SUDDENLY: a Frank Sinatra podcast

Please note that the accompanying graphic for this episode has not been chosen lightly and is intended in the spirit of historical education, criticism and artistic commentary.  In part 2 of our investigation into the saga of Wake Up and Live, we look at the original 1936 self-help book by Dorothea Brande, the toxic ideas that the book perpetuates and the author's ties to fascism and Nazism. To un...

This week we begin a three-part investigation into Wake Up and Live . What is it? Good question. It's a 1930s self-help book, a musical in which a real-life journalist/radio host plays himself, and later, a radio drama adapted from the film. All these things interrelate in a way that's confusing to make sense of in 2024. Just beneath the surface of Wake Up and Live lies an elaborate and shocking s...

***SPOILERS AHEAD - LISTEN TO EPISODE 47 FIRST*** It is now post time.  Selected resources and links mentioned this week: * Follow @covidconsciousqueersnaarm on Instagram * Godmother of Elvis Sightings video essay by Johnny Law & Order * TCBCast After Dark , Rabia's new side project with Justin Gausman, which you can hear by subscribing to the TCBCast patreon . * Art Cohn - The Joker is Wild (1955...

What if someone slashed Sinatra's vocal cords at the height of his powers? Would he still be able to cut it in showbiz off his charm alone? Could he get into comedy instead of music? More importantly, what would be left of the man without his act? Of all the fictional characters Sinatra portrayed in his early years of dramatic film roles, "Joe E. Lewis" was among the most iconic. This week, we're...

We went on Authorized Novelizations Podcast to talk about Jack Pearl's 1964 novelisation of Sinatra's Robin and the Seven Hoods . This episode was recorded around six months ago and just released by  Authorized this week. They've graciously given us permission to repost it on our feed. If you like what we do on SUDDENLY, you'll definitely have a good time with this epic two-and-a-half-hour deep di...

In Episode 43 ("Love and Marriage"), Rabia and Felix watched the infamous televised 1955 musical version of Thornton Wilder's Our Town,  starring Frank Sinatra as the Stage Manager. The songs were so terrible, and the acting so bad, that Wilder personally called the station and ensured that it would never air ever again. Neither Rabia nor Felix had ever seen the play before, nor even heard of it....

We think of Sinatra as emerging as a serious dramatic actor from the early 1950s onwards, shedding his clean-cut MGM image for the first time when he takes intense roles as mentally disturbed soldiers in From Here to Eternity and  Suddenly . But there's a part of the story we've all forgotten. In January 1945, at the height of the bobby-soxer era and months before tapdancing in a sailor suit for A...

In   the Wee Small Hours is often considered Sinatra's best work and arguably the first concept album. The "concept" is something along the lines of "I am awake at 3am and I am feeling deeply sad about a lost love." And that's really it. Just when you think there couldn't possibly be any more songs about the nuances of that kind of misery, there are seven more. It's relentless, it's brutal, it bor...

"Love and Marriage" was one of the worst songs Sinatra ever recorded, and the toxic ideas about marriage that it perpetuated left a negative impact on the world. This week, we look into the song's unlikely origins in a televised musical version of Thornton Wilder's Our Town and its shameful legacy as the theme song for the vile 1980s-90s sitcom Married... with Children . Watching this show for the...

The phrase "tender trap" essentially didn't exist before the mid-1950s, entering common usage from the film and song which were both popularised by Frank Sinatra. The image of being lured into your downfall by a thing pretending to be soft speaks to a basic element of what it is to be human, and people all over the world have projected their emotions, hangups and life experiences onto this simple...

In a special emergency episode, we examine Frank Sinatra's long history with Israel, Palestine and Zionism. Many don't realise just how connected these topics are. This week, we weave a story all the way from Sinatra personally helping run guns to the Nakba in 1948 and his starring role as a fighter pilot for the IDF in 1966's Cast a Giant Shadow , all the way to the bombing of the Frank Sinatra I...

Who burnt down West Melbourne Stadium in the middle of Sinatra's 1955 Australian tour, and why did this happen? This week, on our final episode of the year, SUDDENLY investigates. And we're joined by David Nichols - Australian history expert, senior lecturer in Urban Planning at the University of Melbourne, and author of Dig: Australian Rock and Pop Music 1960-85 - to help us put together the piec...

