Two Reel Cinema Club

It’s part two of our interview with A list Hollywood sound recordist Mike Primmer at the Popcorn Counter this week. We talk about the early days of VHS film making, the joys of the ‘Control Track’ and in-camera effects, Mike’s secret technique for beating the popcorn counter at its own game, and why every short film ought to be a remake of Taxi Driver. If you enjoyed the show, find us on social me...

Who had any expectations for a Barbie movie? But somehow the heavily branded toy franchise has given birth to a smart and witty satire that’s started a lot of conversations about the lives of women in the 21st century. We talk about what we enjoyed and what we missed, and compare it to the 1975 ‘slow cinema’ masterpiece now acknowledged by Sight and Sound as the greatest film of all time: Jeanne D...

A special, musical Popcorn Counter this week as we talk to the star of Debutante, upright guitarist extraordinaire Steven Ray Liedlich. In between excerpts from the movie we talk about song writing, composing for film, gender fluidity, Steve’s unique playing style and the Boulder music scene of the 1990s. Make sure you listen to the end for a beautiful performance of the song River Road. This reco...

A new Christopher Nolan film is always an event, and there are certainly parts of Oppenheimer that we loved… but which parts? Join us to find out which sections of the film contain all the high drama, and which sections resemble ten men arguing over whether somebody’s library card should be renewed. Which characters get short-changed and who gets all the funny lines? And how does Oppie compare to...

It’s a very special popcorn counter this week, as we bump into A-list Hollywood sound recordist Michael Primmer and ask him all about his adventures in the screen trade. What’s it like to record Al Pacino? What happened to the dialogue Michael recorded for Christopher Nolan in Interstellar? How would he describe David Fincher’s set? And what’s the secret to a successful career in sound? If you enj...

For a film all about time loops, the new Indiana Jones picture Dial of Destiny sure seems interested in repeating the past. Harrison Ford returns for the fifth Indy movie, which is filled with daring chases, speeding trains, mysterious artefacts and troublesome Nazis. But how much does the film owe to its 1981 predecessor Raiders of the Lost Ark? We run them both through our projector this episode...

If we got a dollar every time someone asked us where we get our ideas, we’d have eight dollars. Everyone seems to have a great idea for a movie, but what does the process of converting that idea into a hundred page script look like? This episode we talk at the popcorn counter about what writing techniques work for us. Mind maps? Post it notes? Treatments? Or just plain ‘listening to strangers’ con...

There’s a new Wes Anderson film out! Is it very different to the last Wes Anderson film? Good question… This episode we watch Asteroid City and compare it to Anderson’s sophomore picture Rushmore from 1998. The new film is certainly starrier, with the kind of cast that would cost hundreds of millions of dollars on any other film. But does that result in much actual drama or is Asteroid City as fla...

The 1970s is often called the last Golden Age of Hollywood, with big stars and auteur directors making challenging and experimental films aimed at an adult audience. Join us as we relax in the sticky, grimy foyer of our local repertory cinema for our longest Popcorn Counter yet, where we try to come up with an A to Z of the most influential pictures and talents of the decade. Will we see appearanc...

Some movies are ‘ripped from the headlines’ but new HBO feature Reality has been literally transcribed from the headlines, using the text of a publicly available FBI interview as its script, word for word. It’s a mesmerising tale about espionage, betrayal and the US intelligence services, and this episode we put it in a locked room with Sidney Pollack’s 1975 spy thriller Three Days of the Condor a...

Brevity is famously the soul of wit, but exactly how short can a film be to still get classified as ‘feature length’? We looked it up and the answer is probably shorter than you think (and more than four times shorter than Avatar: The Way of Water…) Join us at the Popcorn Counter this episode where we try to figure out what is the greatest film of all time under ninety minutes using our own, foolp...

It’s back to the first year of Junior High this episode, with two preteen dramas that both perform well in their midterms. Are You There, God? It’s Me, Margaret is a heart warming family story that’s witty, fresh, sweet and more moving than we expected, while 1995s Welcome to the Dollhouse is its antimatter equivalent, jarring, grimy and nihilistic. But the two have so much in common that it’s lik...

French actor Adèle Haenel, best known for Portrait of a Woman on Fire, published an incredible letter about her retirement from the film industry a couple of weeks ago. This episode at the Popcorn Counter we read the letter and talk about some of the issues she raises. What are our responsibilities as writers and as consumers of cinema? What is the right way to respond to news of sexual assaults a...

