The Raincoat Report

Jeremy and Boss begin Five Weeks of Fright by discovering Simon Garfunkel, talking about vampires at blood banks, and digging back into the Shaun Costello catalog to discover his film Dracula Exotica.

Jeremy and Boss decide to ride the night winds, give a shout out to Salacious Crumb, and talk beefy boys as they dig into Shaun Costello's Pandora's Mirror.

Boss makes Jeremy feel small as they examine hairy holes, become spiritually brown, and discuss Roger Watkins's Her Name Was Lisa.

Jeremy and Boss set their fairly addled minds on mountain justice as they try to figure out who Big Billy and Baby B Story are and discuss Leonard Kirtman's Big Abner.

Jeremy and Boss are denied by Brunhilda, triggered by Paul Simon, and excited by their discussion of Gerard Damiano's Skin-Flicks.

The boys are back in brown, as Jeremy and Boss discover that love is "not pulling out" while they discuss Edwin Brown's A Thousand and One Erotic Nights Part 2 - The Forbidden Tales.

Jeremy and Boss get in the sporting mood, party with Mario, and destroy their insides with liquor as they take it to the court with Gary Graver's Hot Rackets.

Jeremy and Boss crawl through the muck to find trinkets, build a sex room, and reconsider the identity of the "worst porn director" as they discuss Anthony Spinelli's Oriental Babysitter.

Jeremy and Boss try to parse the tangled pile of flesh in their brains as they journey to Hell to see what happened to Justine as they discuss Henri Pachard's The Devil in Miss Jones Part II.

Jeremy and Boss end their assault on Hollywood by joking about the melting planet and drawing a ham-faced man as they discuss Wes Craven's The Fireworks Woman.

Jeremy starts a cult and gets Boss canceled as they do the podcast in the Hungarian fashion and discuss Abel Ferrara's 9 Lives of a Wet Pussycat.

Jeremy and Boss stir up controversy in Hollywood yet again as they talk about a B-movie icon's journey into smut as they examine Edward D. Wood Jr.'s Take It Out in Trade.

Jeremy and Boss name names and rip up the stars from the Hollywood Walk of Fame as they shine a light on the times that Hollywood went hardcore, beginning with a discussion of William Lustig's The Violation of Claudia.

Jeremy and Boss try to catch up on summer blockbusters and ride the coattails of Top Gun fever as they discover things are wetter on the screen these days and discuss Robby D.'s Top Guns.

Jeremy and Boss are joined by Tyler to make plans for their last night on earth as they face doomsday head on and discuss Claude Mulot's Shocking!

Jeremy and Boss discover that a hard man isn't always good to find, avoid watching Hey Dude, and are sponsored by Brown as they dig into Henri Pachard's Showdown.

Jeremy and Boss sail down a river of brown, reboot Marmaduke, profess their love of the game, and dig into Paul Vatelli's Stiff Competition.

Jeremy and Boss are interrogated by the fans and teach everyone some lessons before being dragged into the computer to witness Buck Adams's Super Hornio Bros.

Jeremy and Boss celebrate their 100th episode, discuss the power of the future, and hold on to their butts for a full dissection of Shaun Costello's Water Power.

Jeremy and Boss suffer through Star Wars prequels, develop the third  mind, and get bit by a cat as they discuss Alex de Renzy's Babyface 2.

Jeremy and Boss are betidden by woe, taste rancid salsa, worry about flying Tremors, and discuss Kirdy Stevens's Taboo II.

Jeremy and Boss get covered in cuts and sores, buy the world a coke, and puzzle out the meaning of Henri Pachard and Roberta Findlay's Mascara.

Jeremy and Boss speculate on Boston accents, get stuck in the mud, lie to priests, and talk about Phil Prince's Forgive Me, I Have Sinned.

Jeremy and Boss pitch a new cinematic universe, talk symmetry, and consider a replacement for Stanley Kubrick as they discuss Carlos Tobalina's Mai Lin vs. Serena.

Jeremy and Boss celebrate the holiest time of the year by getting a thesaurus, a stegosaurus, and a Segasaurus and discussing Wakefield Poole's Bible!