Frank Sinatra's first Australian visit in 1955 followed shortly after the repeal of decades-old laws preventing "coloured" musicians, or any foreign musicians, from performing in the country. The tour was part of the initial run of the now-legendary "Big Shows" put on by mysterious American promoter Lee Gordon, who took advantage of the newly-liberated times to bring acts like Ella Fitzgerald, Joh...

Surprise! We're joined from Los Angeles by the legendary Karina Longworth, renowned film historian, author, critic and host of the iconic podcast  You Must Remember This . This week, we're jumping ahead to discuss HIGH SOCIETY (1956). Louis Armstrong definitely deserved better, and we tackle the explicitly racist treatment of his character in the context in which 1950s Australian audiences would h...

Because six hours wasn't enough, it's a special, informal bonus episode where Henry and Rabia discuss some leftover elements of our GUYS AND DOLLS series we didn't find time to discuss. Here we finish off the story of Damon Runyon's life and his legacy today, discuss the critical reception of the 1955 film, and spend some time thinking about the unsung victims of all of this: horses. No longer on...

Fall in love with people, not with gamblers. It's all too strange and strong. Sit down, you're rocking the boat. This week, Henry leads us through the third and final part of our epic GUYS AND DOLLS series. We've got a spectacular supercut of Sinatra recordings of "Luck Be a Lady" through the ages, and a climactic 10-minute mashup that brings together all the themes we've explored throughout this...

Why can't Nathan Detroit remember the colour of his own tie? In the second part of our GUYS AND DOLLS series, Henry begins taking us through the musical (and the 1955 Sinatra film) proper, beginning with "Fugue for Tinhorns", "Oldest Established" and "I'll Know." We discuss the intertwined relationship between gambling and religion, and finally come across some real life catgirls to justify the po...

Henry Giardina takes the lead as host for the first time as we begin our month-long GUYS AND DOLLS odyssey. In this first installment, the stage is set as we're introduced to the world of legendary short story writer, journalist and master of the "historical present", Damon Runyon. Best known today as the author whose stories inspired the musical Guys and Dolls  (later adapted into the 1955 film s...

It's 1955 and we're deep into the masculinity crisis. It's an era of lofty 800-page novels adapted into 2-hour-plus movies. We've got navel-gazing middle-aged white men, coming out of a period of deep repression and trauma, wondering who and what they really are. Sinatra is one of their icons, as here is Robert Mitchum. This week's film could have been a later-season episode of  Rocky Fortune , an...

That's amore. Non paghiamo il fossile. And just like that... Boom, kiss, come on, God bless America. In 1966, a pilot for a potential  Three Coins in the Fountain  TV series was filmed on location in Rome. It only aired on TV once in August 1970, was not picked up thereafter and has never been made available ever since. Probably very few people have ever seen it at all. This week, we've unearthed...

The word "homosexual" was first uttered on American television on the night of October 21st, 1963. The show was Breaking Point , a drama series set in a psychiatric hospital. The episode was a confronting take on sexual harassment and toxic masculinity that directly posed the question to its audience: "What is a man?" Despite network objection, this milestone in queer history happened solely becau...

We found out what happened to Bobby Long. Mostly. And on this episode we're joined by Mark Cantor, America's leading jazz film archivist. Mark is an expert in "Soundies", the early music videos/short films that played on Panoram video jukeboxes in bars, cafes and other public places across America throughout the 1940s. Yes, they had video jukeboxes, and music videos, as far back as the 1940s. We'v...

Millions know the song: "Forget your troubles and just get happy." But where does it come from, and what does it really mean? Why are we getting ready for judgement day, and how did Judy Garland end up associated with something that sounds so gospel? This week, we dive into the long and complicated multicultural (and especially Black) history of "Get Happy", the most memorably awkward track on Sin...

In 2007, Italian artist Graziano Cecchini poured red dye into the Trevi Fountain to protest the Rome Film Festival. "You wanted just a red carpet", he said. "We want a city entirely in vermilion. We who are vulnerable, old, ill, students, workers, we come with vermilion to colour your grayness."  Escapism, tourism, power, vanity, royalty, memory, sex, romance - and water running blood-red. This we...

For almost the entire back half of the 20th century, Sinatra sang "One for My Baby (and One More for the Road)" over and over again. At every show, he would proudly call himself a "saloon singer" and paint a picture for the audience: a drunk, broken-hearted loser, in a bar at 2:45am, pouring his fool heart out to the unlucky bartender. Sinatra revelled in this imagery, and the seductively suicidal...