The Fretboard Journal Guitar Podcast

From a tiny workshop in East LA, the small staff of Guadalupe Custom Strings create string sets not only for acoustic and electric guitarists but also for mariachi, jarocho, bajosexto and arpa players (to name a few). On this Fretboard Journal podcast, we talk to Guadalupe’s Gabriel Tenorio about how he became a full-time string maker and why handmade, RoundCore strings are so important to their c...

Roger Siminoff has always been a tinkerer. At 21, he designed and built a prototype offset press for his family’s printing business. When the music bug hit, Siminoff began building instruments, including banjos, pedal steels and, eventually, mandolins. Today, he is considered one of the foremost authorities on mandolin and banjo construction as well as the physics of musical instruments. He teache...

Chris Eldridge of the Punch Brothers stops by the Fretboard Journal to talk about his love for John Hartford, how his recording sessions with Thile and company come to be and a lot more. We also talk about his current lineup of acoustic guitars and ask when a Chris Eldridge solo album will be available. It’s a 20 minute chat with one of the world’s finest flatpickers. Special note: Eldridge will b...

Over the years, Nashville's John Knowles has earned a PhD, a Grammy and even two Emmy nominations. Perhaps even more impressive, he's one of a handful of musicians given the "Certified Guitar Player" award from Chet Atkins. On our 82nd podcast, we talk to Knowles about Atkins, the state of fingerstyle guitar playing today, his role as an educator and arranger (he's also the publisher of FingerStyl...

Call it whatever you like: torrefaction, thermo-cured, roasted or baked. Fact of the matter is that acoustic guitar companies are flocking to a process where woods are put in a specialized, oxygen-free kiln and essentially cooked, resulting in a stiffer, drier end product (not unlike the woods found in a 60 or 70 year old guitar).  read more

In this hour-long interview, Nels Cline (Wilco) and Julian Lage sit down to talk to us about their fateful meeting (thanks to a lunch date with the late jazz great Jim Hall), the art of the guitar duo, gear (Cline is playing a Gibson Barney Kessel here; Lage is playing his Linda Manzer archtop) and much more. We also hear three tunes from Room , the pair's debut album. This interview features the...

On this week’s podcast, we talk to luthier Dana Bourgeois about a truly special one-off guitar he recently built to benefit Tony Rice. This is Dana’s first (and likely last) attempt at an enlarged soundhole D-28-style guitar, just like the famous Martin belonging to Rice and, formerly, Clarence White. Dana’s creation is a truly special instrument, with a Bourgeois Aged Tone top, Brazilian rosewood...

Michael Bashkin’s life took a unlikely turn when the former New Jersey resident enrolled as an Art major at the University of Montana. “Living in Western Montana, I quickly discovered the outdoors and developed a strong interest in natural resources and forest management,” Bashkin says in this 40-minute podcast interview. “I [then] switched my major to Forestry.” Bashkin would go on to spend sever...

Back in November of 2013, trend analyst, author and musician Eric Garland decided to post an entry to his blog entitled “Guitar Center and the End of Big Box Retail.” He described how GC’s corporate bond had been downgraded to junk status and how, in his view, it signaled “the end of a terrible model” of retailing. Garland never expected the post to go viral but within a couple of weeks it was sha...

For our 76th podcast, we head north to Lynnwood, Washington to visit with Sinasoid Stage & Studio. Sinasoid's Andy Kim and Jonathan Suhr are two musicians who have created a whole new way to purchase guitar cables with their Custom Shop Cable Builder. The recently-launched site allows customers to select from several different guitar cable offerings, pick an exact cable length and choose from a va...

When Portland, Oregon computer programmer Philip Graham decided that his singer-songwriter daughter needed a better microphone, he didn’t just turn to the latest pro audio catalog. Instead, Graham decided to do some research and build her one from scratch. Two years and a ton of R&D later, Ear Trumpet Labs was born and Graham found himself with a new day job, hand-assembling microphones for profes...

Noam Pikelny and Stuart Duncan are arguably two of the greatest players to ever pick up their respective instruments. Pikelny is, day in and day out, pushing the boundaries of the five-string banjo both on his solo records and with the Punch Brothers. Meanwhile, Duncan is the world-renowned fiddler who has played on innumerable country records and even with Yo-Yo Ma ( The Goat Rodeo Sessions ). re...

When he was 25, musician Chris Funk left the Midwest for Portland, Oregon. Why? “I knew John Fahey lived in Oregon, and that was a big draw for me. And I knew Bill Frisell lived here [in Seattle]. They’re two of my idols.” As he tells us in this podcast, shortly after relocating to Oregon, he’d meet Colin Meloy and, soon thereafter, become a core member of the Decemberists. In 2007, Funk and the D...

