The Essay

Essay 4: Pavlova A new series of essays written and read by the very popular Fiona Stafford, Professor of Literature at Somerville College, Oxford, following her much praised series of essays The Meaning of Trees and Composers and their Dogs. Here Fiona explores some of the world’s favourite puddings, all of which have surprising stories and have become symbols far beyond the pudding bowl. Pavlova...

Essay 3: Crème Brûlée A new series of essays written and read by the very popular Fiona Stafford, Professor of Literature at Somerville College, Oxford, following her much praised series of essays The Meaning of Trees and Composers and their Dogs. Here Fiona explores some of the world’s favourite puddings, all of which have surprising stories and have become symbols far beyond the pudding bowl. Cr...

Essay 2: Summer Pudding A new series of essays written and read by the very popular Fiona Stafford, Professor of Literature at Somerville College, Oxford, following her much praised series of essays The Meaning of Trees and Composers and their Dogs. Here Fiona explores some of the world’s favourite puddings, all of which have surprising stories and have become symbols far beyond the pudding bowl....

Essay 1: Tapioca A new series of essays written and read by the very popular Fiona Stafford, Professor of Literature at Somerville College, Oxford, following her much praised series of essays The Meaning of Trees and Composers and their Dogs. Here Fiona explores some of the world’s favourite puddings, all of which have surprising stories and have become symbols far beyond the pudding bowl. Tapioca...

Khadijah Ibrahiim’s essay, A Journey of Things Past and Present, looks at how Leeds’s built environment has changed and what that tells us about it as a society. Leeds is a rich north England city in a beautiful rural setting, but only the former is reflected in its physical development. The starting point is a much-loved mural that Khadijah contributed to as part of a school art project about the...

In his essay, Paradoxopolis, Ian Duhig is inspired by a painting by 'Leeds’s Lost Modernist', the reclusive Joash Woodrow, and the former local synagogue, now the Northern School of Contemporary Dance, both sited on the road north out of Leeds, built by Blind Jack Metcalf, iconic Leeds roadmaker of the Victorian era. Ian says: "When I first moved here about 50 years ago, Leeds was still advertisin...

In her essay, Both Arms, Michelle Scally Clarke writes about the statue of that name by William Kenneth Armitage CBE, a Leeds sculptor known for his semi-abstract bronzes.  It is a powerful public image of compassion, support and welcome, created as a monument to friendship. It resonates for Michelle about her own life journey as a mixed race care leaver who was welcomed and held by Leeds as a chi...

The world of magic and enchantment that Jeremy Dyson remembers from the Leeds of his childhood are epitomised by the three intricately carved clocks with life size human figures that still keep time in the Edwardian and Victorian shopping arcades in the city centre, now hemmed in by shopping malls and fast food outlets. From discussing the three clocks, he takes us back to the Victorian architectu...

The city of Leeds seen through public art past, present and future. In this edition, Malika Booker considers an architectural sculptural frieze located on Abtech House, 18 Park Row, Leeds (formerly West Riding Union Buildings) created in 1900 by the stonemason and sculptor Joseph Thewlis. The sculpture depicts emblematic figures related to Leeds commerce at the time, linked to the abundance of tex...

"Each remembered moment is a keyhole. Time doesn't 'flow like a river', doesn't exist in Odesa at all; the numbers of years, 1986 or 1989 or 2006 are like signs hanging about the corner grocery shop, with names of owners, swaying. In these streets, everything is ever-present. There are places like this on the planet: you can stop in the middle of the street and stick a finger into the skin of time...

"Each remembered moment is a keyhole. Time doesn't 'flow like a river', doesn't exist in Odesa at all; the numbers of years, 1986 or 1989 or 2006 are like signs hanging about the corner grocery shop, with names of owners, swaying. In these streets, everything is ever-present. There are places like this on the planet: you can stop in the middle of the street and stick a finger into the skin of time...

Kenneth Steven considers the introduction of wild animals into the Highlands of Scotland and the impact on rural life, reflecting in poetry at the end of each Essay. Kenneth Steven recounts the story of American bison introduced in Victorian times to Scotland by William Stewart. ‘They were enclosed in a paddock with a circumference of five or six miles, but had become completely tame – they were h...