We’re still trying to recover from the trauma of watching Beau Is Afraid for this episode. Ari Aster’s new Freudian ‘comedy’ horror movie feels like a three hour nightmare that left us begging to wake up. Happily, we’re comparing it to Tom Hanks’ 1994 Oscar winner Forrest Gump, which is just the right film to cleanse our tainted, rancid, bloody palates. These two have so much in common that one is...

Welcome to the ‘urban planning’ section of the podcast, as we meet at the popcorn counter this week and talk about why the inner city gets such a bad rep in cinema. Who is London’s most famous inner city resident? What does ‘NF’ stand for in the world of Shane Meadow’s ‘This is England’? And why should ‘Boyz N The Hood’ be remade as ‘Boyz N The Garden’? If you enjoyed the show, find us on social m...

We return to school again this episode, spending a semester with new Argentine Netflix feature The Substitute, before graduating to a course with 2008 Palme d’Or-winning French drama La Classe. Both films examine the challenges of inner city schooling, but while The Substitute makes teaching look like a Sicario spin off, La Classe is more realistic and subtle. Which film sees two teachers sneak of...

Listen to us get completely out of our depth in tonight’s episode, discussing our encounters with LGBTQ cinema over the years, and its role in advancing social change. Which is our favourite date movie? Who is the Countess von Bismark? Where does Al Pacino fit in? And what happens when you write the words ‘there is a song and dance number’ in a script? If you enjoyed the show, find us on social me...

(Let’s start with a content warning, as this episode’s films contain scenes of extreme violence, self harm and suicide.) If you’re happy to continue, join us as we watch two films about the many forms of love this time: new Belgian drama Close and 1999’s classic Boys Don’t Cry. They form a great double bill, outstanding, beautiful, moving, absorbing, tragic and transformative. But which film remin...

Join us as we hide in a little bubble of nostalgia at the popcorn counter this week. Before AI and chatbots, before Netflix and YouTube, before dvd, there was VHS. We explain why we think those chunky cassettes might possibly have been the most important thing to happen to cinema ever, both for film viewers and for film makers. So what if you spent half your evening adjusting the tracking and then...

You can’t move for blog posts and YouTube videos about ChatGPT at the moment, but what is it going to mean for working writers? Will AI help us, giving every writer a patient editor and a sympathetic sounding board to ease them through the painful development process? Or will it steal all the jobs and throw us away, leaving us no option but to look for employment in an Amazon warehouse or sweeping...

We’ve seen the future in this episode’s films, and frankly it doesn’t look like a place we’d want to visit. Netflix’s new Hong Kong Chinese sci-fi action movie Warriors of Future paints a bleak picture of the rest of the 21st century, with killer plants, killer robots, killer air pollution and killer civil engineers to contend with. We compare it to 1995 anime classic Ghost in the Shell, which add...

Back in the 80s, when we were naive enough to think that the song ‘White Lines’ was a road safety anthem, cocaine was a big thing in movies - and not a small thing in the movie industry. Join us in a cramped toilet cubicle for a few snorts of our favourite cocaine films, including Die Hard, Annie Hall and Maria Full of Grace. Plus a quick look at drug slang, a celebration of Melle Mel, and a littl...

We take a hike in the wilderness for this week’s episode, and find ourselves shimmying up a tree at speed in the hope of avoiding the worst of Cocaine Bear, the not-so-impressive new comedy horror from the Lord and Miller stable. Then once we’re in a position of safety we take our time with Werner Herzog’s astonishing and revelatory 2005 documentary Grizzly Man. There’s a lot of gruesome violence...

We get stuck in a phone booth on the way to the popcorn counter this episode. (Do they still even exist?) Mobile telephony has ruined a lot of plots since about 1999, and smart phones have spoiled even more since 2007, but on the other hand there have been some great telephone scenes in cinema. We talk about the joys and pitfalls, celebrate Hal Hartley and Scorsese, curse Steve Jobs, and discuss t...

Sarah Polley’s new film Women Talking gives us plenty to discuss this episode, with shocking violence, sobering drama and a deep examination of patriarchy, all delivered through outstanding performances. But for all its excellence, we have one major criticism: is it really a film at all? Then after the break we compare it to Pedro Almodóvar’s 1988 international hit Women on the Verge of a Nervous...