Studio 360 with Kurt Andersen

As Cupid takes aim this week, a look at how sex and sexuality are handled — and mishandled — on-screen. Kurt Andersen speaks with Slate’s Jeffrey Bloomer on depictions of first-time sex. Intimacy-scene consultant Alicia Rodis describes how she helps actors who are virtual strangers seem like they are deeply and lustilly in love during sex scenes. Desiree Akhavan’s show “The Bisexual” takes on what...

An hour on country music: past, present and future. Nashville-based music reporter Jewly Hight gives Kurt an update on how women artists in country music are forging new paths in an industry that’s become unwelcoming. Dolly Parton reflects on her long career. Willie Nelson shares an Aha Moment about the song that changed his life. And the incomparable Dwight Yoakam performs live in studio. Learn m...

In 2015, an autistic boy disrupted a performance of The King & I on Broadway, reacting loudly to a scene where a slave is whipped. He and his mother were asked to leave the theater. After the performance, one of the actors from the ensemble posted a reaction to the incident on Facebook. He wrote: “When did we as theater people, performers and audience members become so concerned with our own e...

Natasha Wimmer, whose translations of Roberto Bolaño are extraordinary, tells Kurt Andersen about her rules of the road. Plus, the play “Behind the Sheet” helps to expose and reassess J. Marion Sims, a pioneer in gynecology whose advances came at the expense of the slaves on whom he conducted brutal experiments. And Kurt talks with artist Jessica Campbell, who for her first solo exhibit  created w...

An hour on continuing innovations in American dance. Choreographer Donald Byrd uses dance to illuminate what it means to be black in America. Elizabeth Streb speaks with Kurt Andersen about how she defies gravity with her “extreme action” techniques. And how the salsa pioneers Celia Cruz and Johnny Pacheco got the world on its feet.  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Studio 360 extra, we’re sharing a great new podcast called Aria Code . Produced by WQXR and the Metropolitan Opera, it features singers and other thinkers decoding the magic of a single piece from an opera, followed by the music uninterrupted. In this episode, host Rhiannon Giddens and her guests reflect on the Biblical story of Samson and Delilah, the trope of the femme fatale , and how c...

Thanks to a new exhibit at the Guggenheim, the art world is rediscovering Hilma af Klint. How was this Swede so ahead of her time, and will she finally get her due? Lee Israel’s memoir about forging letters by famous writers, “Can You Ever Forgive Me?,” is now a terrific movie starring Melissa McCarthy. Israel died in 2014, but here she is in an interview with Kurt Andersen in 2008, where she talk...

The story of “Doug,” the Nickelodeon cartoon from the ’90s that used a minimalist approach but had a profound impact on young viewers. Kurt Andersen talks with Rina Banerjee, who makes enchanting installations and who is the subject of a retrospective show at just 55. And the breathtaking backstory and staging for “The Jungle,” the play that replicates an Afghan restaurant in a migrant camp. This...

John August, the host of Scriptnotes, explains his approach to screenwriting. Learn more about your ad choices. Visit megaphone.fm/adchoices

Some of our favorite stories from the past year. First, Kurt Andersen speaks with Daniela Vega, who delivered a stunning performance in "A Fantastic Woman." Casey Trela is a musician in Los Angeles with a Kafkaesque day job: he watches movies and TV shows over and over and over again looking for the tiniest production glitches. Lauren Groff has a complicated relationship with her adopted state, an...

Some of our favorite stories from the past year. First, the musical equivalent to stock art, library music, where composers anonymously churned out some of the strangest, funkiest — and most recognizable — music of the ’60s, ’70s and ’80s. The Domino’s Pizza mascot, The Noid, was just a whimsical advertising mascot — until it became part of a really dark story. And Kurt Andersen talks with Angéliq...

Here in America, despite the hysteria whipped up in the weeks leading up to the November midterm elections, there was no influx of migrants from the south. In other words, nothing like what happened a few years ago, when hundreds of thousands refugees from the Middle East, Central Asia, and Africa arrived in Europe. There’s a new play about that migrant crisis called The Jungle — which was the nic...

An American Icons segment about “The Searchers,” John Ford’s problematic masterpiece featuring John Wayne. Kurt Andersen talks with Carol Stabile about an aspect of the Red Scare that’s received scant attention: the 41 women who were blacklisted from radio and television. And how Mariame Kaba, a prison activist who’s black and Muslim, falls hard for something very white and very Christian: Hallmar...

