The Bookshelf

When Salman Rushdie was attacked in Chautauqua, New York in August last year, Victory City, his latest novel, was already finished. Some say it's not only a return to form, but also uncannily prophetic. 

Reading Max Porter's Shy, Han Kang's Greek Lessons and Yan Lianke's Heart Sutra with writers (and writers-in-translation, both) Linda Jaivin and Ennis Ćehić

Reading Pip Williams' The Bookbinder of Jericho, Juan Gómez-Jurado's Red Queen and Nicole Flattery's Nothing Special with writers Ashley Kalagian Blunt and Joanna Horton

Savage explorations of the present, using different literary forms, in two new novels. Kate and Cassie are joined by guests film academic Bruce Isaacs and NZ literary leader Claire Mabey, to read Booker Prize winning novelist Eleanor Catton's latest, Birnam Wood, and American writer Nana Kwame Adjei-Brenyah's Chain-Gang All-Stars.

A journey through the myriad of ways weather presents itself in fiction for this monthly edition of The Book Club.

Reading Julia Langbein's comedic take on Hollywood's ruthless screen industry in American Mermaid, and Stephanie Bishop's The Anniversary, a watery mystery about creative tension and desire.

Reading award-winning novelist Rebecca Makkai's I Have Some Questions For You, along with The Silence Project by Carole Hailey. Plus, an interview with much-loved Irish novelist Sebastian Barry.

Reading Anindita Ghose's bestseller The Illuminated and Is Mother Dead by Norwegian author Vigdis Hjorth with guest reviewers Maria Takolander and Suma Iyer, and an interview with Australian author Alice Nelson.

Novels about infidelity can be cautionary tales but also reveal changing attitudes

Is there a more enduring theme in literature? From the ancient greats to bestseller romances, it's been the subject of both untold anguish and fascination. Why is it that we never seem to tire of this all-too-human experience?

A Sydney WorldPride edition of the Bookshelf, as Kate and Cassie are joined by guests George Haddad and C S Pacat to read Samantha Shannon's A Day of Fallen Night and K Ming Chang's Gods of Want (with comments from both these writers); and Arinze Ifeakandu (God's Children Are Little Broken Things) on queer lives and writing in Nigeria.

Reading Kevin Jared Hosein's Hungry Ghosts, set in 1940s Trinidad (and we hear from the author too); Tom Rob Smith's Cold People, in a reshaped Antarctica, and Cho Nam-Joo's Saha in a corporate city-state, imagined in Korea. Kate and Cassie are joined by writer Shannon Burns and literary facilitator Michaela Kalowski.

Poet Maxine Beneba Clarke and novelist Michael Winkler join Kate and Cassie as they read Ronnie Scott's Shirley, Eleanor Shearer's River Sing Me Home and James Kelman's God's Teeth and Other Phenomena

Unquiet ghosts, disconcerting babies, a shattered bust of a despot and a frontier Western: reading Stefan Hertmans' The Ascent, Ben Hobson's The Death of John Lacey and Laura McPhee Browns Little Plum with guests books writer Nicole Abadee and crime podcaster Ben Herder; and speaking with Paul Dalgarno about the books that shaped his latest, A Country of Eternal Light (hint: hello, Frankenstein)

Kate and Cassie are back with new fiction for 2023: reading Bret Easton Ellis' The Shards and Deepti Kapoor's Age of Vice with guests Geordie Williamson and Sue Turnbull; and Brigitta Olubas on her biography of writer Shirley Hazzard

Hoofbeats, assassins and tracks in the snow. Rereading Gillian Mears’ novel Foal’s Bread;  reading Kári Gíslason's The Sorrow Stone; and speaking to Karen Joy Fowler about her novel Booth and the books that shaped it.

A child is lost in a nineteenth-century landscape carved out of both thousands of years of history, and more recent expectations and misunderstandings. An entire community rallies to find him – but their pathways diverge, overtake, retrace and obliterate each other. What a story! Novelist Fiona McFarlane speaks about The Sun Walks Down with Kate Evans.

Reading Steve Toltz's Here Goes Nothing and Ashley Goldberg's Abomination, and speaking to Tracey Lien (All That's Left Unsaid) and Sue Orr (Loop Tracks) about the books that have shaped them.

Stories that are tough and joyful, heartbreaking and beautiful, confronting and worth it:  Kate Evans speaks with New Zealand writer Becky Manawatu about her novel, Aue; and to American writer Leila Mottley about Nightcrawling

Reading Canadian Métis writer Katherena Vermette's The Strangers, Irish writer Louise Kennedy's Trespasses, and speaking to Scottish writer Graeme Macrae Burnet about Case Study and the bookshelf that made it

What is it about Irish storytelling: that combination of poetry and pain, brutality and a wicked laugh or ten? All that lyrical toughness, and a sense of a history punctuated by a drumbeat of violence, is on display in Audrey Magee's novel, The Colony. A conversation with Kate Evans Other books and writers mentioned in this conversation: Emily Dickinson, works Marcel Proust, works James Joyce, wor...

Reading Chris Womersley's The Diplomat, Lauren John Joseph's At Certain Points We Touch and Jonathan Bazzi's Fever – with Nigel Featherstone; and talking to Nigerian-English writer Nikki May about her novel Wahala and the bookshelf that shaped her

Two writers who grapple with crime, with very different style and intent, in conversation with Kate Evans. American writer John Darnielle is also a musician (The Mountain Goats), and his books include Wolf in White Van and Universal Harvester. He speaks with Kate about his latest, Devil House. New Zealand crimewriter Charity Norman had an earlier career in England as a barrister, but now prefers f...

Four novels about islands: reading Emily Brugman's The Islands, Audrey Magee's The Colony and Eliza Henry Jones' Salt and Skin; and speaking to Tom Watson about his novel Metronome

English novelist Patrick Gale specialises in hidden lives, secret stories, and celebrating queer histories. His books include Rough Music, Notes from an Exhibition, and A Place Called Winter: and in his latest and seventeenth novel, Mother's Boy, he fictionalises the life of Cornish poet Charles Causley. He speaks to Kate Evans for a special Summer edition of The Bookshelf