The Tom Petty Project

After a little bit of a false start, John and Kevin settle into a fun chat about soundtrack composition, how Ed Burn managed to lock in Wildflowers era-Tom Petty to be his musical director, why Tom took over the project wholesale and why this may just be the most underappreciated album in Tom's catalogue! Do we need two versions of two different songs? What about the covers? Tune in to find out! D...

Airport is a tight little bundle of keyboard virtuosity from Benmont Tench with a lazy, groove-soaked accompaniment from Howie Epstein and Chris Trujillo in the rhythm section. This piece is hugely interesting in two different, very interesting ways. First of all, I’m pretty sure (given the credits in the album liner notes) that Tom didn’t play on it. Second, given that the melodic contributions w...

It's curious that the two songs that reference California were both left off the final Wildflowers release; perhaps Tom being self-conscious about being too prescriptive and direct in that vein. Hung Up and Overdue has a very simple, very direct lyric which sits atop a wonderful arrangement and doesn’t need to do too much of the heavy lifting. It’s almost like Mike’s more reserved guitar part. We...

I don’t think I’ve ever hidden or tried to hide the fact that Walls is one of my very favourite Tom Petty compositions. I think it’s essentially a perfect song. And this version is, as I say, an exercise in showing how to simplify and condense an arrangement to be as tight as you can make it without losing an ounce of its beauty. Long time listeners will know that when I wrote one of my ten questi...

I would love to know if an extended version of this arrangement exists anywhere on the cutting room floor. I know that there was only one violinist, Lili Haydn, who I’m hoping to have on the podcast as it happens, and two cellists, Gerri Stutyak and Michael Severens. But I think if you kept building this into a full orchestral string arrangement with some timpani or other percussion added, it coul...

John and I got together to discuss the Petty Country and Bad Monkey Soundtrack releases and built a 16 track playlist that gives you a good idea of what to expect from each disc. We discussed what makes a good cover version, which contemporay artists are doing the best job of interpereting Tom's work and we also talk about covers not on either album that are worth checking out! You can find our fi...

There’s a quality to this song that I’ve only really experienced once before. It makes me homesick for a place I’ve never lived in. The other time this has happened to me was, coincidentally, also California. If any of you are Van Halen fans or even just rock n roll fans with an interest in the Pasadena scene in the 70s, you have to read the superb book Van Halen Rising. Easily the best rock biog...

This one begins with piano as the main melodic focus, with Benmont Tench playing a lounge player style lick over top of a sumptuously dark and foreboding rhythm section. The drums are dry and present and Howie Epstein’s bass guitar adds the bottom end colour to a scene that feels like a dimly lit hotel bar. If you want to check out the song ahead of the episode, you can find it here: https://youtu...

Beck’s Asshole is quite tender in places with a certain rustic charm and it’s not something you’d expect a middle aged rocker to want to explore. But when you really delve into it and rummage around in there, you discover its hidden depths and while at first it can come across as unappealing, a close inspection reveals a rather time-worn vulnerability that draws you into its warm embrace. If you w...

Hope You Never is a fairly dark, bleak cut from a difficult album for Tom. It fits the timbre of the movie in places and you can see why it was chosen as one of the songs to transfer over to this release. The production is, as always, absolutely superb. The parts are all expertly crafted and arranged and Tom’s vocal delivery has that quiet confidence that marked his transition from brash young roc...

“I dreamed you, I saw your face. Caught my lifeline, went drifting through space”. What an incredible way to say “I fell in love with you the moment I saw you and my life would never be the same again”. I was talking with my pal Corey on our show The Ultimate Catalogue Clash about lyrics a couple of episodes ago and we’ve had an ongoing discussion since about how to appraise lyrics. Well, one of t...

I wanted to say a quick (well, not that quick!) goodbye to 2024 before kicking off the new year and figured I'd follow the lead of a great many music podcasters by telling you about some of the albums that I discovered this year that I've been enjoying a lot! I own 7 of the 8 on vinyl and have a very close relationship the one I don't through slightly unusual circumstances. I hope you enjoy this b...

It’s a wonderful little piece of fluffy Christmas fare. There’s no big message here, it’s just a nostalgic, whimsical throwback type song and I’m almost surprised that it wasn’t a co-write with Jeff Lynne because it has a bigger ELO feel to it than it does a Heartbreakers feel! And with the addition of all those additional musicians, I do wonder if the rest of the band played on it. One to ask a H...

