Switched on Pop

Streaming hasn't just changed the way we listen to music, it's changed the way that pop music sounds. After years of losses due to the death of the CD and the rise of file sharing, the music industry has finally found a profitable business in streaming services. Streaming has overtaken all other music sales. Digital music platforms are the new Virgin megastore. But these services are more than jus...

Can political protest exist within the confines of commercial popular music? Songwriter Justin Tranter is equal parts songwriter and activist. You've likely heard his contributions to songs by Britney Spears, Julia Michaels, Selena Gomez, Janelle Monae and Ariana Grande, but unless you were paying close attention, you may have missed the essential subtext in his work. As an LGBTQ activist and boar...

What if music awards were given out for only musical qualities? It may seem like celebrity and spectacle are more important than ever at the 61st Grammy Awards, but we believe many of this years winners earned their accolades with noteworthy music. Still, we thought the winners should be heralded by new, more musical categories. Find out how And The Awards Go To: Best Chord Progression: H.E.R. - "...

Author Courtney Smith joins to offer her expertise on an urgent topic in advance of Valentine's Day: Can we abstract the sexiest songs of all time into a universal list of arousing musical qualities? We try our best by examining five decades of pop sexiness, discovering lyrical lingerie, and consider the most (and least) seductive instruments. Featuring: Nina Simone - I Want Some Sugar in My Bowl...

"7 Rings" is Ariana Grande's latest smash, a glittering banger that owes much to Rodgers and Hammerstein's 1959 classic "My Favorite Things." 60 years later, Grande updates the track for a modern audience, making her the latest artist to repurpose this anthem from the "Sound of Music." When it comes to Ari's flow, however, questions of appropriation arise. Author Lauren Michele Jackson joins to br...

Auto-Tune may be the most divisive effect in music. Artists have protested it publicly at the Grammys, and critics have derided the effects for its inauthentic reproduction of the voice. And yet, nearly a decade since Jay-Z prophesied the death of Auto-Tune, the sound is alive and thriving in contemporary pop and hip-hop. Journalist Simon Reynolds has written a definitive history of Auto-Tune for...

This winter season unwrap a deep dive through a pop subgenre of monumental importance: non-holiday songs that feature sleigh bells, from Bonnie Tyler to Nas, On Side B, we rebroadcast our episode on Mariah Carey's classic "All I Want for Christmas Is You"...and more sleigh bells.  Featuring: •The Beach Boys - God Only Knows •Gustav Mahler - 4th Symphony, I •Michael Jackson - Jam •Bonnie Tyler - To...

Four years into Switched On Pop, Charlie and Nate finally reveal what was behind the entire series. We may have not been totally honest with you from the beginning. Back in 2014 we were more pop skeptics than fanatics. The genre was, to some degree, the sugar that made the musical analysis medicine go down. And then something happened. Just as people started to listen to the show, we too began to...

Mike Posner has written hits for himself like "I Took a Pill in Ibiza," and for stars from Justin Bieber ("Boyfriend") to Maroon 5 ("Sugar"), so he has insights for days on what makes a pop song work. We dig into Mike's excellent new track "Song About You," which leads to an exploration of songs that reuse the same melody for verse and chorus—from Prince to The Boss to Post Malone. Last, we consid...

Dirty Projectors are known for their kaleidoscopic soundscapes. They make strange bedfellows of music techniques like 14th vocal harmonies and African guitar rhythms. But in the backdrop of their obscure orchestrations you will hear the indelible marks of pop music. Longstreth has recently collaborated on songs with Solange, Rihanna, Kanye and Paul McCartney. On his new track "I Feel Energy" we ca...

Classic rock climaxed a half century ago, yet it still survives in two places: FM radio & Greta Van Fleet. The later are an upstart of four boys from Michigan who have found stardom by dusting off the mantle of guitar driven rock. Their latest album, Anthem Of The Peaceful Army, bares an uncanny sonic resemblance to Led Zeppelin. Jeremy D. Larson, senior editor of Pitchfork, gave the album a 1.6 o...

Charli XCX and Troye Sivan conjure late 90s nostalgia in their latest banger. "1999" drips with lyrical nostalgia for the last decade of the millennium — but does the music follow suit? We think the pair are missing prime opportunities to bring back some neglected musical tricks from the early oeuvre of Britney Spears. The 90s bug goes beyond Charli and Troye. Anne-Marie and Lauren Alaina also pin...

Four songs on the Hot 100 pop chart reveal the new directions in which music is headed. Travis Scott's "Sicko Mode" boasts an unprecedented formal structure that points to the future of hip hop. Meanwhile, in the world of country, Jason Aldean, Mitchell Tenpenny, and Dan + Shay are putting a modern spin on one of the style's oldest tropes: drinking bourbon. Together these tracks make up the vangua...

