What the Riff Next Gen

With their self-titled debut album, Boston burst onto the stage with a sound that would come to define classic rock - "the Boston sound." Although an instant hit (it was the second best selling debut album in US history), it took several years for the demo tape to be accepted by a record label, and then would require some evasion of the label's wishes for MIT graduate Tom Scholz to be able to crea...

Folks, it's time to party! With their second studio album, Wild Planet, Athens-based band, The B-52's continued their new wave, high energy weirdness. Front man Fred Schneider's frequently spoken vocals and Kate Pierson and Cindy Wilson's harmonies give The B-52's a very distinctive sound — the beehive hairdo sported by Kate and Cindy gave the band its name. There's not a bad song on the entire al...

Almost everyone is familiar with Janis Joplin as a fixture sound of the late 60's, but some may not know that she got her San Francisco start with Big Brother and the Holding Company on their self-titled debut album in 1967. Joplin was ostracized in high school, and you can get a sense of her as a lonely soul through her singing. She joined Big Brother and the Holding Company in 1966, which was an...

ALBUM SPOTLIGHT: Elton John — Goodbye Yellow Brick Road” September, 1973 Elton John's seventh studio release is considered his best by many. The double album Goodbye Yellow Brick Road contains many well known hits including the title track, the Marilyn Monroe-inspired “Candle in the Wind,” and the 11-minute epic “Funeral For a Friend/Love Lies Bleeding.” Elton John initially intended to record thi...

With his third studio album, Girlfriend, alternative rock artist Matthew Sweet saw his career launched to the next level. Although originally from Nebraska, Sweet connected with REM so much that he met up with them and left home to became a part of the music scene in Athens, Georgia. The album cover is of a 50’s actress named Tuesday Weld. The album was written after Sweet went through a divorce,...

February 1984— The Pretenders— “Learning to Crawl” Coming after a hiatus and the tragedy of losing two band members to drug overdoses, The Pretenders third studio album was perhaps a surprisingly successful endeavor. The name “Learning to Crawl” pays homage to Chrissy Hynde's daughter, Natalie Rae Hynde, who was indeed learning to crawl at the time. There's a sense of loss that comes from this alb...

September 1977 — Meat Loaf — “Bat Out of Hell” Is it Opera? Is it Rock? Is it toxic masculinity - or maybe adolescent half-formed not-too-deep masculinity? From the beginning, Bat Out Of Hell has been hard to define, and it took a long time for Meat Loaf, composer Jim Steinman, and producer Todd Rundgren to get the concept album picked up. However, the staying power of this evergreen album is unde...

May 1984 — Stevie Ray Vaughan and Double Trouble — “Couldn’t Stand the Weather” Many consider Stevie Ray Vaughan and Double Trouble to have single-handedly revived the blues in the 1980's. This second album contains both covers and original songs from Vaughan, instumentals, jazz, and of course blues. Couldn't Stand the Weather has a timeless quality to it even 35 years later. And did we mention th...

July 1992 — Dream Theater — “Images and Words” Is it Metallica? or Triumph? or Rush? Although “Images and Words” was their second studio album, the addition of James LaBrie as front man makes this album feel like the first complete outing for Dream Theater. While they only have one “hit” in the repertoire, this group is a giant in the progressive rock genre. The musicality of each member of the gr...

August 1969 — Humble Pie — “As Safe as Yesterday is” Wayne presents this incredible album featuring both Steve Marriott and Peter Frampton on vocals and guitar. It is easy to see how Humble Pie was such a powerful - but underrated - rock band at the end of the 60's. Their debut album “As Safe as Yesterday is” was a UK release, and remains surprisingly hard to pin down in genres with its mix of pop...

October 1973 — “Quadrophenia By the time this sixth studio album (and second rock opera) rolled out in 1973 The Who were already icons in the Rock genre. The double album Quadrophenia tracks the downward spiral of a young “mod” named Jimmy in 1965 Brighton, UK. Some of the most well known Who songs originate from this rock opera including "The Real Me," and "Love, Reign O'er Me." We're joined this...

June 1993 — “Hints, Allegations & Things Left Unsaid” by Collective Soul Our first Podcast with a special guest. Steve Hardin teams up with Rob to present Stockbridge, Georgia-originating band Collective Soul. They didn't set out to be a world famous band. In fact, frontman Ed Roland wrote what would be the band's debut album as a demo in his basement, hoping to sell songs to others as a songw...

