The Edinburgh Fringe Show, with Ewan Spence

John Meagher joins me on the podcast today to discuss his life and Edinburgh Fringe debut. 8 years after starting on his performing career, he has an hour for the Fringe. Big Year is that show, and it's an opportunity for John to look back over his life, from an island off the coast of Ireland to his own home in England. We talk about his approach to writing material and why it has to be personal,...

Today, I speak to Natasha Pearl Hansen. Following her breakout hour and comedy special retelling the moment she cancelled the wedding and turned it into a recording session for a live show, Natasha returns to the Fringe with The Right Amount of Wrong. It looks at life after that not-wedding day, finding the joy and the win in the day, and the journey that followed. We talk about that, but also the...

Vyte Garriga's Paper Swans is a mesmerising and thought-provoking piece of absurdist theatre that is picking up critical acclaim in the media covering the Fringe, and offering an emotionally complex hour for the audience. We talk about moving from Lithuania to the UK and London and why RADA felt like the only option for Vyte to further her career. From there, she talks about her academic studies a...

Archie Henderson joins me today. He's the creative mind behind Jazz Emu, a flamboyant singer with illusions of grandeur, as Emu looks to climb the dizzying pole of stardom. The show at the Fringe is a brash mix of musical fun, intense moments, and the drive to succeed in front of royalty. We talk about the influences of music and style behind Jazz Emu and how the audience interaction of a comic ca...

Joining me on the podcast today is Julie Flower, who has a story that looks at "love, memories and the stories our clothes have to tell." Bringing the true-life story of her Grnadma's counter-culture second-hand shop in Sheffield to the Fringe, we talk about the trailblazing nature of her relative, investigating your own family for personal and professional reasons, and subverting expectations.

Bebe Cave joins me today for the big interview. She's been a regular at the Fringe since she debuted in 2012 in a two-hander show with her sister, but this year is her first solo show. 'The Screen Test' is a period piece set in the Golden Age of Hollywood, but it talks about the industry demands of today, as well as a near century ago in Hollywood. We also talk about the delights of the heroines o...

Today's interview is with Finlay Christie, a comic who has found success on the stage and online, with sell-out shows at the fringe and a popular YouTube channel that can bring hundreds of thousands of viewers to his material. His show ‘I Deserve This’ sees the 19-year-old question his success and how he balances the different needs of comedy for the online and offline worlds.

Today's interview is with Alison Larkin. She has brought "Grief… A Comedy" to the Fringe. It's a solo piece about Alison finding love late in her life before her partner died. Alison's grief took her on an unexpected journey full of hope, laughter, and a cameo from Archbishop Desmond Tutu… as all good stories must.

For our second preview of the Edinburgh Fringe, Ewan Spence talks to Darrell Martin, owner of the Just The Tonic venues. We talk about starting out at the Edinburgh Fringe with the Big Value Comedy Showcase before moving into venue management; the mix of ticketing at the Fringe (from Free to full price) and which Darrell thinks is best; the cost of attending the Fringe; and finally touch on the im...

For our second preview of the Edinburgh Fringe, Ewan Spence talks to Julie Lærkholm, the Community Engagement Officer at the Fringe Society to find out more about how the Fringe works with local communities, organisations, and schools, to make the Fringe more accessible to Edinburgh residents and the visiting audiences.

It's our first full preview of the Edinburgh Fringe 2024, as Ewan Spence meets Chris Grace to talk about his new solo show 'Sardines (A Comedy About Death)', how fringe theatre continues to be important to his career, and why the Edinburgh Fringe is such a magical time of year.

With August and the Edinburgh Fringe approaching, Ewan Spence opens up the season with our prologue to set the scene, and to listen to our traditional opening song from Daneil Cainer.

Reviews play a critical part in the Arts world, especially during the Edinburgh Festival. Who is reviewing you, did it read like a five-star, why is nobody turning up, and what can you do with them in September? In this podcast, I'm joined by Scott Matthewman. He has been working as a theatre critic for nearly twenty years, sometimes as a part-time freelancer and at other times as a fully employed...

