Melanie Hill, Valerie Francis, Kathleen Foxx

Story Nerd

Arts EN ↓ 285 episodes

For novelists, memoirists and screenwriters who want to write stories readers will love, and who want to work with a literary agent. Each week, editors Valerie Francis and Melanie Hill use films to explain how to craft a story that hooks the reader on page one and holds their attention all the way to the end. On alternate weeks, Valerie and literary agent Kathleen Foxx offer their professional feedback on query letters and writing samples submitted by Story Nerd listeners. The goal is simple: to help writers realize their dreams of becoming published authors. If you love to write, and you love...

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Author

Melanie Hill, Valerie Francis, Kathleen Foxx

Category

Arts

Podcast website

storynerd.simplecast.com

Latest episode

Oct 16, 2026

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Episodes

Everything Everywhere All At Once: was there a script? 11.10.2023

Ok, so basically, this movie is a bunch of action scenes strung together with expository dialogue. It's heavy-handed with theme (dare we say didactic?) and is bizarre even by antiplot standards. But, it's kind of an interesting film to study for worldbuilding all the same. (Oh, and in this episode there's an unintended cameo by Luca, Valerie's yellow Labrador puppy. He clearly had opinions about E...

Fatal Attraction: who's the villain? 04.10.2023

Hooboy, this movie gets better with age. Why? Because when we watch it through the lens of 2023 it has much more depth and nuance. Glenn Close's character (Alex) is supposed to be the villain, but is she really? If you want to create a multi-dimensional antagonist who drives the plot and raises the stakes, you've got to listen to this episode. For access to writing templates and worksheets, and mo...

District 9: worldbuilding 101 27.09.2023

This is an episode you're going to want to bookmark because Melanie is offering up oodles of info about how to create a fictional world your readers will love. Yes, District 9 is science fiction, but the principles apply to all genres and all world types; contemporary, realistic, historical, fantasy...you name it. And Valerie continues her study of character development with a look at what can hap...

Bridget Jones's Diary: why we love her 20.09.2023

Because the novel is so funny and easy to read, and because the film is a romcom, it's easy to dismiss Bridget Jones's Diary as a simple story that Helen Fielding simply dashed off on a weekend. But nothing could be further from the truth. Even though it's a lighthearted story, Bridget is still a dimensional character and that's why we love her. For access to writing templates and worksheets, and...

Story 101: Poetic Device 18.09.2023

Here's an episode that will help you improve your line writing. Yes, Melanie is focusing on the poetic devices of metaphor, simile, and allegory, but they also apply to prose. So if you want to crank your writing up a notch, this one's for you. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis....

Can You Ever Forgive Me: what's hiding under your bed? 13.09.2023

Very few movies make an adult afraid of what's hiding under her bed, but this is one of them...and it isn't even a horror movie. That's the power of effective world-building! Even though this movie is set in NYC, it's a version of the city that's specific to the protagonist. How is the world of your story specific to your protagonist? For access to writing templates and worksheets, and more than 7...

Ray: a product of his environment 06.09.2023

It's a brand new season and that means brand new topics. For the next ten weeks, Valerie will study character development and Melanie will study world-building. These massive topics go hand-in-hand because every protagonist is a product of his/her environment. This is a season you don't want to miss! For access to writing templates and worksheets, and more than 70 hours of training (all for free),...

Death on the Nile: the moustache mystery (archive) 30.08.2023

This might be one of Agatha Christie's best known mysteries, but does it work for a modern audience? This week, Valerie and Melanie analyze Sir Kenneth Branagh's version of Christie's classic tale, and discuss just how far into a story the inciting incident can be. And don't miss Melanie's super sleuth skills in action as she uncovers a major plot hole that has to do with Poirot's famous moustache...

Skyfall: m is for mother? (archive) 23.08.2023

In this episode, Melanie's study of subtext has revealed something odd (and slightly uncomfortable). It seems that, according to Skyfall at least, M stands for mother. But why should Judi Dench's M be a maternal figure for James Bond? Valerie's study of Act 2 uncovers a striking similarity to last week's film: Back to the Future. What on earth could these movies have in common? For access to writi...

The Water Horse: keep subplots at bay (archive) 16.08.2023

It's not uncommon for a subplot, or secondary character, to take over a story - especially when a writer is still learning the ropes. So, how do you keep a subplot in check and what do you do if it starts taking over? In this week's episode, Valerie and Melanie discuss just that. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie...

West Side Story: innovative or cliche? (archive episode) 09.08.2023

West Side Story (2021) has been lauded for its depiction of race and racial tension, but how has it handled the love story? In his retelling of this age-old story, did Spielberg innovate the genre or did he perpetuate stereotypes? For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle...