Emily Warren is one of the great rising stars of contemporary songwriting. Her song "Side Effects" with The Chainsmokers is currently rising up the charts. You’ve also heard her writing on Dua Lipa’s "New Rules." She’s collaborated with many of the best performers in music earning her a Grammy and multi-platinum success with “Don’t Let Me Down.” She's also recently released her single "Paranoid."...

Drake, per usual, has been inescapable this summer. "In My Feelings" and "Nice For What" top the charts, but there's depth to these bangers. We argue for hearing one as a meditation on fragile masculinity, the other as a paean to NOLA Bounce. Continue the conversation with us on Instagram and Twitter: @SwitchedOnPop Songs discussed:Drake - In My FeelingsDrake - Nice For WhatLauryn Hill - Ex Factor...

The final episode of our Switched on Summer throwback series finds us deconstructing more early aughts bangers. Under consideration: two of the biggest hits since Y2K, Beyoncé's "Crazy in Love" and the Black Eyed Peas' "I Got a Feeling." Tune in to dig how these tracks keeps the temperature rising through harmonic suspension, and to ask if will.i.am cribbed "Chopsticks." Switched On Summer Winner:...

What made summer jams of the aughties like Nelly's "Hot in Herre" and Katy Perry's "I Kissed a Girl" so hot? The answer: big, sweaty, doses of harmonic tension. Specifically, each track relies on the Baroque technique of the ground bass. Wait, we mean: the Baroque technique of PEDAL POINT! When the chords in these songs don't match up with their bass notes, the ratcheting tension adds heat—fueling...

The Switched on Pop Summer Throwback Series continues! This time, with a deep dive into the musical detritus of the 1990s. In true 90s fashion, our episode is inspired by a pair of classic VH1 shows; "Behind the Music" and "Where Are They Now?" Our subjects are two songs representing the lunatic fringe of 90s culture, "Cotton Eyed Joe" and "How Bizarre." In the course of our musicological investig...

Our Switched on Summer Throwback Series continues with "Dancing in the Street," the 1964 Motown hit by Martha and the Vandellas that was co-written by none other than Marvin Gaye. Over 50 years and countless covers later, we explore how this song still manages to get people off their feet and onto the streets—not just to dance, but also to raise their voices in joy, catharsis, and protest. Also, s...

Our Switched on Summer throwback mini-series begins in the heart of the 1960s, with the Beach Boys' perennial school's-out jam "I Get Around." We explore how every aspect of Brian Wilson's two-minute-long masterpiece is perfectly calculated to literally "get around"—harmonically, melodically, and lyrically—creating that unbeatable feeling of cruising all over town with the top down on a hot summer...

Part I: The Doctors Are In! We diagnose a listener's musical malady, namely: "why does Charlie Puth's new jam 'BOY' make us feel so weird?!" Part II: Guest Hanif Adburraqib, author of They Can't Kill Us Until They Kill Us, helps break down Carly Rae Jepsen's epic "Cut to the Feeling" to understand why CRJ is a different kind of pop star. Featuring: •Charlie Puth - BOY •Ismael Miranda - Recordando...

Parliament Funkadelic has had waves of influence on popular music. Their Afrofuturist message and infectious grooves built the backbone of 70s funk, was revived in the 90s with Dr. Dre's G-Funk, and is once again in vogue with in the music of Kendrick Lamar, Childish Gambino and Kali Uchis. Bootsy Collins, bass player of Parliament Funkadelic, collaborated with Kali Uchis and Tyler the Creator on...

Ariana Grande has returned with a track that is jarring yet simultaneously catchy. She uses sophisticated musical techniques to tell a story of healing, resiliency, and hope after the attack at her concert in Manchester. Listeners will learn techniques like tempo rubato, modal interchange and amen breaks, which weave together this equanimous narrative. Songs featured:Ariana Grande - No Tears Left...

There is a lot of scare about the impending future of artificial intelligence making humans irrelevant. Musician Taryn Southern examines this narrative through her song “Life Support,” written with the aid of AI composition tools. We dispel current myths about AI music and discuss its future opportunities. In the second half of the show we run a musical 'Turing test' to see if you can identify mus...

Samantha Gongol and Jeremy Lloyd are songwriting duo Marian Hill and they are here to share their annoyingly sharp insights on music. They come bearing the wistful pop of Lorde's "Ribs," and we deconstruct its primordial roots in classical composers like Scelsi, Beethoven and Haydn. Then, we turn to Marian Hill's new single "Differently" to uncover the subtle musical shifts that outline a complex...