Kenneth Steven considers the introduction of wild animals back into the Highlands of Scotland and the impact on rural life, reflecting in poetry at the end of each Essay. There’s plenty of evidence to suggest that at one time beavers were distributed widely throughout mainland Scotland. That would seem no great surprise, given the wealth of rivers and lochs in the country, and when you think how m...

Kenneth Steven considers the introduction of wild animals into the Highlands of Scotland and the impact on rural life, reflecting in poetry at the end of each Essay. Kenneth Steven explores his visit to an island in the largest of freshwater lakes, Loch Lomond. There was nothing; possibly the soft murmur of birdsong, but precious little more than that. I walked on until I must have been about the...

Kenneth Steven considers the introduction of wild animals back into the Highlands of Scotland and the impact on rural life, reflecting in poetry at the end of each Essay. At one time sea eagles are likely to have been revered in Scotland. The Tomb of the Eagles, a Neolithic burial site in Orkney, is testament to that, as are the carved Pictish stones depicting what’s hard not to believe have to be...

Kenneth Steven considers the introduction of wild animals into the Highlands of Scotland, reflecting in poetry at the end of each Essay. A consignment of eight reindeer landed at Clydebank near Glasgow on April 12th in 1952 thanks to a Swedish Sami Mikel Utsi who hailed from a long line of reindeer herders. There were eight reindeer and they were from Mikel Utsi’s own family herd in Arctic Sweden....

Writer and musician Kate Kennedy takes a personal look at five lost cellos, and what they can tell us of those who played and loved them and how our identities are shaped by the physical, social and psychological impacts of performance. What happens when you re-imagine what a cello can be? From pieces of derelict instruments, and offcuts of wood, along with cutting edge technology, Kate Kennedy is...

Writer and musician Kate Kennedy takes a personal look at five lost cellos, and what they can tell us of those who played and loved them and how our identities are shaped by the physical, social and psychological impacts of performance. Destroyed and resurrected, how does an instrument's identity change? The 'Mara' Stradivarius is one of the greatest cellos in the world, but in the 1960s it was co...

Writer and musician Kate Kennedy takes a personal look at five lost cellos, and what they can tell us of those who played and loved them and how our identities are shaped by the physical, social and psychological impacts of performance. What does it mean to be saved by an instrument? Anita Lasker-Wallfisch became known as the cellist of Auschwitz. Her beloved Ventepane cello disappeared at the sam...

Writer and musician Kate Kennedy takes a personal look at five lost cellos, and what they can tell us of those who played and loved them and how our identities are shaped by the physical, social and psychological impacts of performance. An abandoned cello rescued from a skip stands alone under a pergola in an orchard of a stately home on the outskirts of Nottingham. In an eccentric experiment, cre...

Writer, musician and broadcaster Kate Kennedy takes a personal look at five lost cellos, and what they can tell us of those who played and loved them and how our identities are shaped by the physical, social and psychological impacts of performance. Can a cello hold its player's soul? Jewish-Hungarian Pal Hermann was hailed as 'the next Pablo Casals' in the 1930s. He is now completely forgotten. K...

"Each remembered moment is a keyhole. Time doesn't 'flow like a river', doesn't exist in Odesa at all; the numbers of years, 1986 or 1989 or 2006 are like signs hanging about the corner grocery shop, with names of owners, swaying. In these streets, everything is ever-present. There are places like this on the planet: you can stop in the middle of the street and stick a finger into the skin of time...

"Each remembered moment is a keyhole. Time doesn't 'flow like a river', doesn't exist in Odesa at all; the numbers of years, 1986 or 1989 or 2006 are like signs hanging about the corner grocery shop, with names of owners, swaying. In these streets, everything is ever-present. There are places like this on the planet: you can stop in the middle of the street and stick a finger into the skin of time...

"Each remembered moment is a keyhole. Time doesn't 'flow like a river', doesn't exist in Odesa at all; the numbers of years, 1986 or 1989 or 2006 are like signs hanging about the corner grocery shop, with names of owners, swaying. In these streets, everything is ever-present. There are places like this on the planet: you can stop in the middle of the street and stick a finger into the skin of time...

In this series of The Essay, five leading cultural voices choose a great work of art and talk about a small, under-appreciated aspect of the piece that carries great meaning for them. Art historian and author of The Story of Art Without Men, Katy Hessel draws our attention to the spine as a symbol of feminine strength and survival in Frida Kahlo's Broken Column. No matter how ambitious and brave s...