The Filmlings

Dorothy Arzner is one of the largest names in the history of Hollywood's female directors, so today Alex and Jonathan look at the themes and relationships in her films Get Your Man (1927), Merrily We Go to Hell (1932), and Dance, Girl, Dance (1940). We talk about how romance differs in Arzner's films from other directors' work, how her films relate to the production code throughout her career, and...

Our Patrons voted on what silent film star we should cover and chose the great Buster Keaton! We look at three of his classic films: Sherlock Jr. (1924), The General (1926), The Cameraman (1928) and talk about the way Keaton melds comedy into various genres, hallmarks of Keaton's characters and techniques, and ways we still see his influence in modern entertainment. Skip to: 9:02 – Sherlock Jr. 31...

To kick off a new mini-series of podcast episodes this season, Alex and Jonathan look at how various team sports are portrayed in the films Field of Dreams (1989), Remember the Titans (2000), and Invictus (2009). We discuss the ways sports are used in film to bring people together on various levels, the effectiveness of adding fantasy to sports movies, and what is needed to elevate a film out of t...

There haven't been a lot of movies about pandemics, yet, but today Alex and Jonathan take a look at the various ways they have been done in the past, specifically in Outbreak (1995), Contagion (2011), and Flu (2013). We talk about the ways pandemic movies suffer from having a defined genre, what they might look like in the future, and how our current pandemic is affecting the current state of film...

Friend of the podcast Aaron Johnson joins the show today to talk about three animated films from Europe about various animals: Watership Down (1978), The Plague Dogs (1982), and Felidae (1994). We discuss how animals are used to depict very mature thematic stories, the distinction between Martin Rosen's animation style and the classic Disney look, and ways American animation could incorporate dark...

Our Patrons recently voted on what two oft-paired actors we should cover and decided on Tom Hanks and Meg Ryan! Alex and Jonathan talk about the only three films starring the two: Joe Versus the Volcano (1990), Sleepless in Seattle (1993), and You've Got Mail (1998) and discuss the evolution of romantic comedies in the 90s, hallmarks of Nora Ephron films, and the performances of Tom Hanks and Meg...

As the WWII series comes to a close Alex and Jonathan take a very somber look at three documentaries looking back on the war — specifically in the areas of the Holocaust and the atomic bombing of Japan — in Night and Fog (1956), Shoah (1985), and White Light/Black Rain (2007). We discuss the different forms of storytelling voice across these films, the timely nature of their creation, and the impo...

Continuing through our exploration of WWII, Alex and Jonathan turn the focus to the civilian level in Europe and look at the dramatic films Paisan (1946), Army of Shadows (1969), and Schindler's List (1993). We discuss the uniqueness of films being made in the immediate aftermath of the war, the difference in tone between war drama films and war action films, and how drama films give us an intimat...

In the third installment of our World War II series we finally get to the films showing the actual conflict across the various fronts of the war in The Great Escape (1963), Come and See (1985), and The Thin Red Line (1998). We talk about how WWII action films present the horrors of war from different perspectives, ways that a film can raise philosophical questions while showing historical events,...

Moving from propaganda to three stories of the decision makers in WWII, Alex and Jonathan take a look at the bio pics Patton (1970), The King's Speech (2010), and Darkest Hour (2017). We talk about how each film balances the politics with the subject, the evolving style of biopics, and why biopics from WWII seem to primarily be about recognizable figures. Skip to: 8:36 - Patton 25:21 - The King's...

Season 4 of the podcast is kicking off with a deep-dive into the cinema before, during, and after World War II. For the first installment Alex and Jonathan look at the propaganda of the war in Triumph of the Will (1935), Why We Fight: Prelude to War (1942), and Momotaro, Sacred Sailors (1945). We talk about the importance of propaganda in forming an argument, ways that propaganda can backfire, and...

To end the fourth season of the show Alex and Jonathan talk about three films that relate to Christmas but might not be considered your traditional "Christmas movie:" Gremlins (1984), Lethal Weapon (1987), and Hook (1991). We talk about what really makes a Christmas movie, how formerly niche genres have slowly crept into the mainstream over time, and how Steven Spielberg was largely responsible fo...

After nearly a hundred episodes, Alex and Jonathan finally get around to some of the biggest films in cinema history, specifically in the romance genre. We take a look at Gone with the Wind (1939), Casablanca (1942), and West Side Story (1961) and discuss the effect of the studio system on large budget productions, elements that make a successful movie beyond the studio system, and the timeless ap...

