Studio 360 with Kurt Andersen

Our latest New York Icons segment is about Midtown Manhattan’s Brill Building era, when songwriters like Carole King, Ellie Greenwich and Cynthia Weil churned out hit after hit for artists like The Shirelles, The Crystals and Little Eva. And producer Evan Chung investigates the strange story of a song from that era about a craze that was most definitely not a craze, “Mugmates.” Learn more about yo...

To celebrate the 75th anniversary of Tennessee Williams’ classic play, “The Glass Menagerie,” Studio 360 is devoting a whole hour to the art of glass. Kurt Andersen and architect Frances Bronet tour the glass towers of Midtown Manhattan to see firsthand the architectural legacy of the Bauhaus. After Hillary Clinton failed to break the glass ceiling in 2016, artist Bunny Burson found a use for her...

For a few years in the late 1950s and early ‘60s, the heart of the music industry was an 11-story structure in midtown Manhattan: The Brill Building. There, and at the nearby 1650 Broadway, a group of very young songwriters including Carole King, Ellie Greenwich, and Cynthia Weil crafted their own take on rock and roll that was heavily influenced by their New York City setting. They churned out hi...

Our latest American Icons feature explores Patricia Highsmith’s series that began with “The Talented Mr. Ripley,” and how Tom Ripley fits into an American tradition of protagonists struggling with identity and morality. Kurt Andersen visits perfumer Tanwi Nandini Islam as she concocts a fragrance based on Toni Morrison’s “Beloved.” And a favorite from our Guilty Pleasures series: Writer Sadie Stei...

On this Studio 360 extra, we’re sharing a podcast called “Aria Code.” Produced by WQXR and the Metropolitan Opera, it features singers and opera observers revealing the magic of a single song from an opera, followed by the aria uninterrupted. In this episode, host Rhiannon Giddens and her guests explore the power of hope in Puccini's tragic “Madama Butterfly,” as well as in a real-world Butterfly...

Kurt Andersen talks with director Jennifer Reeder about her path from making short arthouse films in the 1990s to her new film, “Knives and Skin.” Producer Sam Kim has the story of erotic potboiler “Naked Came the Stranger,” which climbed The New York Times bestseller list in 1969 but, it turns out, was meant to be a parody of the very bodice-rippers it was outselling. And Richard Curtis’ 2003 mov...

Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music and guides us through the composition of his “Swing...

Cartoonist Lynda Barry is famous for drawing the darkly funny strip “Ernie Pook’s Comeek” that appeared in alternative newsweeklies for three decades, but for the latest installment in our Guilty Pleasure series, she makes a case for why she loves perhaps the most mainstream and most mocked comic of all: “The Family Circus.” Our latest American Icon installment is about “My Ántonia” by Willa Cathe...

West Side Story , the tragic musical about star-crossed lovers from two rival gangs, was a hit on Broadway in the 1950s and then exploded across the country when it came to the silver screen. At the time, New York City’s demographics and landscape were rapidly changing, and choreographer Jerome Robbins, composer Leonard Bernstein, author Arthur Laurents, and lyricist Stephen Sondheim wanted an upd...

Studio 360’s American Icon series has explored dozens of influential works of art and entertainment that have shaped who we are as Americans. Now we turn to our hometown of New York for a new batch of Icons stories about works of art that were born in the city and impacted the lives of people everywhere. This hour: the 1963 book “The Bell Jar” by Sylvia Plath, and the 1978 salsa album “Siembra” by...

The childlike, cartoonish typeface Comic Sans is the most hated font in the world. Twenty-five years after its release, it's become notorious for showing up in seemingly inappropriate contexts, from office memos to newspapers and government documents. But librarian and technology educator Jessamyn West argues that hating on Comic Sans is elitist. Learn more about your ad choices. Visit megaphone.f...

Kurt Andersen talks with the choreographer Mark Morris about how music has always been central to his work. The author Carmen Maria Machado reveals how an episode of “Star Trek: The Next Generation” had the unlikely effect of helping her write her new book about domestic abuse. And how the cartoon "Rocky and Bullwinkle" was strangely prescient about the Cold War. Learn more about your ad choices....