The second installment of my Artist Conversation Series sees Matt Jaffe return to the show to talk about his fantastic new album, Gone Enough To Miss. It was a joy to nerd out over broad aspects as well as details of the album and our conversation took in some excellent diversions regarding Tik Tok, superstition (not the Stevie Wonder song!) and how to release an album in the Gen-Z era! Matt was i...

First of all, Changed The Locks by Lucinda Williams is a fantastic song and her delivery of it is sublime and very intimate - a tone that is enhanced by the arrangement that is used on that recording. The Heartbreakers amp up the anger by speeding the track up slightly, making the guitar tones heavier, and adding in that extra guitar phrase. So you have an interesting original song with a coo...

This song was a little bit of a grower for me and it’s one that’s definitely gone up a little since I sat down to pull it apart to see what secrets it’s hiding. The fact that, yet again, there is a density to the guitars on this song along with a real simplicity to the parts themselves all accentuated by Tom’s excellent, at times forceful at times tentative delivery make for a song that com res to...

“You think that you're above me. You think that you're so big. Well, I saw you kick that dog. When the wind blew off your wig” This is Tom’s brilliant whimsy, channeled through Dylan’s cynicism to fantastic effect. It really means nothing at all, just a very broad way of saying “you’re kind of a dick!” Again I’d love to have notes on this one from Tom because I wonder how much of this was written...

“We grew up fast and no-one seemed to notice. We grew up fast and we grew up alone”. All of us latch key kids can relate very easily to what he’s communicating here. Even though our parents loved and supported us, quite often we were just left to our own devices. During school holidays, once I was 9 or 10 years old we were just left at home, left to sort out our own lunches, let ourselves in and o...

 “Half of me is ocean. Half of me is sky”. There’s something so brilliantly grand and epic about that line. The ocean and the sky are both vast and hint at the complexity of being human. You also have the contrast between something that is heavy, and anchored to a point in the ocean and the wide open, limitless possibilities of the sky. We’ve all said it before, but this is why Tom is a cut a...

Pete Nester is down in Gainesville at the Tom Petty Weekend, subbing in for me as I can't be there. He's been doing a fantastic job of connecting me with the weekend via messages, video clips, and photos and he's even gone the extra mile and interviewed a few folks down there! As well as some of the artists, he caught up with some of the amazing crew that make this weekend one of the best festival...

Another roving report from our man on the ground out at the Tom Petty Weekend in Gainesville. This time, my pal Pete Nester catches up with the main man, Jake Thistle, and also chats to Jared Hart, singer and guitarist with the best-named band you're gonna hear in the next ten years; Lowly Worm and the Fantastic Beverages! Sit back, relax and enjoy Pete Nester's conversation with Jake and Jared! C...

Surprise! Here's a special episode for you. My pal and roving reporter Pete Nester, from the Honest and Unmerciful Record Review Podcast, is down in Gainesville and grabbed some time with the brilliant MADWOMAN, who blew him away. The conversation talks focuses heavily on artistry, community, and collaboration. This is a fun, breezy, enjoyable chat! Sit back, relax and enjoy Pete Nester's conversa...

Today’s bonus episode is the second part of my conversation with the wonderful Shawn Murphy. We dug down into which opening act he'd like to see at a Heartbreakers show and his choice for which artist to cover which of Tom's songs is an absolute firecracker! Sit back, relax and enjoy my ten questions with Shawn Murphy. Check out the Tom Petty Trail website here: https://tompettytrail.com And pleas...

Today’s special episode is part of a fantastic conversation I had with the brilliant Shawn Murphy, a lifelong Pettyhead who built and maintains the amazing Tom Petty Trail.com website. Shawn and I chatted about being an outsider growing up and how music can help us through those difficult formative years as well as his recent battle with cancer and how it sharpened his focus on pulling together th...

Before we kick off the season proper, let's listen to which version of Walls my guests so far have picked! When I wrote the question, "Which do you prefer, Walls (Circus) or Walls (No. 3), I assumed everyone would pick that latter. It didn't turn out that way!" Guests included, in order; Dallas Heliker, Jake Thistle, Gwen Jones, Janet Lovell, Jeff Slate, Megan Volpert, Corey Morrissette, Katie Mou...