Friend of the podcast Jason Harden joins the show once again to talk with Alex and Jonathan about the animation of Don Bluth in The Secret of NIMH (1982), The Land Before Time (1988), and Anastasia (1997). We discuss Bluth's beginnings with his short film Banjo the Woodpile Cat (1979), the darker tone in his films than most animated entertainment, the ways his animation differed from the Disney fi...

In the spirit of Halloween, Alex and Jonathan look at the works of John Carpenter, one of the most iconic names in the contemporary horror genre. We watch Halloween (1978), Escape from New York (1981), and The Thing (1982) and discuss the origins of modern horror tropes, world-building, and stellar practical effects. Skip to: 8:37 – Halloween 32:03 – Escape from New York 49:03 – The Thing 1:13:09...

Our Patrons voted on which silent film star we should cover, so today Alex and Jonathan look into Mary Pickford's incredibly influential career in front of and behind the camera. We watch The Poor Little Rich Girl (1917), Sparrows (1926), and Coquette (1929) and discuss the "little girl" persona often portrayed by Pickford, the extent of her star power, and possible reasons why she's no longer qui...

Heavens! Today Alex and Jonathan wrap up the Films de Femmes series and look at the varied career of the well-rounded filmmaker and entertainer Elaine May in her films A New Leaf (1971), Mikey and Nicky (1976), and Ishtar (1987). We talk about her background in improvisational comedy, her range of directing styles from comedy to tragedy, and her frequent difficulties working under Hollywood studio...

The grand human dramas of Golden Age director John Huston are the topic today as Alex and Jonathan look at The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), and The Man Who Would Be King (1975). We talk about how Huston incorporates real life experience into his writing and directing, how he blends characters and themes, and various technical aspects of Huston's directing. Skip t...

Our Patrons voted recently on what film remake they'd like to hear more about so Alex and Jonathan get into the weird world of Roger Corman's sci-fi classic The Little Shop of Horrors (1960) and Frank Oz's musical remake Little Shop of Horrors (1986). We talk about the way Roger Corman mixes comedy and horror to create a successful b-movie, how a story changes with the addition of music, and how a...

The swashbuckling genre takes Alex and Jonathan from medieval England to the Caribbean to a galaxy far far away as we look at The Adventures of Robin Hood (1938), Star Wars: Episode V – The Empire Strikes Back (1980), and Pirates of the Caribbean: The Curse of the Black Pearl (2003). We talk about the history of swashbuckling stories, common elements of the genre, and the place that swashbucklers...

Jonathan sits down with Hayden Chauffe today to discuss the career of the modern filmmaker's filmmaker, Quentin Tarantino, in the films Reservoir Dogs (1992), Inglourious Basterds (2009), and The Hateful Eight (2015). We talk about Tarantino's literary story structure, the controversies that tend to follow his films, and the way he breaks various rules of filmmaking for effect. Skip to: 15:38 – Re...

After the studio system ended in the 1960s a new era of American cinema was born known as the American New Wave. Today Alex and Jonathan take a look at three milestones of that era: Bonnie and Clyde (1967), The French Connection (1971), and The Deer Hunter (1978). We talk about how Bonnie and Clyde took advantage of the relaxed production codes, the introduction of auteur styles in American film,...

Continuing our series focusing on female filmmakers, Alex and Jonathan take a look at the narrative and documentary career of French New Wave pioneer Agnes Varda in her films Le Bonheur (1965), The Gleaners & I (2000), and Faces Places (2017). We talk about Varda's capacity for biting social commentary, her empathy for her documentary subjects, and the ways she infuses her own personality and intr...

Alex and Jonathan trace the ever-maturing career of Peter Jackson through his films Bad Taste (1987), Heavenly Creatures (1994), and They Shall Not Grow Old (2018). We discuss the potential that young filmmakers can show in early, low-budget films, how Jackson adds his fantasy flare to a true-crime story, and the evolution of his dramatic sensibilities across his career. EXTRA! EXTRA! For more on...

Resident animaniac Aaron Johnson joins Alex and Jonathan today to talk about a very particular period in the history of Disney animation in The Black Caudron (1985), Who Framed Roger Rabbit (1988), and The Little Mermaid (1989). We talk about how The Black Cauldron almost killed Disney, the homages and innovations of Who Framed Roger Rabbit, and how The Little Mermaid kicked off the Disney renaiss...