The Strange Brew - artist stories behind the greatest music ever recorded

Mike Garson traces his extraordinary creative relationship with David Bowie from the Ziggy Stardust era through to his final live dates. Garson reflects on how his classical and jazz background allowed him to follow Bowie’s restless stylistic shifts, and how reinvention sat at the heart of their collaboration. Along the way, he revisits key moments including working on Aladdin Sane, Young American...

Ric Sanders, the fiddle player who has been an integral part of Fairport Convention for 40 years, takes us on a journey through his extraordinary musical life. From his early days discovering electric violin, to his simultaneous membership in both Soft Machine and the Albion Band, Sanders’ career reads like a who’s who of British jazz-fusion and folk-rock. Speaking with characteristic...

Steve Berlin revisits Los Angeles during its most volatile creative period, the late 1970s and early 1980s, when rent was $170 a month and sewage regularly seeped into the Cathay de Grande, the basement club where Top Jimmy and the Rhythm Pigs held their Monday night residency. Berlin recalls producing and playing on their newly reissued album Pigus Drinkus Maximus and joining Los Lobos after they...

Vox, lead vocalist of Chameleons, discusses the group’s successful reformation and their latest album Arctic Moon . The conversation explores the Chameleons’ origins in Manchester’s late 1970s post-punk scene, their breakthrough John Peel session, and challenging relationships with CBS Records and producer Steve Lillywhite. Vox reflects on their early years and the tensions that...

Damon Minchella, founding bassist and songwriter of Ocean Colour Scene, and longtime collaborator with Paul Weller and Richard Ashcroft, talks about his time in music. Damon reflects on a remarkable career spanning Britpop’s rise, creative battles with major labels, his friendship with Oasis, and performing with The Who for Live 8 and Paul McCartney for War Child. He also discusses his autobiograp...

In 1968, a group of Luton apprentices started creating a rock opera. Chris Stokes and his band Genesis (not that Genesis) conceived a concept album with baroque piano arrangements and experimental passages, then packed it away and got on with their day jobs. For over 50 years, this album and other material spanning a decade, existed only on deteriorating tape and acetates. Chris recorded with vari...

James Warren joins us to talk through a life in songs, from the playful invention of Stackridge to the studio-bound success of The Korgis. James reflects on writing Everybody’s Got to Learn Sometime, why its acoustic reworking finally restored a lost verse, and how choices around touring shaped the band’s fate. Along the way he discusses working with George Martin, later reformations, and highligh...

In The Strange Brew’s 500th episode, Colin Blunstone returns to talk about his One Year and More live box set. Colin reflects on the development of his songwriting, collaborating with Rod Argent and Chris White and the making his early solo albums. He looks back on The Zombies and Odessey and Oracle and the lasting impact of their music. He also discusses working with Alan Parsons and his pl...

Matt Piucci joins us for a journey through Rain Parade’s story from the early 1980s Los Angeles music scene to the present day. Across a hand-picked set of tracks, Matt looks back at the group’s earliest recordings, the friendships that grew out of the Paisley Underground, and the way their influences found their way into Emergency Third Rail Power Trip and Explosions in the Glass Palace LPs. The...

John McFee speaks in depth about his work with Southern Pacific, Jackdawg and his session career. He explains how Southern Pacific evolved, why Jackdawg’s album has been rediscovered, and why the focus of his songwriting is not with The Doobie Brothers. He also looks back at Clover’s time in the UK, backing Elvis Costello on My Aim Is True , and the steady flow of session work with Van Morri...

Graham Parker reveals the story behind his debut album Howlin’ Wind . Parker recalls his journey from suburban Surrey to the London music scene, his early jobs, and the moment he found his sound – a mix of soul, R&B and sharp songwriting. He looks back at the formation of The Rumour, his partnership with Dave Robinson, and the whirlwind that led to Howlin’ Wind and Heat Treatment being r...

Billy Bragg talks about his life in music and activism, from his early days and the DIY spirit of Life’s a Riot with Spy vs Spy to new book Billy Bragg – A People’s History . He reflects on his experiences during the miners’ strike and Red Wedge, and the belief that songs can inspire people to think the world can be changed. Bragg also discusses the influence of Woody Guthrie, the meaning of...

