We Have a Technical

There's no beating around the bush as the entirety of this episode is dedicated to recapping the three night multi-stage iteration of our local Verboden Festival which went down this past weekend (full disclosure: the Senior Staff served as emcees for the fest). We're talking about unexpected show stealers, divisive stage shows, and a whole mess of Canadian premieres.

Recorded a couple of days early so as to allow each member of the Senior Staff to fulfill our patriotic duty and go see Skinny Puppy live, this episode has us scratching our heads and offering thoughts about the ways in which Canada's identity, history, and geography has and hasn't shaped the darker music made within the true north. 

This week we're talking about the gloomy, atmospheric post-punk of Poland's Ziyo, and the odd n' sods Euro electro of Human Decay's swan song. We're also pushing back a bit against the presumption of Euro festivals' primacy in a moderately spicy episode of We Have A Technical.

As voted on from a selection of early/mid-period Killing Joke LPs, we're talking about 1985's Night Time on this month's commentary podcast. We're discussing Jaz Coleman's pet lyrical themes, the role played by Paul Raven's bass playing at this juncture in the band's development, and how their maximalist, excessive tendencies at times clashed with their moves towards a more commercially marketable...

Prompted by the prospect of finally getting to see Ashbury Heights, we're each picking five bucket list "yet to see" acts we've always hoped to catch live, be they legacy acts or idosyncratic Euro groups which are unlikely to cross the Atlantic.

Deep scene records which perhaps bracket a certain history of dark electro are on the docket for this week, as we consider records by Controlled Fusion and vProjekt. From the dry double kicks of the German act's mid 90s workman dark electro to the Aussie solo act's attempts to find baroque paths out of the corner intro which aggrotech had painted itself, this is an episode illustrating our recurri...

The experience of listening to a new record by a longstanding legacy act is the subject of this week's episode of the podcast. We're looking at how we perhaps grade records by bands we love on a curve, our mistaking of subjective experience for objective fact, and our shifting allegiances to bands, genres, and eras amongst other things, plus some discussion of this year's Substance festival in LA.

We have something of a news grab-bag episode for you this week, folks, as the list of items we wanted to talk about off the top of the show just kept growing until we had to give the full hour to it. We're discussing the revealing of the Terminus Fest lineup and the Cold Waves LA showcase, the passing of the legendary Ryuchi Sakamoto, Tina Root returning to music, and the labour dispute brewing at...

It's a very 90s two-fer episode of the podcast, as we look at Swamp Terrorists'  Combat Shock  and Perfume Tree's  A Lifetime Away  this week. 

This month's commentary podcast revisits 2015's Remain , the central work of Them Are Us Too. It's a beautiful record which ably fits into darkwave and dreampop traditions, but more importantly showcases the incredible talents and special personalities of Kennedy Ashlyn and Cash Askew. From its alternately delicate and crushing sounds to its radical demands for a peaceful existence, it was a pleas...

We try to make these landmark numbered episodes of the podcast something special, and we think we've come through on that account. This week, we're happy to be joined by bass player, Wax Trax legend, and all around thoughtful guy Paul Barker as the release of The Eternal Present , the new Lead Into Gold album, draws close. Paul spoke with us about the particular mood and sound of the new record, h...

After a week missed due to scheduling mishaps, we're back with another instalment of our ever popular Pick Five format on this week's podcast. This time, we're each picking tracks from our respective 20+ year DJing careers which we just could not turn into dancefloor hits, despite our best efforts. Rather than pointing out "failures" in the songs themselves, we're using this as an opportunity to r...

Due to circumstances beyond our control, a new episode of We Have a Technical was not possible this week. In place of the planned episode (which we still hope to record), we are re-presenting episode 40, "The :Wumpscast:", our commentary on :Wumpscut:'s seminal Bunkertor 7 . 

We're joined this week by two of our Patreon backers, Stuart White and Richard Gould, to talk about albums they've each chosen: Bloodline , the reunion LP from formative UK goth-punk act 1919 which found them tackling resurgent political and economic crises, and the self-titled record from France's Les Clopes, which puts a bemused indie spin on some classic French coldwave and minimal wave sounds....

As selected by our Patreon backers from the slate of the four "classic" Front Line Assembly records, 1991's Tactical Neural Implant is the subject of this month's commentary podcast. It's viewed as the high watermark for the band and arguably for electro-industrial itself for a number of reasons, and we find ourselves discussing how it and FLA overall have been shaped by grooves and constant refin...

While both of the records we're talking about are from nominal side-projects, you couldn't get much further from one another in sound (and perhaps quality?) on the industrial spectrum than Santa Hates You's Crucifix Powerbomb and Anima Nostra's Atraments. We're also talking about the cost of live shows, Laibach's just-announced show in Kyiv, and a solid "goth for metalheads" list. 

The new LP by industrial legends Laibach is the subject of this week's podcast. The band has perhaps never been more active, releasing a slew of soundtracks and other releases, but  Sketches Of The Red Districts finds the band returning to both tWe're also talking about the new single from (occasional labelmates of Laibach) Depeche Mode.

We're joined on the podcast this week by journalist Konstantina Buhalis, for a conversation emerging out of her recent article on the role of social media in shaping contemporary goth culture . While being a participant within our scenes, Buhalis is often writing for more mainstream readerships, and so we were keen to speak with her about the ins and outs of writing for broader publications, and t...

Deep scene records from the 80s and 90s make up this episode of the podcast, with the politically savvy EBM of Borghesia's No Hope No Fear and the turn of the millennium trance/coldwave experimentation of Kevorkian Death Cycle's A​+​0​(​m) . We've also been playing along with the latest EBM-flavoured Electronic Beats Blind Test. 

The subject of this month's commentary podcast blends post-punk with exotica, and tranquility with brutality. Yes, we're taking a look back at Feast , the first LP from Siouxsie & The Banshees side-project The Creatures. We're talking about the record's experimental song structures, its literary and cultural influences, and its handling of the themes and music adopted from Hawaii, where Siouxsie a...

Now is the winter of our discontent, as the Senior Staff are each picking five tracks which scratch a particularly misanthropic itch for them. We're also talking about the upcoming Cruel World and Fixation festivals, along with some general observations about DJing in dark(ish) clubs in 2023. 

We're joined by longtime friend of the site Rexx Arkana to discuss the release of his new 4-CD compilation, Passing Strangers . Partially a tribute to the legendary There Is No Time Comp , partially an attempt to triangulate and link all manner of industrial and related sounds from the past decades, it's an ambitious project and we were happy to discuss its aesthetic and historical goals with Rexx...

After last week's odd couple pairing, there's at least a spiritual link between the two solo/side project records we've chosen for this week's podcast: the sculpted technoid of Daniel Myer's S'Apex project, and the anxious looping mania of Angelo Bergamini's Uranium USSR 1972. We're also discussing the first news about this year's instalment of the Mechanismus festival in Seattle.

The first podcast of the new year has us returning to the classic two albums format. Here's where we'd normally make some pithy contrast or comparison between the two records, or some comment about how the pair shows the breadth of records we like to talk about on We Have A Technical, but we'll cop to not being able to think of a goddamn thing which might link or frame the difference between 23 Sk...

We're hybridizing traditions right at the end of 2022, as we combine our customary off-topic episode of We Have A Technical and our monthly commentary episodes. We asked our Patreons what sort of non-scene related album they'd like us to discuss, and with pop music making a late run from behind to beat out metal and hip-hop, we're talking about the 2009 debut from UK electropop artist Little Boots...