Wanted: AI Prompt Engineer 07.08.2023

For better or worse, Generative AI will change the job market. Some professions will disappear and new ones will be created. One of the new jobs popping up is called an AI Prompt Engineer and companies like Netflix have already started their hiring spree. But what exactly is a prompt engineer? Will the job put authors out of business, or will it ultimately prove our worth? For access to writing te...

Alec Sokolow: the hero's journey 02.08.2023

Hey, this is Valerie. I recently had the good fortune to study with Academy Award-nominated screenwriter, Alec Sokolow. (Super cool, right!?) Somehow or other, I got up enough nerve to ask him for an interview and he graciously took 30 minutes out of his day to share with us his pro tips, tricks and advice. Oh, and he lets us in on his secret for writing a dual-protagonist story. Check it out! For...

Our Best Advice: empathy + stakes 26.07.2023

In this episode, Valerie and Melanie wrap up season six with a look at all the lessons they've learned about creating empathy for a protagonist, and establishing the stakes of a story. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle For information about Valerie's upcoming webi...

Operation Mincemeat: truth is stranger than fiction 19.07.2023

Even though Operation Mincemeat hides its imperfections behind a star-studded cast, it's still a good example of how to raise the stakes in story. Mind you, if this was a work of pure fiction, a writer would never get away with it - there are way too many coincidences. But hey, it's Colin Firth. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subs...

WALL-E: the basics, mastered 12.07.2023

There's nothing fancy about the storytelling in Pixar's WALL-E. It's a solid story that relies on the fundamentals to engage its audience, and it's an approach that led them to gross over $521 million. Too often new writers reject the basics instead of embracing them. In WALL-E, empathy is established early and the stakes are clear. Mastering the basics has been a winning strategy for Pixar, and i...

Manchester by the Sea: I'm not crying, you're crying 05.07.2023

This movie does so many things well, it's a great one for both novelists and screenwriters to have in their repertoire of reference stories. We're studying stakes and empathy this season and boy does Manchester by the Sea deliver. If you haven't seen it yet, add it to your short list and have the tissues handy. Trust us on this one. For access to writing templates and worksheets, and more than 70...

Good Luck to You, Leo Grande: do you empathize? 28.06.2023

This one's coming to you by popular request! The #1 comment from women who've watched this movie is that it's too close for comfort, so that makes it a perfect choice for a study of empathy. What is it about Emma Thompson's character that resonated with so many viewers? What does she stand to lose? As an added bonus, this episode even a cameo by Meryl Streep...sorta. For access to writing template...

The Hate U Give: delete the first 28 minutes 21.06.2023

Well, they rushed this one. Given the subject matter, this film deserved to have much more care and attention given to it. Instead, it feels like the studio was in such a hurry to get it to market (given the social tensions at the time of release), that they ignored basic storytelling principles. At least it's a great example of what not to do. Oh, and the first half hour? Get rid of it. It's all...

Is AI good or bad for writers? 16.06.2023

Everyone's talking about AI these days, and for good reason. Experts say that AI will have a bigger influence on our lives than electricity. So what does that mean for writers? Will AI be a tool that helps us write better stories? Or, is it something that will put us out of business? Tune in to this bonus episode to hear our initial thoughts. For access to writing templates and worksheets, and mor...

As Good As It Gets: creating unlikable characters 14.06.2023

Melvin Udall is not a nice man, but he sure is interesting and that's what makes this episode so important for writers. We concern ourselves with whether or not our reader will like our main character, but seldom do we consider whether our main character is interesting, or fascinating. Fascination is what we're after, not likability. For access to writing templates and worksheets, and more than 70...

The Wife: sublime storytelling 07.06.2023

Sometimes we stumble upon a story that gets everything right - especially when to reveal information and when to hold back. Melanie and Valerie discuss how mystery impacts the audience's understanding of what's at stake, and how empathy is established in the first scene via shared experience and then grows as the story is revealed. For access to writing templates and worksheets, and more than 70 h...

The Godfather: empathy for a mafia don? 31.05.2023

There is so much storytelling goodness to be learned from The Godfather, it kinda boggles the mind. Even if you're writing a light-hearted romcom, believe it or not, your novel/screenplay will benefit from the way Coppola and Puzzo approached the craft. The stakes start out high and get even higher. And when it comes to empathy, the role that world-building plays is a thing of beauty. Of course, o...

Story 101: Quibbling Over Semantics 26.05.2023

The biggest problem facing writers who are trying to understand theory and learn how stories work, is that there is no standard lexicon. This leads to no end of problems…and frankly, arguments. How do we deal with this lack of consensus? Tune in to find out. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.v...

10 Things I Hate About You: what not to do 24.05.2023

This may not be the worst movie ever made, but it's certainly among them. The filmmakers have completely ignored storytelling basics and boy, does it ever show. It's based on Shakespeare's The Taming of the Shrew, so you'd think it would be brilliant, right? Wrong. Without the fundamentals in place this is nothing more than a bunch of stereotypes and cliches strung together, and it's painful to wa...

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