Mezzo-soprano Jamie Barton is a rising opera star, performing on some of the world’s most venerable classical music stages. In concert halls from London to New York, Barton not only flaunts her velvety rich tone, but also her commitment to social justice as an openly queer performer. Now, Barton and pianist Kathleen Kelly have put together a recital program that celebrates women, currently on tour...

Edgar Allan Poe’s stories are so familiar they’ve become part of our cultural wallpaper. A raven croaking “nevermore?” An enemy bricked up in a cellar? A heart beating under the floorboards? These images are the stuff of our collective nightmares, but Poe dreamed them all up first. For better and worse, Poe’s themes and obsessions continue to crop up throughout pop culture. He showed us the dark s...

The Bell Jar is often read as a sort of literary suicide note by poet Sylvia Plath. The autobiographical novel memorably follows her first attempt at taking her own life and her experiences living in a mental institution and undergoing electroshock therapy, but its accounts of weeks spent in New York City preceding the breakdown provide a captivating picture, not just of Plath’s mental state, but...

Kurt Andersen talks with Amy Sherald, who painted the official Michelle Obama portrait, about her strict religious upbringing, the surreal experience of interviewing with the Obamas and why she’ll only ever paint African Americans. Our latest American Icons feature: “96 Tears” by ? and the Mysterians, and how the band of Mexican American teens managed to top the charts and help fuel the growing La...

Charleston band Ranky Tanky draws on the musical traditions of the Gullah culture from the Lowcountry region of the Southeastern U.S. They perform live in Studio 360 and then break the music down into its essential components, explaining what exactly makes this “Gullah” and how that cultural heritage has informed American jazz.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Two highlights from our American Icons special series. First, producer Arun Venugopal revisits “The Searchers,” the John Ford film starring John Wayne that is widely regarded as a masterpiece, but which many see as racially problematic in the way that Wayne’s character pursues revenge against the Comanche who killed his family in a raid. Then, producer June Thomas on the unlikely history of “The R...

This Woman’s Work is a series of stories from Classic Album Sundays and Studio 360 highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer and producer Kate Bush. With its sophisticated arrangements and embrace of technology, her self-produced 198...

Our latest Americans Icons segment is about “I Know Why the Caged Bird Sings.” Maya Angelou’s first book broke boundaries when it was published 50 years ago and still profoundly resonates with readers today. And Kurt Andersen talks with Liz Phair, the trailblazing indie rocker who’s just published a memoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kurt Anderson talks with Antonio Banderas about “Pain and Glory,” where he plays his longtime friend and collaborator –– and the director of this same movie –– Pedro Almodóvar. With the opening of “Joker,” starring Joaquin Phoenix, Kurt talks with Rick Baker, the celebrated makeup artist, about how Hollywood has clowned around with the character over the decades. This week marks 50 years since the...

David Byrne’s stage show “American Utopia” is heading to Broadway in October. The show will feature songs from his latest album of the same name, as well as some older works from his former band, Talking Heads. This month also marks the 35th anniversary of “Stop Making Sense,” the brilliant Talking Heads’ concert film, made by Jonathan Demme. Kurt Andersen spoke with David Byrne in 2012 about the...

Conceptual artist Fred Wilson has spent much of his career examining how museum collections are chosen and exhibited, so Kurt Andersen meets Wilson at the Metropolitan Museum of Art for a chat and a tour. With this year marking the centennial of the birth of Uta Hagen, the actress who also became a revered acting teacher, we hear from her students and colleagues, including F. Murray Abraham, Merce...

Stepping in for Kurt Andersen this week, guest host Hari Kondabolu, the stand-up comic, gets the hour started with a conversation with fellow comic Hannah Gadsby. They discuss the success (and blowback) from Gadsby’s Netflix special last year, “Nanette,” her new show that she’s currently touring in the US, and her hilariously surreal encounter with Jennifer Anniston. Then Hari bravely reveals how...

Studio 360’s American Icon series has explored dozens of influential works of art and entertainment that have shaped who we are as Americans. Now we turn to our hometown of New York for a new batch of Icons stories about works of art that were born in the city and impacted the lives of people everywhere. This time: the album “Siembra” by Willie Colón and Ruben Blades, which many salsa fanatics tho...