We Wanna Watch

Happy birthday Ricky! This week's Rick's Picks are a double feature of The Umbrellas of Cherbourg (1964) directed by Jacques Demy and Do the Right Thing (1989) directed by Spike Lee. After a loooooong intro, we talk about our feelings towards musicals, French as a language, and how these two movies could possibly be in conversation with each other . Features the worst instance of Ricky blowing out...

Silencio ...is what the haters would say to this podcast! This week's Lane's Frame is Mulholland Drive (2001) written and directed by the late David Lynch. After taking time to discuss the Oscar nominations that dropped earlier in the day, we try to go as long as possible without trying to dissect the plot of this movie while discussing its nightmarish vibes, the impressive cinematography, and how...

This week's Rick's Pick is John Woo's 1989 crime drama, The Killer. Featuring special guest Christopher, we talk about our favorite action movies, the history of the "gun-fu" genre, and this movie's Cool Ass Vibes. Plus: we go long on tabletop roleplaying (should Christopher and Ricky start an actual play?) and I shit talk some Oscar movies for a minute.

This week's Lane's Frame is The Piano Teacher (2001) directed by Michael Haneke. Maybe not best characterized as a fucked up movie for freaks! We go long on Erika's psychology, BDSM dynamics, menstrual blood in movies, and our writing pet peeves. Plus: Ricky's cats meow a lot in this episode, oh my god.

Content warning...for a bunch of cool guys! This week's Rick's Pick is Reservoir Dogs (1992) directed by Quentin Tarantino. We get into the aesthetics and glorification of violence, homoeroticism, the ear scene, and the antiblack racism that buoys this whole movie. Plus: we go long on Wallace and Gromit and dabble in a new fancasting game.

Happy new year! We're starting 2025 with a totemic classic of American cinema, Nashville (1975) directed by Robert Altman. We get into the political landscape at the time, the movie's interesting character storytelling, and the style and setting's similarities to Boogie Nights. Tune in for lots of cat talk and a revisit of our early episode G*mergate discussion. Plus: what exactly is Ricky's posit...

This combo Rick's Pick/Lane's Frame episode covers two Christmas movies: While You Were Sleeping (1995) directed by Jon Turteltaub and The Christmas Chronicles (2018) directed by Clay Kaytis. We pay the Kurt Russell Netflix movie dust and instead ramble about rom coms, Phineas and Ferb, and getting hit by a train to score a girl. Happy holidays everyone!

All the hot girls put your hands up and say: We Wanna Watch! This week's Lane's Frame is Om Shanti Om (2007) directed by Farah Khan. Our first Bollywood movie discussion covers a lot of ground, including our history with Indian cinema, the fall of the American movie star, and our Zumba proclivities. Plus: Ricky's favorite Broadway musical, Hamlet. Not to be like If I Was in An Ari Aster Movie It'd...

We're starting off our year two of our podcast with a stellar Rick's Pick, Mysterious Skin (2004) directed by Gregg Araki. We discuss this movie's approach to sexuality, excellent performances, and beautiful, bittersweet ending. Digressions include internet cruelty and Ricky's apartment falling apart. Please be warned that this movie and our discussion both cover topics like sexual violence and pe...

Welcome to our first annual awarding of Gold Watches, where we honor all the films that We Wanna Watched! Join us to reflect on our 64 movies watched as we celebrate our first year of the podcast. How many people done doubted us?! Please enjoy this long, meandering hangout of an episode with lots of cat-related interruptions. Thanks to all watchers for listening! And watching, right? RIGHT??

Our last movie of the fiscal year (and by that I mean it's been almost a year of the podcast!) is this week's Lane's Frame, The Great Escape (1963) directed by John Sturges. We have quite a few digressions in this episode about the banality of evil, depicting war in movies, and why the Nazi salutes in this movie seem so funky. Also, a brief intro about 2024's Look Back directed by Kiyotaka Oshiyam...

This week's Rick's Pick is a return to form for our show: a random movie he saw a viral clip of online. We watched Fitzcarraldo (1982) directed by Werner Herzog. Described by Ricky as "Herzog's Apocalypse Now" (despite Ricky having not seen Apocalypse Now nor any other Herzog movies), we talk about hubris, movies with troubled productions, and how this movie just hasn't aged very well. Plus: an ep...