For our 72nd podcast, we chat with Southern California singer-songwriter Tom Brosseau. Brosseau is no stranger to the magazine, he appeared in our third issue. On this week’s podcast, he talks about the Largo music scene he calls home; his Martin 000-18; the story behind the Punch Brothers covering his tune “How to Grow a Woman From the Ground” and more. He also describes the making of his 2014 al...

Nashville flatpicker David Grier is no stranger to our magazine, he was the cover story of our 16th issue. In this hour-long interview, part of our new Fretboard Journal Live video series, the acoustic guitarists talks about his unique background (his dad played banjo for Bill Monroe), some of the fateful encounters he had with Clarence White as a boy and how he’s developed the phenomenal techniqu...

What exactly is “Bill-gebra”? On our 70th podcast, the always entertaining Bill Collings of Collings Guitars explains the concept to us and a lot more.  We talk about the diverse Collings offerings, which include acoustics and electrics, mandolins and ukuleles. We also discuss Bill’s current obsession, creating the perfect guitar case. As Bill puts it, “whatever I like is whatever I do.” All told,...

A North American-built, handmade acoustic guitar for around $1,000? As unlikely as that sounds, Ed Bond of Halcyon Guitars is making it a reality. Bond, a former employee of Larrivee and a maker of high-end Tinker Guitars, has set out to make lutherie-made guitars affordable. His Halcyon line offers a variety of body styles, scale lengths and nut widths (and limitless customization) with a satin f...

As a member of the legendary Romero family, Pepe Romero, Jr. grew up in a self-described classical guitar “gypsy camp.” Instead of following in the footsteps of his father and relatives, however, Pepe decided at an early age to become an instrument maker. On this week’s podcast, he talks to the  Fretboard Journal  about his nylon-string guitar creations, as well as his latest passion: ukuleles. He...

Martin Guitars is celebrating its 180th year in business. The venerable, family-owned company is also the subject of two new books and a forthcoming 2014 exhibit at the Met. On this week’s podcast, we talk to Martin CEO Chris Martin (C.F. Martin IV) about Martin’s place in guitar history and much more. We discuss the groundbreaking Hal Leonard book  Inventing the American Guitar: The Pre-Civil War...

Greg Leisz is prolific, to say the least. For decades, the Southern California-based multi-instrumentalist has been a go-to guitarist and pedal steel player for musicians such as Eric Clapton, Buddy Miller, John Mayer, Bill Frisell, k.d. lang, Robert Plant and others. Leisz recently contributed a track to the wonderful  Big E: A Salute to Steel Guitarist Buddy Emmons . On this week’s podcast, we t...

For our 65th podcast, we talk to banjo musician and educator Bill Evans and old-time fiddler Fletcher Bright. The duo recently released an album entitled  Fine Times at Fletcher’s House . Despite their varied backgrounds – Evans is a Bay area bluegrass powerhouse while Bright is an old-time fiddler from Tennessee – the duo sound like they’ve been performing together for years. Each of the 16 tradi...

Folk music icon Richie Havens passed away on April 22, 2013. On this week's podcast, we listen in to an interview we conducted with Havens in 2010 at the Guild Guitars factory in New Hartford, Connecticut. This informal conversation covered Havens' earliest days as a folk musician, his love for Doo-wop, his appreciation for Guilds and a lot more.  During our visit, Havens performed a few tunes for...

As one of the founding members of the Fireballs, George Tomsco is a true rock & roll pioneer. In the late ‘50s and ‘60s, his guitar playing was ubiquitous on the radio waves with hits as “Torquay,” “Bulldog,” “Sugar Shack” and “Quite a Party.” Tomsco is the subject of a comprehensive, 18-page interview in the  Fretboard Journal  #28 , where he talks about the sessions the Fireballs did at Norm Pet...

Running an independent guitar store is no small task, but Reuben Cox of Los Angeles’ Old Style Guitar Shop has found success with an unusual formula. On this week’s podcast, we talk to Cox about his unique store, which is filled with vintage gear from the ‘40s and ‘50s, along with funky old guitars that Cox has personally rebuilt for playability. It’s quickly become a cult favorite with both famou...

Seattle artists David Lasky and Frank M. Young have produced one of the most impressive graphic novels of 2012, a 200-page tome following the history of the Carter Family entitled Don't Forget This Song. On this week's podcast, the Fretboard Journal's Michael Simmons talks to the duo about the book and the years of work that went into it.