at 4:53, and the question and answer period starts at 57:48.

Ryan and Todd trace the history of how thinkers have dealt with the problem of love--the varying definitions of love, the view of love's role in society, and love's philosophical importance. They begin with Plato's Symposium, touch on the New Testament, explore the role of love in Hegel's thought, discuss Badiou's love event, and conclude with the psychoanalytic conception of love, as developed by...

Ryan and Todd provide an introduction to the philosopher of contemporary French thinker Alain Badiou. They begin with his insistence on the importance of mathematics and then move on to his understanding of truth in relation to the event. They also discuss the contrast between Badiou and Hegel.

Ryan and Todd explore the philosophical concept of the event, tracing its trajectory through three thinkers--Martin Heidegger, Alain Badiou, and Slavoj Zizek. They make this discussion concrete with an extended discussion of the current revolutionary feminist actions occurring in Iran.

Ryan and Todd discuss the diagnostic categories of psychoanalysis, beginning with neurosis. They analyze the three forms of neurosis--hysteria, obsession, and phobia--while also focusing on the different manifestations of these three forms in the contemporary political arena.

Ryan and Todd conclude their series on Hegel's Phenomenology of Spirit with a discussion of the Absolute Knowing section. They explore the relationship between this section and the rest of the book as well as considering what this section has to say about the relationship between mediation and immediacy.

In their penultimate episode on Hegel's Phenomenology of Spirit, Ryan and Todd analyze the religion section of the book. They focus most on the comic work of art and the revealed religion sections as they try to make sense of why Hegel gives religion such a prominent place in the Phenomenology. Ryan was recently a guest discussing graduate student conferences, which one can listen to here: https:/...

Ryan and Todd begin a series of discussions about the classical Hollywood genres with the screwball comedy, a genre that centers on the sexual antagonism. They look at the film that kicks off the genre, It Happened One Night, as well as the high point of the genre, Bringing Up Baby, in addition to others. Ryan was recently a guest discussing graduate student conferences, which one can listen to he...

Ryan and Todd are joined for the episode by James Godley, who recently organized a conference on mourning and the pandemic, entitled "In the Wake of the Plague" (which one can access here: https://sites.dartmouth.edu/wake-of-the-plague/), to discuss Freud's "Mourning and Melancholia." They probe the cultural resonances of the text and question the reasons for its massive popularity among Freud's w...

Ryan and Todd analyze Freud's essay "Wild Psychoanalysis" and delve into the problem of treating symptoms with knowledge rather than addressing the enjoyment that they offer. Even though this is a minor Freud essay, it provides one of the pillars for a psychoanalytic approach to politics.

In this special episode, Ryan and Todd address the newly minted US Supreme Court decision that overturns the nationwide right to abortion access. They delve into the history of the famous decision granting abortion rights and theorize what has changed. During this discussion, they use the so-called abortion episode from the television series "Maude" as a reference point. The works referenced in th...

Ryan and Todd investigate the concept of the quilting point (point de capiton), as originally coined by Jacques Lacan and then in additional permutations. They attempt to develop this concept in further directions that challenge Lacan's original theorization of it in order to uncover its political efficacy.

Ryan and Todd provide their reading of Jacques Lacan's Seminar III devoted to the psychoses. They focus on the idea of the foreclosure of the paternal signifier while also addressing the role that Lacan theorizing the imaginary having in psychosis. They also outline the theory of the signifier that Lacan articulates in this seminar and how it relates to his later theorizing.

Ryan and Todd address the history of psychoanalytic interpretations of Shakespeare's Hamlet, devoting time to both Freud and Lacan's reading. They then delve into the play as a work of modernity, seeing in it the modern project that attempts to reject the authority of tradition and of the father. Ryan's article on seriality and binge mentioned in the episode is located here: https://ir.canterbury....

Ryan and Todd question the theoretical implications of the development of streaming for narrative, spectatorship, and politics. They look at the changes that streaming ushers in and the hidden continuity between streaming and earlier aesthetic forms.

Ryan and Todd explore Lacan's late aphorism, "The Woman doesn't exist." They address the importance of this statement for psychoanalytic feminism and the complications that have arisen from it. The relation between signifying logic and the sociocultural situation becomes a central part of their discussion.

Ryan and Todd explore theories of film noir and try to account for its success as a cinematic movement. They discuss films such as Out of the Past, Double Indemnity, and The Third Man, as well as figures such as the femme fatale and the hard-boiled detective in an effort to understand what gives film noir its radicality.

Ryan and Todd investigate the possibility of thinking about all competing philosophies under the headings of dualism, multiplicity, and dialectics. They take as avatars for each position St. Paul, Gilles Deleuze, and Hegel. Rather than serving as a reductive matrix for dismissal, this model becomes a way to think about relationality between different thinkers and systems of thought.

Ryan and Todd delve into a shorter text from Freud's later years--"Notes on a Mystic Writing Pad." Freud takes the child's toy that he discovers as a paradigm for how memory works in the psyche. Ryan and Todd tease out the implications of the essay for how to understand the unconscious, and they conclude with an analysis of Jacques Derrida's famous discussion of it in "Writing and Difference."

Ryan and Todd conduct a thorough exploration of Freud's 1920 text Beyond the Pleasure Principle, beginning with the claim that this represents Freud at his most radical and original point. They look at the notion of death drive that Freud develops and trace how he comes to abandon the idea of the primacy of the pleasure principle.

Ryan and Todd examine the theoretical underpinnings of the genre of the superhero film. They look at its origins in the western and its development from the 1970s through Christopher Nolan and culminating in the Marvel Cinematic Universe. They discuss why one might see it as a failed genre.