Wes Alwan and Erin O'Luanaigh
Subtext: Conversations about Classic Books and Films
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.
Author
Wes Alwan and Erin O'Luanaigh
Category
Podcast website
Latest episode
Jun 29, 2026
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Episodes
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) 27.01.2025 45:37
It begins with the “stupidest song ever written,” as Robert Altman called it, and ends with a self-referential jab at the very idea of finding comic relief in the tragedy of war. But it is equally unserious, the film “M.A.S.H” seem to suggest, to take seriously the authority of war-making institutions, and their pretense to putting violence in service of an ideal. And so morality succumbs to mocke...
Aesthetic Humility in Marianne Moore’s “The Jerboa” (Part 2) 20.01.2025 50:11
Wes & Erin continue their discussion of Marianne Moore’s poem, “The Jerboa,” first published in 1932, and whether power and wealth might paradoxically prove less abundant than the strictures of form and necessity. Upcoming Episodes : M*A*S*H, Rilke, Dickinson. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subs...
Aesthetic Humility in Marianne Moore’s “The Jerboa” 12.01.2025 44:14
Of all the great American Modernists, the poetry of Marianne Moore is perhaps the most idiosyncratic, even the most radical, of them all—no small feat in a group of friends and admirers that included Ezra Pound, T. S. Eliot, Wallace Stevens, William Carlos Williams, e. e. cummings, and HD. Moore’s preferred form was a syllabic stanza bespoke to each poetic occasion, like the unique shell of each i...
Word and Image in “Sunset Boulevard” (1950) – Part 2 06.01.2025 35:41
What can the contrast between silent and talking pictures teach us about the nature of film itself? And how might it reflect the age-old rivalries between word and image, movement and stasis, the living and the dead? Wes & Erin continue their discussion of Billy Wilder’s 1950 masterpiece, “Sunset Boulevard.” Upcoming Episodes : Marianne Moore’s “Jerboa,” M*A*S*H....
Word and Image in “Sunset Boulevard” (1950) 29.12.2024 41:17
When the film starts, its two leads are already dead, more or less. Silent Screen legend Norma Desmond’s career is dead, and because she’s nothing more than her career, the best she can do is linger in the tomb of her former glory, hoping for a resurrection. And failed screenwriter Joe Gillis quite literally enters the film as a corpse, so, as the film’s narrator, he has no choice but to tell his...
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” (Part 2) 23.12.2024 47:39
Wes & Erin continue their discussion of Aiken’s “Morning Song of Senlin,” and whether humanity’s religious impulses can be fully compensated with an aesthetic or ironic relation to nature and cosmic scale. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giving. If you’ve never used GiveWell to donate,...
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” 16.12.2024 47:51
Where the repetitions of ordinary life threaten to overwhelm any sense of the sublime, the poet Conrad Aiken seems to suggest that they can be transformed into a way of being connected to it. The mundane order is, after all, just a part of the cosmic. When we get ready to go to work, it is on a “swiftly tilting planet” that “bathes in a flame of space.” The sun is “far off in a shell of silence,”...
The Aesthetics of Death in “Beetlejuice” (1988) (Part 2) 09.12.2024 46:29
Wes and Erin continue their discussion of “Beetlejuice,” and what its battle royale between conflicting aesthetic sensibilities—rustic, gothic, and avant-garde—has to say about the connections between love, mortality, and the many pitfalls of growing up. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giv...
The Aesthetics of Death in “Beetlejuice” (1988) 02.12.2024 43:29
Adam and Barbara Maitland are dead, but their troubles have just begun. The farmhouse decor of their home is under threat from the pretentious modernism of Delia Deetze, and her plan to remake it in her own image could turn their post-life purgatory into earthbound hell. Solving this problem leaves them with an impossible choice between figuring out how to navigate an intractable netherworld burea...
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 2) 25.11.2024 42:57
Wes & Erin discuss Thomas Wyatt’s “Whoso List to Hunt” and “They Flee from Me.” Thanks to our sponsor, the incredible online language school Lingoda. Save up to 50 percent on your language course by going to https://try.lingoda.com/Subtext50 and using code SUBTEXT50 at checkout. When you sing up for the seven day trial, you can attend three small group classes and one private class completely...
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 1) 18.11.2024 52:17
As an advisor to Henry VIII and ambassador to France and Italy, poet Thomas Wyatt was something of a professional court-surfer, practiced in riding the peaks and troughs of royal favor. Such were his verbal and diplomatic gifts that, though twice accused of and imprisoned for treason, he was twice released. His poetry reflects all the intrigue, paranoia, airlessness, and downright cruelty of the T...
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 2 28.10.2024 44:34
Henry Graham belongs to the most exclusive clubs, dines regularly at the most lavish restaurants, drives a Ferrari, employs a butler, and owns something called a Montrazini—in short, he capitalizes fully on his inheritance, despite having little understanding of what “capital” actually is. The very ignorance of practicality that his wealth affords turns out to be his undoing, as soon finds that he...
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 1 21.10.2024 45:29
Henry Graham belongs to the most exclusive clubs, dines regularly at the most lavish restaurants, drives a Ferrari, employs a butler, and owns something called a Montrazini—in short, he capitalizes fully on his inheritance, despite having little understanding of what “capital” actually is. The very ignorance of practicality that his wealth affords turns out to be his undoing, as soon finds that he...