The stuff you love as kids — that still deserve love when you’re grown up. Kurt Andersen talks with author Bruce Handy about how the best children’s literature can still enthrall adults — and then Bruce’s and Kurt’s kids join them to weigh in. Jim Henson always thought of his creations, the Muppets, as adult entertainment, but thanks to “Sesame Street,” they ended up being beloved by kids. And fin...

Lee Israel’s memoir, “Can You Ever Forgive Me?” tells the story of her years forging letters by famous writers like Dorothy Parker and Noel Coward. Her book has recently been adapted into a new film starring Melissa McCarthy as Israel. Kurt Andersen interviewed the real Lee Israel in 2008, and with the film adaption now in theaters, he revisits his conversation with the literary con artist. Learn...

Why is contemporary culture obsessed with how well-endowed men are and yet in classical art men are so small? Kurt Andersen unravels the mystery with a classics scholar, Andrew Lear. Stacey Rose is a playwright, but when she’s not working to take audiences’ breath away on stage, she’s doing the opposite in her day job: she’s a respiratory therapist. And finally, a Studio 360 holiday tradition in t...

Kurt-ain call — a show about what goes into making great theater. First, a look at Alan Jay Lerner on the centennial of his birth. The lyricist for “My Fair Lady,” “Gigi” and “Camelot” was as complicated as he was talented. Then Jack Viertel, the theater impresario, gives Kurt a master class on all the elements of successful musical theater that audiences will recognize but may not have had a name...

One day at school in the early 1990s, Shane McCrae watched a TV movie about teen suicide. The first half was all exactly what you would have expected: cheesy platitudes, heroic teachers, and feathery haircuts. Then, a character quoted the poetry of Sylvia Plath. “I don't want to be hyperbolic, but it did feel like a kind of an electric shock,” McCrae remembers. “I had never heard anything like it....

Three American Icons that embody our nation’s counterculture. First: it’s not the fastest or fanciest bike out there, but Harley-Davidson has become synonymous with the motorcycle for many Americans. Then, why Georgia O’Keeffe fled the East Coast for New Mexico, where she found her muse in sun-bleached bones that littered the desert. And finally, how Jimi Hendrix captured the sound of bombs fallin...

Kurt Andersen talks with Missy Mazzoli and Karen Russell about Mazzoli’s new opera, “Proving Up,” based on a short story by Russell about a family’s bleak prospects in post-Civil War Nebraska. Buffalo Tom singer Bill Janovitz talks about how, when the band scaled back its touring and recording, he found a less hip — and yet surprisingly satisfying — career in the Boston suburbs. More from Beantown...

A new theatrical version of To Kill a Mockingbird is opening on Broadway next month, adapted for the stage by Aaron Sorkin and starring Jeff Daniels as Atticus Finch. So in anticipation of this Broadway debut, we’ve put together some of our favorite segments about America’s most beloved novel . First, we check in with the residents of Monroeville, Alabama — Lee’s hometown and the real-life "Maycom...

Kurt Andersen talks with Amy Cappellazzo of Sotheby’s and filmmaker Nathaniel Kahn about the art market and Kahn’s new documentary, “The Price of Everything.” How the masterful Talking Heads album “Remain in Light” drew on inspiration from radio preachers, newspaper headlines, recordings of former slaves and John Dean’s Watergate testimony. And Kurt talks with the Oscar-winning writer Kenneth Lone...

Kurt Andersen talks with Morgan Neville about his documentary that focuses on an Orson Welles film that was completed long after Welles died. Maria Schneider’s album “The Thompson Fields” took a circuitous path, and she discusses it both as it’s being conceived and a year later, when it’s in the can. Neuroscientist Heather Berlin tells Kurt how the creative brain gets revved up — and how the brain...

Lynn Nottage’s play Sweat won the Pulitzer Prize for Drama in 2017. It tells the story of a group of friends who work in a factory in Reading, Pennsylvania and are reeling from layoffs and racial tension. The Public Theater’s Mobile Unit took the show to the road and visited 18 places in the so-called Rust Belt. One of these unconventional venues was a public library in St. Cloud, Minnesota. Studi...

Kurt Andersen talks with Sandi Tan, who shot a film as an 18-year-old in Singapore in 1992, but the footage disappeared. She finally got her hands on the footage a few years ago, and the mystery of its disappearance is the subject of her new documentary, “Shirkers.” Tanwi Nandini Islam is both a novelist and a perfumer — and she demonstrates how she applies both of those talents to create a fragra...