Oh Yeah! This week's Fresh double feature Lane's Frames are a blatant excuse to talk about the music of Daft Punk; we watched Interstella 5555: The 5tory of the 5ecret 5tar 5ystem (2003) directed by Leiji Matsumoto, Kazuhisa Takenouchi, Daisuke Nishio, and Hirotoshi Rissen AND Daft Punk's Alive 2007 Live Concert at Lollapalooza (2007), which has no director credits because it seems to have just be...

The final entry in our WE WANNA WAIL series (no for real this time) was chosen in a somewhat snap-decision to be Smile 2 (2024) directed by Parker Finn. As a carryover from the days of Kino 101 with Ricky, the first Smile movie holds a special place in our canon, so it only fits that we would scare the shit out of ourselves in theatres with the sequel. I feel like you can really hear how nervous w...

Surprise! WE WANNA WAIL ends (😏) with a special early Halloween drop for our discussion about The Exorcist (1973) directed by William Friedkin. Here's that e-boy content you ordered.

Much like the protagonist in the last 25 minutes of this movie, WE WANNA WAIL! This week is a very special Nick's Flick (or is it? watchers, get at us), The Texas Chain Saw Massacre (1974) directed by Tobe Hooper. Does this movie live up to its blood-soaked reputation? We all know Ricky hates women, but does Nick hate women more? Is this episode too long? How many movies did I say to Ricky, "we'll...

We take a little breather during our WE WANNA WAIL series to watch this week's double feature of Rick's Picks, Monster House (2006) directed by Gil Kenan and ParaNorman (2012) directed by Sam Fell and Chris Butler. We talk about stop motion animation, creepy old people, and how "Prenderghast" doesn't really give Slav. Plus: a little detour to talk about THE SUBSTANCE (2024) directed by Coralie Far...

WE WANNA WAIL continues as we enter the Forbidden Room with this week's Lane's Frame, Pulse (2001) directed by Kiyoshi Kurosawa. We talk about ghosts, existential dread, and how scary it would be to have some guy just pop up in our Discord call. Plus, are all the jokes online about people wanting to kill themselves desensitizing us to depictions of suicide in movies?

Continuing our WE WANNA WAIL miniseries ( not We Wanna Whale, mind you), this week's Rick's Pick was a thematic double feature: Perfect Blue (1997) directed by Satoshi Kon and Black Swan (2010) directed by Darren Aronofsky. While we compare these two films' visual and story similarities, we come to the conclusion that the similarities are far outweighed by the differences in characterization, visc...

This week's entry in our WE WANNA WAIL series features TWO Lane's Frames: both the original Psycho (1960) directed by Alfred Hitchcock AND the remake Psycho (1998) directed by Gus Van Sant. We talk about the original movie's influence, the gay subtext in both films, and the fascinating endeavor of remaking a beloved classic. I'm very punchy and looking for a fight with Ricky during this episode, l...

We're kicking off our WE WANNA WAIL miniseries with this week's Rick's Pick, Midsommar (2019) directed by Ricky's favorite director Ari Aster. Is this movie as scary as Hereditary? Does the boyfriend deserve it? How does white women loving true crime play into homestead-flavored racism? Plus: I sent Ricky a meme about calling all camera movement "panning" and now he wants to be an asshole about it...

For this week's Lane's Frame, we watched Othello (1951) directed by Orson Welles. A strange adaptation that reduces the usual 3-hour play to just 90 minutes, the movie gets mixed reactions from us; we appreciate its cinematography and ambitious vision, but struggle to get past its sloppiness, character-limiting choices, and, yes, the horrible racism. Also, we talk about Jujutsu Kaisen and Zumba, w...

This week is a Rick's Pick, and boy, was it ever! We watched Who Framed Roger Rabbit (1988) directed by Robert Zemeckis, a movie that Ricky had somehow never seen. This episode is replete with antics, shenanigans, and sound effects - but only to complement the movie, of course.

This week's Lane's Frame is Silkwood (1983) directed by Mike Nichols. It's a bit of a bummer episode, but we keep it fun and fancy free with diversions about Kurt Russell, forgotten Oscar movies, and our beloved Nintendo.

We finally get back around to this week's Rick's Pick, Barry Lyndon (1975) directed by Stanley Kubrick. To nobody's surprise, it doesn't compare favorably to Amadeus, but we still have a good time discussing its merits, including its painting-like shots, hilarious irony, and its timeless thematic elements . Also, what the fuck is lindy? Ricky go outside challenge. Thanks and much credit to NTRXMUS...