The Music Show

Playwright, screenwriter, and actress Kate Mulvany has been commissioned with the task of writing the lost prologue for the first true English opera, Purcell’s Dido and Aeneas. She joins Andy on The Music Show to chat about getting into the head of the queen of Carthage, and what it was like writing for opera for the first time.  Independent hip-hop label Elefant Traks has had a huge cultural impa...

Omar Musa is an author, artist, poet, and woodcutter making music and art from Borneo to Brooklyn. He is back in Australia to talk about his latest album The Fullness. His third album touches on the environment, culture, religious identity, and mortality. He creates poetry from a spoken-word background, melding hip-hop, jazz, and electronic sounds with earnest lyricism.  Gillian Dooley joins us on...

Australian tenor Stuart Skelton returns to The Music Show as he prepares to sing Mahler’s Song of the Earth (Das Lied von der Erde) with the Australian Chamber Orchestra. Looking over his increasingly heroic career from oddball roles like the titular Peter Grimes to the pantheon of Wagner’s men, Stuart reflects on growing into his voice, and what he learned from the conducting and musical leadersh...

Andrew is at the Canberra International Music Festival, where we get to catch up with an Australian who lives in the UK, a Belgian who tours the world, and another Belgian who lives in Australia. Lotte Betts-Dean, Aussie mezzo-soprano now based in London, makes a trip home to perform a series of form-expanding vocal works from composers like Michael Finnissy, one of the masters of so-called "new c...

Rainbow Chan returns to The Music Show to discuss her latest audio-visual project, The Bridal Lament. In an attempt to preserve her mother's mother tongue, Rainbow has spent the last five years researching and learning the Weitou language, an endangered Cantonese dialect, through learning traditional bridal laments. Rainbow talks to Andy about the defiant tradition of performing these laments in t...

Bringing huge amounts of energy, musicianship and a sense of humour to the Australian folk scene is Apolline. They chat to Ce Benedict about their trio's unusual line up (fiddle, cello, bass), their approach to arranging and layering tunes, and having varied musical influences—from jazz to Scandi folk and Eurovision. They'll also perform two sets of tunes live in The Music Show studio. American ja...

Norwegian trumpet player Tine Thing Helseth returns to The Music Show as she prepares to play with the Melbourne Symphony Orchestra. She talks to Andy about the peculiarities of trumpet concertos, about composers writing for her versus writing for her instrument, and about expanding her musical life to include playing and writing. Maanyung is a proud Aboriginal man with strong connections to Gumba...

It's been forty years since the 1984–5 United Kingdom miners' strike and The Music Show has dug into the archives for a special program looking at the role that music played in this political, industrial and personal struggle. From Peggy Seeger to Paul Weller, Billy Bragg to brass bands—there's music supporting the striking miners, songs tormenting strikebreakers and tracks referencing (and someti...

For over fifty years, Sir Andrew Davis (1944–2024) was one of the world's busiest conductors, He conducted in the opera house and the concert hall and his repertoire ranged from Bach to Birtwistle. In the mid 1970s, he became chief conductor of the Toronto Symphony Orchestra, then took on Glyndebourne Opera, the BBC Symphony Orchestra and the Lyric Opera of Chicago - always for long stretches. Fro...

Beethoven's five sonatas for cello and piano span his career - two from the beginning, one from the middle and two from his late period - so they provide a good framework for talking about the composer. Timo-Veikko Valve and Aura Go have recorded them alongside the complete music for cello and piano by Anton Webern (three works, together lasting under ten minutes) and they'll be in the studio to t...

In Southern Louisiana, a few hours from New Orleans,  Ann Savoy  has spent a lifetime studying, playing and collecting Cajun music. She's best known for her trio Savoy-Doucet Cajun Band, her duet album with Linda Ronstadt Adieu False Heart, and touring and playing festivals with the Savoy Family Band. Ann has just released her first ever solo album, Another Heart, which pays tribute to her early m...