Ewan Spence is joined by theatre producer Fin Ross Russell (The Collie’s Shed) to look back at this year’s Fringe, the preparation required, what happens next, and plans for 2024.

What does it mean to bring a legend back into the light? That’s the challenge faced by Two Halves Productions in the delightful tongue-twisty Never Trouble Trouble, Until Trouble Troubles You.  Writer and performer Paul Beeson joins the podcast to talk about the life of Bobby Walker, and portraying the legend at the Edinburgh Fringe. Joining Heart of Midlothian Football Club in 1896, Walker became...

Cat Shit Crazy, with either an exclamation mark replacing the eye or a censored graphic over the title, caught a lot of attention as the Fringe started, in part due to the aforementioned ‘we can’t have that sort of thing on display at the Fringe’. Sometimes the best publicity comes as a surprise. But the show is about much more than that. Hollywood-based Cindy D’Andrea’s autobiographical show is m...

What happens when you decide to make your own magic from whatever you can find around you? What happens when you add a dash of robotics to the magic? And then an old tomato soup can from the bin to be your next robot assistant. That’s the world of Mario The Maker Magician. It’s a family show packed with slapstick humour, handmade robots, and a lot of skill. THere’s a mix of science, creativity, sh...

When you do comedy, there’s always a message - the old adage of only punching up is born from many a hard-earned lesson on the stage. You can do that powerfully with force and aggression, but if you prefer a milder comedian, then why not ask Tom Mayhew. Tom’s show for 2023 is ‘This Time Next Year, We'll Be Millionaires!’ and beyond the well-timed nod to something the audience may be more familiar...

The Fringe is not static. Neither are board games, and the classic Monopoly is a perfect example. It’s not a great game, it’s poorly designed, and it ruins friendships and families. Benjamin Alborough not only has the arguments on the dangers of Monopoly, but is also going to reinvent the game with the help of the audience. Absolute Monopoly is an interactive yet rather chaotic gameshow; from goin...

Rebecca McGlynn’s musical ‘Asexuality’ asks what it means to be a man in the 21st century and how toxic masculinity affects those of us assigned male at birth. It’s an autobiographical musical comedy about Rebecca’s life before transitioning. Sitting down with Rebecca in a brief moment of sun, we talk about the power of Sondheim and choosing to do a musical for a show about queer identity; and why...

One part of the Edinburgh Fringe for every performer is being judged; by the audiences, by the industry, by the reviewers, and pretty much every part of the business. Which makes it all the more interesting that Colleen Lavin has not only built a robot to judge her, but it’s doing it live, every day, in from of an audience. In ‘’Do The Robots Think I’m Funny’, Colleen asks what it means to be inse...

Featuring cameos from Columbo and The Eiffel Tower, here’s my chat with Sid Singh. His Fringe show for 2023 is “Table for One”, where Sing talks about his dual career as a stand-up comic and human rights advocate - careers that see him taking on the US Government over human rights before dealing with deportation from India while staying in Germany.  The show, which is supporting and raising money...

Emily Walsh brings her show ‘Dad Girl’ from the clubs of New York to the Grassmarket of Edinburgh. Emily does not know if she wants kids, but she would like to be a dad. It’s a show about making decisions in a world where others believe the decision has already been made for you by society. The Fringe offers something that many comics, including Emily, rarely get. A chance to spend an hour with an...

Sikisa’s Hear Me Out is her second hour-long show at the Edinburgh Fringe. During last year’s debut, after reading a passage of text an audience member wondered if she might be dyslexic. To cut a long story short (and not give away any spoilers), Sikisa was diagnosed, and this year’s show is about that journey. Sikisa and I talk about her performance and how it rarely reflects how she is away from...

‘Bed The Musical’ is centred around the titular piece of furniture. The show examines a twenty-year-long marriage through the presence of the bed that Alice and Ben bought instead of going on a honeymoon. If beds could tell their own stories, this bed has a tale to tell, and it’s all put to song. Written by Tim Anfilogoff and Alan Whittaker Bed is a musical about a place we spend a third of our li...