The Process: a podcast about creativity and experimental music.

This episode features Heather Stebbins. We listen to Ursa Major (for saxophones, piano, percussion, and electronics) and talk about honesty, modular synths, and creative ownership.

This episode features Composer/Environmental Sound Artist Philip Blackburn of Neuma Records . We listen to Melody (The Song of the Earth) from percussionist Patti Cudd's album Still Motion released on Sideband Records. We talk about inspiration, complexity, and self promotion.

This episode features the Flute in the Wild project with Jaye Marsh, Elizabeth Raum , and Robert DiVito . We listen to Elizabeth's, "Northern Lights" we talk about inspiration, the recording process, and the starving artist. Listen to the Album now at: https://music.apple.com/.../flute-in-the-wild/1591684228

This episode features James Ilgenfritz, Brian Chase and Robbie Lee. We listen to their Infrequent Seams release "Loss and Gain." We talk about improvisation, musical communication, and why they create.

This episode features Musician/Improviser/Psychologist William Sol (Prana Crafter). We listen to "Crystal Sky Wooden Cloud" performed/recorded/produced by Will from his album "Bodhi Cheetah's Choice" on the label Beyond Beyond is Beyond . We talk about improvisation, perfection, and creating for the act of music making.

This episode features composers Stephen Lilly and Michael Boyd. We listen to "Friday May 18 at a distance" performed by themselves and features Benjamin Levy, Stacey Mastrian , Kristian Twombly . We talk about indeterminacy, collaboration, and knowing when a piece is done.

This episode features the album "Sunrise" ( Cold Blue Music ) by collaborators Jacob Cooper and Steven Bradshaw. We talk about collaboration, forming ideas, and creating for outcomes.    

This episode features composer and performer Emily Koh. We listen to b(locked.orders) for soprano saxophone, electronics, and video: Michiko Saiki (video) and Noa Even (saxophone). Emily and I talk about voice, identity, and the business of composing.

This episode features composer Adam Kennaugh. We listen to the Bowling Green Saxophone quartet perform "Haumea." Adam and I talk about opportunities, funding creativity, and collaboration between composers and performers.

"This episode features vocalist and new music superstar Stephanie Lamprea . We listen to her performance of "Love's Witness" by composer Addie Camsuzou . Stephanie and I talk about New Music, the "classical" voice, and true collaboration between composers and performers.

This episode features award winning composer Christopher Stark . We listen to his work "The Language of Landscapes" for cello, percussion, and electronics. commissioned by Chamber Music America for the duo New Morse Code ( Hannah Collins and Michael Compitello).

This episode on "The Process" I talk with I talk with Bo Konigsmark , Jillian Carelli , and Rose Hegele of the "Into The Light" ensemble. We listen to their debut EP. We talk collaboration, finding inspiration, and the stereo type of the "starving Artist."

This episode on "The Process" I talk with Alan Theisen . We listen to "Ondes et Ombres" for violin, clarinet, and piano (2014), commissioned by and dedicated to the Argot Trio. We talk about collaborating with musicians, working with form, and the importance of the audience.        

This episode on "The Process" I talk with Cassie Wieland. We listen to "HYMN" (solo piano/ electronics) written for and performed by Vicky Chow as part of the Roulette/Jerome Foundation commission 2020. We talk about collaborating with musicians and the line in/around/between "getting paid" and "getting creative." 

This episode on "The Process" I talk with Robert McClure. We listen to Flora (2020) for alto and tenor saxophones. Written for and recorded by the Decho Ensemble. We talk about our favorite stage of the creative process and "picking yourself back up," when facing adversity.

This episode on "The Process" I talk with Forbes Graham. We listen to “Crossing” for String Quartet performed by The Overlook - String Quartet. We talk about starting with form in the creative process and sovereignty over ones creative work.

This episode on "The Process" I talk with Boston-based composer Stefanie Lubkowski. We listen to "Right now, in a second" for bass clarinet, 5-octave marimba, and snare drum commissioned by Transient Canvas and recorded in 2019 for their 3rd album. Stefanie and I talk sonic relationships, silence, and horror films.

This episode on "The Process" I talk with Boston based, electronic-experimental, dark ambient, sonic cosmic, drone project Violet Nox. We listen to "Haumea" from their upcoming release 4/9/21 “Whispering Galaxy” on Infinity Vine Records. Dez, Andrew, Fen and I talk inspiration, creating as a collaborative member, and audience feedback.

This episode on "The Process" I talk with music technologist, composer, and instrument designer Steven Kemper.  we listen to "Boyle Heights (Rhythmanalysis II)" performed by percussionist Mike Truesdell. Steve and I talk sound walks, field recordings, and how the tools can inform the process and ones creative output.

This episode on "The Process" I talk with composer and saxophonist/performer Erin Rogers.  We listen to "On View" performed by the Kamratōn ensemble.  Erin and I talk improvisation, musical instincts, and maintaining the fertility of a creative idea.

This episode on "The Process" I talk with mezzo-soprano, composer, and actress Lisa Neher .  We listen to "American Waters" form the Of Wind and Waves EP . Lisa and I discuss identity, interpretation, and writing music for specific musicians/performers.

This episode on "The Process" I talk with Armenian/American Composer Joseph Bohigian.  We listen to "The Water Has Found Its Crack." Joseph and I discuss Identity, isolation, and the importance of others in the creative process.

This episode on "The Process" I talk with Anthony Donofrio.  We listen to "XIII" performed at the BGSU New Music Festival, MidAmerican Center for Contemporary Music. Anthony and I discuss talent vs hard work, patience, and the perils of composition Icons.

This episode on "The Process" I talk with composer, performer, and social justice artist Anthony R. Green. We listen to his work "The Gettysburg Address" performed by The Playground Ensemble at the University of Colorado Boulder. Anthony and I discuss making informed compositional responses, New Music stereotypes, and the need for "True Community" among new and experimental music creators and musi...

This episode on "The Process" I talk with “new music ninja” Jessica Rudman. We listen to her work  "A Forest that is a Desert III" performed at the Choral Arts Initiative with text by Kendra Preston Leonard. Jessica and I discuss text setting, choral writing, and the importance of voice and perspective for aspiring creatives.