Love Dishonored in Euripides’ “Medea” (Part 6) 14.10.2024 53:08
Wes & Erin continue their discussion of Ancient Greece’s most notorious battle of the sexes, and Euripides’ rumination on the question of whether the Athenian ideals of rationality and moderation sufficiently honor the instinctual side of human nature. Thanks to our sponsor, the incredible online language school Lingoda. Go to https://try.lingoda.com/Subtext and use code SUBTEXT to save...
Love Dishonored in Euripides’ “Medea” (Part 5) 07.10.2024 38:40
Wes & Erin continue their discussion of Ancient Greece’s most notorious battle of the sexes, and Euripides’ rumination on the question of whether the Athenian ideals of rationality and moderation sufficiently honor the instinctual side of human nature. Upcoming Episodes : “A New Leaf” (Elaine May), “Whoso List to Hunt” and “They Flee From Me” (Thomas W...
Love Dishonored in Euripides’ “Medea” (Part 4) 30.09.2024 51:16
Wes & Erin continue their discussion of Ancient Greece’s most notorious battle of the sexes, and Euripides’ rumination on the question of whether the Athenian ideals of rationality and moderation sufficiently honor the instinctual side of human nature. Upcoming Episodes : “A New Leaf” (Elaine May), “Whoso List to Hunt” and “They Flee From Me” (Thomas W...
Love Dishonored in Euripides’ “Medea” (Part 3) 23.09.2024 51:23
Wes & Erin continue their discussion of Ancient Greece’s most notorious battle of the sexes, and Euripides’ rumination on the question of whether the Athenian ideals of rationality and moderation sufficiently honor the instinctual side of human nature. Upcoming Episodes : “A New Leaf” (Elaine May), “Whoso List to Hunt” and “They Flee From Me” (Thomas W...
Love Dishonored in Euripides’ “Medea” (Part 2) 16.09.2024 41:30
Wes & Erin continue their discussion of Ancient Greece’s most notorious battle of the sexes, and Euripides’ rumination on the question of whether the Athenian ideals of rationality and moderation sufficiently honor the instinctual side of human nature. Upcoming Episodes : “A New Leaf” (Elaine May), “Whoso List to Hunt” and “They Flee From Me” (Thomas W...
Love Dishonored in Euripides’ “Medea” (Part 1) 09.09.2024 50:20
Known for casting mythical heroes in human proportions, Eurpides has his hands full with Medea—homocidal sorcerous, granddaughter of the sun, and a woman who does not take betrayal lightly. Nevertheless, the poet is able to capture the agony of someone who has given up everything for love—family, home, and homeland—only to find her passion disregarded, and her sacrifices unappreciated, by a man wh...
Love and Loneliness in “Arthur” (1981) – Part 2 02.09.2024 50:40
It’s awful being alone, according to millionaire playboy Arthur Bach, and nobody should be alone. And so he forestalls this feeling by getting drunk, picking up prostitutes, and laughing at his own jokes. Yet love in its true form can be a lonely business, as his servant Hobson reminds him, because it involves growing up, getting serious, and taking care of someone other than oneself … only to los...
Love and Loneliness in “Arthur” (1981) – Part 1 26.08.2024 43:01
It’s awful being alone, according to millionaire playboy Arthur Bach, and nobody should be alone. And so he forestalls this feeling by getting drunk, picking up prostitutes, and laughing at his own jokes. Yet love in its true form can be a lonely business, as his servant Hobson reminds him, because it involves growing up, getting serious, and taking care of someone other than oneself … only to los...
Courtly Reciprocity in “Laustic” and “Guigemar” by Marie de France (Part 2) 19.08.2024 50:16
Wes & Erin continue their discussion of two of Marie de France’s most famous lais—”Laustic” and “Guigemar”—and how their narratives marry the “flesh” of text, art, and symbology, to the “spirit” of the spoken word (via dialogue, oaths and covenants, and authorial commentary), in order, perhaps, to communicate something of the mysterious and dangerous union that is romantic love. Upcoming...
Courtly Reciprocity in “Laustic” and “Guigemar” by Marie de France (Part 1) 11.08.2024 50:35
The lai, a short narrative poem from the Middle Ages that treats themes of courtly love, was originally accompanied by music and sung by minstrels. But in the 1170s, poet Marie de France translated a series of Breton lais into French and, in so doing, converted an oral tradition into text. It’s no wonder, then, that her lais’ narratives are so often preoccupied with methods of communication: both...
Sight and Solitude in Le Samouraï (1967) by Jean-Pierre Melville (Part 2) 05.08.2024 47:38
Wes & Erin continue their discussion of Jean-Pierre Melville’s 1967 noir thriller “Le Samouraï,” and the surprising power of love to capture its fugitives, even if it means finding them in the most shadowy of underworlds. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Ap...
Sight and Solitude in Le Samouraï (1967) by Jean-Pierre Melville (Part 1) 29.07.2024 42:26
Jef Costello is a hit-man with airtight alibis, impeccable style, and a strict code of honor. Add to this a masterful ability to evade his pursuers, mobsters and authorities alike, and a simple but effective home alarm system in the form of a bird. But what he cannot orchestrate, control, or evade is the improvisational nature of a genuine encounter with another person, which he unexpectedly finds...
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