The Foxed Page

This novel--published in 1975 when Jones was only 25--is a supremely important piece of literature. A full, complex and super-engaging look at Ursa Corregidora's experience of being a Black woman in the South, the novel is a must read that Kimberly LOVED exploring.

MORE CLAIRE KEEGAN! Kimberly dives deep into the title story of this new collection to further reveal Claire Keegan's GENIUS.

NO READING REQUIRED! Kimberly lays out a very persuasive argument for why reading is REALLY GOOD for you. Featuring wisdom from Virginia Woolf (and Maryanne Wolf), Jia Tolentino, Lydia Davis and Vladimir Nabokov, the lecture will give you all the rationale you need to read a LOT MORE THIS YEAR.

Beaming in from her pantry, Kimberly explains why she wasn't drawn to this run-away bestseller--and why she ultimately found it so satisfying! If you loved the book, or the tv show, listen in to see WHY Lessons is actually a very solid literary achievement.

This running-away-to-the-Met novella from 1967 really holds up! Listen in for a good dose of nostalgia, surprisingly great prose and some excellent crone energy!

NO READING NECESSARY! This introduction to Baker's hilarious and ultra-smart The Mezzanine will convince you how easy--and beneficial--it is to slooooow doooown. In this day and age, we ALL need a fat dose of Nicholson Baker.

This gem from 1992 REALLY HOLDS UP. Allow Kimberly to remind you why this entertaining novel--built around a matriarchal, domestic romance during the Mexican Revolution--was such a bestseller. With a weird number of funny and PRACTICAL digressions, the lecture celebrates this part-soap-opera (think Jane the Virgin!), part-cookbook (try a recipe!), part-send-up and part-family-saga.

Get Kimberly's take on this early-90s classic while PRACTICING YOUR SPANISH! This soapopera-esque matriarchal saga set against the Mexican revolution really holds up. Listen in to find out why. ¡Ándate pues!

In this PLATINUM AGE of television, Kimberly looks at the masterful language, the deft historical elements and the incredible Shakespearean airs of one of the best TV series of all time: David Milch's DEADWOOD.

Kimberly hates to be self-aggrandizing but she honestly thinks this might be some of her VERY BEST WORK. Pete Dexter's DEADWOOD is an absolutely gorgeous, warm, violent and super-engaging book. If you loved it, listen now. Kimberly couldn't help but discuss some spoilers, so if you haven't read it, do that and come right back here. DEADWOOD is SO GOOD.

Tuck into analysis of this slim novel to be TRANSPORTED by gorgeous prose, excellent historical ambiance and a wholly inspirational, sassy, independent MARGARET.

NO PRE-READING REQUIRED! Kimberly breaks down the first dozen pages to reveal WHY this tome is such a hit. Explore Verghese's use of language, sense of place, narrative voice and incorporation of history--to see why you loved the book OR to see how you can GET MORE out of this epic.

NO READING REQUIRED! PLOT seems simple but understanding its nuances can make a huge impact on how you read. Treat yourself to this discussion featuring Madame Bovary, Orlando, Kennedy's The Feast and Babitz's Slow Days, Fast Company.

Kimberly explores the similarities and profound differences between oft-compared literary GENIUSES Joan Didion and Eve Babitz . . . before digging in to why people keep lumping Emma Cline, and her new novel, in with these legends.

Kimberly breaks down the GENIUS in Gabrielle Blair's crucial book. Urgent and funny at times, the lecture also touches on Kimberly's own book. If you listen to one podcast here at the foxed page, MAKE IT THIS ONE.

Building on Claire Dederer’s defense of this incredible novel, Kimberly walks you through this new way to think about the misunderstood classic. She delves into why the prose is so insanely great and wraps up with a look at the genius sleight-of-hand that makes the book not only deeply engaging but also important.

If you don’t know what to do with great art made by horrible people, you need Monsters. Dederer’s surprisingly personal look at the issue is insightful and soooo smart. Her thoughts on Woody Allen, Michael Jackson, Virginia Woolf—and Nabokov’s Lolita—are fascinating and revelatory.

In part two, Kimberly focuses on the titular essay, “The White Album.”

In part three, we dive into aspects of the later essays that make this collection so important.

In part three, Kimberly digs into the depiction of maternity in the novel, and the close of the work.

Kimberly might not have loved Ferrante’s My Beautiful Friend, but she’s OBSESSED with The Lost Daughter. (Plus, the movie’s great.) In part one, Kimberly will argue why you should read this creepy little gem, discuss names in the novel, and dive into the opening of the book.

In part two, Kimberly analyzes the uncanny, strange feel of the novel, and the important pattern of proliferation of mothers, daughters and dolls.

No reading required! In this Dickens crash-course, Kimberly equips you to get even more out of Barbara Kingsolver’s incredible Demon Copperhead. Or to decide if you want to tackle this new bestseller! You’ll find out why Demon fits so well into a long literary tradition and why Kingsolver was SUCH a genius to choose this insanely effective scaffolding for her recent gem. 

In part two, Kimberly discusses the peripheral, third-person (“sidekick”) narrator, Mitford’s world-class dialogue and the novel’s pacing.

In part three, Kimberly discusses the artful depiction of maternity, Mitford’s humor, the novel’s blend of comedy/tragedy and the close of the book.