Duo Windborne are two of Australia’s finest recorder players: Rodney Waterman and Ryan Williams. Their debut album, Venus Bay Fireside Sessions, is a record of their improvisational partnership. Originally intended to be recorded outside as a direct response to the natural world of Venus Bay, the weather drove them indoors and beside the fire – hence the title. They join Andy in studio with a frac...

Benjamin Northey picked up the baton as Chief Conductor of the Christchurch Symphony Orchestra only a few years after the devastating 2011 earthquake. In a wide-ranging conversation he talks to Andrew Ford about the rebuilding of the musical life of the city (there was a period where the CSO performed at an Air Force museum after many performance venues were damaged). He also looks back on his yea...

Four pieces of music written in the years after World War II – Strauss’s Metamorphosen, Schoenberg’s A Survivor from Warsaw, Britten’s War Requiem, and Shostakovich’s 13th Symphony, ‘Babi Yar’  – paint a complicated picture of how European composers memorialised war in Jeremy Eichler’s new book Time’s Echo. Jeremy joins Andy on the show to trace the connections and conflicts in the ways that a Ger...

Aboriginal and Torres Strait Islander listeners are advised that this program contains the name of someone who has died. Melbourne double bassist Sam Anning’s latest album is dedicated to Archie Roach. The album’s title Earthen comes from a remark Roach made from his hospital bed about instruments being ‘earthenware’—coming from the earth, carrying music and then returning to the earth. The septet...

Icelandic pianist Víkingur Ólafsson is most of the way through an international tour that sees him playing Bach’s Goldberg Variations almost a hundred times, including his first ever performances in Australia. He joins Andy in the studio, in front of the piano, to talk about finding infinite variety in those Variations. We remember the late pianist Maurizio Pollini who died this week. “With Pollin...

In the 1960s, the Les Girls Revue made Carlotta a star, and earned her the moniker “Queen of the Cross”. In Sydney’s red light district, she made a name for herself before hitting the road – she’d be the first to remind you that Priscilla, Queen of the Desert is at least partially based on her rural tours. Now she’s contemplating (but not committing to) retirement, she looks back at her career as...

From the rattling charge of The Lone Ranger to the slick, warbling vocals of White Lotus, music for television has been beckoning us to the couch for the best part of a century. In Music for Prime Time: A History of American Television Themes and Scoring , Jon Burlingame has charted the history of music for telly in the form of an elegiac sort of look back at the medium as streaming overtook netwo...

Peter Garrett has still got a fire in his belly at 70. The True North, his new solo album, tackles similar ground to an Oils record—the climate crisis, politics and addiction to technology, but it's his own songwriting voice out front. The songs contain messages of hope and anger in equal measure. The music is provided by The Alter Egos (which includes Midnight Oil alumnus Martin Rotsey and The Je...

It was hard to miss Corinne Bailey Rae’s ubiquitous track from 2006 'Put Your Records On'. And it’s still heard in coffee shops the world over. The English singer songwriter released her fourth studio album late last year and it represented a complete left turn in both sound and subject. Black Rainbows is her first album not on a major label and spans genres like rock, jazz and punk. It's a celebr...

Simone Young, who has just renewed her contract with the Sydney Symphony Orchestra for another two years, talks about conducting Gurrelieder for the first time. Schoenberg's late-Romantic extravagance is one of the most sumptuous works of the twentieth century, and one of the biggest - such a concert hall rarity that Simone herself has never heard it live. We also talk about her forthcoming cycles...

An hour with two Irish living legends, singer songwriter Lisa O’Neill and concertina master Cormac Begley. Both stalwarts of the Irish traditional music scene, they united for an intense, wailing version of All the Tired Horses which was used in the final moment of Peaky Blinders. They play live and talk to Andy about what tradition means, how new writing can sing alongside the old songs, and the...

The Music Show is back on Kaurna Land at Adelaide's Botanic Park for WOMADelaide 2024, a festival celebrating music from all over the world. Marta Pereira da Costa was the first woman to make a career as a Fado guitarist. From Lisbon, Portugal, she gave up a career as a civil engineer to pursue the music full time and keep Portugal’s major musical tradition alive. The Good Ones formed in the after...