February 1973 — “Billion Dollar Babies” by Alice Cooper Brian presents one of the biggest early 1970's glam rock groups — Alice Cooper. Their sixth studio album entitled “Billion Dollar Babies” was released in 1973, and was their most successful album to this date. Detroit native and front man Vincent Furnier took on the “Alice Cooper” persona for this highly theatrical act, complete with makeup,...

January 1978 — “Champagne Jam” by Atlanta Rhythm Section Bruce has a special place in his heart for this classic. The Atlanta Rhythm Section - also known as ARS - started as a session band for Studio One in Doraville, GA. Champagne Jam is their eighth and most successful album, going platinum by September of 1978. This was a time when Southern Rock was hitting a peak with Lynyrd Skynyrd, Molly Hat...

January 1965 — “Beatles for Sale” by The Beatles By the start of 1965 The Beatles were already a household name, with Beatlemania reaching its peak the year before. Their fourth album released in the UK, Beatles for Sale, would continue their prolific work with a turn to more introspective lyrics and a handful of cover songs. The Beatles entire catalog is incredible, and this album contains some o...

September 1991 — “Ten” by Pearl Jam Bursting out of what was becoming the Seattle scene Pearl Jam achieved mainstream success with its debut album, anachronistically named Ten​. The popularity of the album was slow coming, but has shown a staying power over the decades. Often identified with the grunge movement, and considered highly influential, Pearl Jam nevertheless defies labels. Their strong...

February 1985 — “The Firm” by The Firm If you're forming a rock group for success in the 1980s, you can't go wrong with Paul Rodgers (Bad Company) on lead and Jimmy Page (Led Zeppelin) on guitar. Throw in Tony Franklin on bass and Chris Slade on drums, and you have the supergroup known as The Firm. Their self-titled debut album was propelled to the top of the charts on the strength of their hit “R...

“So” by Peter Gabriel Bruce is excited about this blockbuster hit album. After four solo albums without a name, the record company finally persuaded Peter Gabriel to name this fifth album. So is a synthesizer-heavy album influenced by world music. It shows Gabriel's experimental side, but it was a more approachable album than his other releases, and it was a huge hit in the mid-'80s both on radio...

“Led Zeppelin III” by Led Zeppelin Brian presents this CLASSIC album, “Three” — by Led Zeppelin. Giants of the rock genre and precursors to the heavy metal sound, Led Zeppelin would set the standard for decades as one of the big four (along with The Beatles, The Rolling Stones, and The Who) super groups of Rock and Roll. Powered by Jimmy Page on guitar, John Paul Jones on bass, Robert Plant on voc...

“Nothing’s Shocking” by Jane’s Addiction Wayne presents this album, “Nothing's Shocking,” — the first studio album by Jane's Addiction. This alternative rock band from Los Angeles had released a self-titled live album in 1987. Perry Farrell was the lead singer and writer for the group. The group would break up in the early 90's over how to split the money. Although tensions in the band would drive...

“The Cars” by the Cars This was one of the first albums Rob bought after he got his first Stereo System. The Cars are from Boston and clearly evolved out of the NEW WAVE trend. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s, and released this hit-filled debut album in June of 1978. It reached 18 on the Billboard Charts, and the band was rewarded by Rolling Stone Magazine fans as “...

Episode 27 — Christmas Songs that ROCK We're trying something new in this podcast, folks. As Christmas approaches, we're highlighting some of the Rock and Roll Christmas songs we've heard over the years. From the sublime to the slightly corny, covers to originals, Rock music has lent its voice to the Advent season. Join us this week as we review some of the classics and deeper cuts that have made...

JULY of 1981 “Escape” by Journey Brian hosts this seventh album from JOURNEY — Escape, which catapulted the rock group into the stratosphere on the strength of Steve Perry's soaring vocals, Neal Schon's hook-laden guitar riffs, and newcomer Jonathan Cain's keyboards and songwriting. The album artwork featured a stylized scarab spaceship breaking out of a sphere. This album transitions from a strai...

APRIL of 1976 “2112” by Rush Bruce brings us one of his all-time-favorites. This album is the one where Rush became RUSH. In the wake of "Caress of Steel" their third album which was neither a commercial nor a critical success, Mercury Records considered dropping the band. Ray Daniels, manager for Rush, negotiated to have the group make one more album. The label wanted them to make more accessible...

JULY of 1982 “Pictures at Eleven” by Robert Plant With drummer John Bonham's death in 1980, Led Zeppelin disbanded. “Pictures at Eleven” was Zeppelin front man Robert Plant's debut solo album — one that Rob appreciated even more than Zepplin. Plant put together an excellent collection of talent to help out, including Genesis drummer Phil Collins and ex-Rainbow drummer Cozy Powell, session guitaris...