Annie Haslam and Jim McCarty discuss the origins and evolution of Renaissance ahead of their special run of four shows. They reflect on how the band was formed after Jim’s time in The Yardbirds, Annie’s audition and early tours, the impact of lyricist Betty Thatcher, and how Renaissance found their audience in America. This is one of the rare times Annie and Jim have appeared together, and they sp...

Peter Hammill and Van der Graaf Generator have influenced artists from David Bowie to John Lydon, yet Peter has always worked on the edge of the mainstream. In this conversation, he reflects on why revisiting the past felt strange and affirming, the spirit of progressive rock and punk, and the satisfaction of sustaining an independent musical life. Further information sofasound.com The Charisma &a...

brendan b. brown of Wheatus marks 25 years since Teenage Dirtbag first turned the band from New York outsiders into a phenomenon. brendan talks about the dark story behind its lyrics, and why it continues to connect with new generations. He reflects on the freedom and struggle of going independent, and how their live shows have been driven by audience requests. Along the way he revisits fan favour...

Stu Cook, bassist and founding member of Creedence Clearwater Revival, talks about the band’s early years, their rise and the chemistry that fuelled their success. He speaks frankly about working with John Fogerty, including his reaction to Fogerty’s recent re-recordings of Creedence material, and reflects on the tensions that led to the band’s split. Stu also introduces the long-lost Jackdawg rec...

More than fifty years after Barclay James Harvest helped define a uniquely English strain of symphonic rock, John Lees remains its quietly determined heart. With John Lees’ Barclay James Harvest, he continues to balance grandeur with introspection. Their new album Relativity , revisits familiar terrain of love and the search for meaning, guided by the notion that time and emotion are intertwined....

Archivist and producer Rob Caiger talks about the painstaking work behind Nice Records, the label dedicated to restoring classic recordings from the archives of Small Faces and Humble Pie. Caiger recalls discovering forgotten master tapes in Kenny Jones’s flight cases and explains how these finds have allowed albums like The Autumn Stone and As Safe As Yesterday Is to be heard as they were origina...

Judie Tzuke has always been slightly out of step with the story people wanted to tell about her. The industry tried to polish her into a pop star, but she was too honest, too much herself. When ‘Stay With Me Till Dawn’ hit in 1979, the press had her down as the glamorous new face of British songwriting, but in truth she was navigating personal tragedy. That contrast has never really le...

It’s Halloween night, 1975. A bunch of Irish lads are halfway through their first gig when Bob Geldof rubs out the band name on a blackboard and replaces it with something better: The Boomtown Rats. Half the set as The Nightlife Thugs , half as The Boomtown Rats . Fast-forward fifty years and I’m talking with Pete Briquette, the man who decided to pick up the bass at the first rehearsal and never...

Michael Schenker talks about new album Don’t Sell Your Soul , the second part of a trilogy that reclaims his story. Too many people think it all began with MSG in 1980, but Schenker is here to set the record straight, going back to his UFO years in the 70s when his riffs became the backbone of some of the greatest hard rock ever put to tape. He also explains why he walked away from the lure of wor...

Carlos Alomar reflects on a career that spans decades of innovation and collaboration. He speaks about his early years performing with Luther Vandross, and his crucial role in David Bowie’s mid-70s D.A.M Trio, alongside drummer Dennis Davis and bassist George Murray. Alomar recounts the creation of ‘Fame’ with Bowie and John Lennon, and the unorthodox recording sessions that shaped the...

Lesley-Ann Jones talks about her new book Love, Freddie: Freddie Mercury’s Secret Life and Love . Far from a conventional biography, the book is drawn from Freddie Mercury’s private notebooks and the perspective of his newly discovered daughter, revealing a side of the Queen frontman the world has never seen. Lesley-Ann shares stories of Freddie’s childhood in Zanzibar and India, the trauma that s...

As Del Amitri’s frontman, Justin Currie steered a band that slipped between categories: too sharp to be lumped in with soft rock, too direct to be claimed by the indie underground. From the social commentary of Nothing Ever Happens to the breezy pop of Roll to Me , their songs are lodged in the public imagination. With the release of his memoir The Tremolo Diaries , Justin offers a portrait of lif...

The Zombies bassist-turned-songwriter Chris White opens the vault on a lifetime of music that stretches far beyond Odessey and Oracle . Chris revisits his work with Duffy Power, the lost sessions that became Hellhound , and the vast family-run archive project known as The Chris White Experience. He shares stories of Argent, Michael Fennelly and Tim Renwick, as well as the little-heard 1990 Zombies...