Sound School Podcast

Two excellent student stories from years ago prove that radio is the most visual medium.

The Guardian has proven that podcasts from newspapers can be ear-catching -- great sound design and narrative. Producer Francesca Panetta talks about "The Biggest Story in the World."

Want to learn how to write an essay? Study "The Memory Palace." Nate DiMeo, the host, is my guest on HowSound.

Writing into tape is a necessity. Narration needs to lead to a quote. But, what about writing out of tape? Mose Buchele of KUT-FM in Austin has an uncommon approach.

Al Letson is fully dedicated to the journalistic work he produces at State of the Re:Union and Reveal, but deep down, he's still an artist. That's why he produces Errthang, a podcast.

NPR's Deborah Amos and Noah Adams recall their haunting, must-hear documentary from 1981 about mass suicide at "Jonestown," Guyana.

Rob digs into an archive of good stories, well told, and features four by his former students.

Rob Rosenthal combs through Ira Glass's piece "Dead Animal Man" minute by minute pointing out all of its radio goodness.

How do you find the story when know too much and have hours and hours of tape? Reporter Karen Duffin and Radiolab producer Kelsey Padgett trace the path to "Nazi Summer Camp."

Producer Kerry Donahue pulls back the curtain on producing science stories with a scientist for PRX's podcast "Transistor."

HowSound's Rob Rosenthal remixes a story from Latino USA by producer Neena Pathak to reveal a different way to score a piece.

Producer Marlo Mack on the impulse to pick up a microphone and record her transgender daughter for her podcast “How to Be a Girl.”

In 2008, student producer Jamie Yuenger recorded a remarkably private moment during a moose hunt. How she got that recording may cause you to raise your "ethics eyebrow."

In a character driven story, producer Hillary Frank says the story will be more satisfying if the character changes, evolves. Hillary got "radio lucky" when the kids in her story "Real Teens, Fake Babies" shifted 180 degrees.

Neenah Ellis talks with Rob Rosenthal about her series "One Hundred Years of Stories" and she shares some of her tips for first-person stories.

In this episode of HowSound, Rob Rosenthal talks with producer Karen Brown about her piece, "The Path to Primary Care: Who Will Be the Next Generation of Frontline Doctors." A local piece with national appeal.

On this edition of HowSound, Alex Chadwick and Rob Rosenthal trade tips on writing for radio that new producers will find invaluable.

This week on HowSound, Rob Rosenthal shares one of his favorite pieces of all time, "Concerning Breakfast" produced by Annie Cheney and Jay Allison for the series, “Life Stories,” (Associate Producer, Christina Egloff).

Anna Sale, the host of the podcast "Death, Sex and Money" talks with Rob Rosenthal in front of a live audience about the art of interviewing and getting people to talk about difficult things.

This episode of HowSound features Joe Richman of Radio Diaries talking about his Third Coast Award winning piece, Teenage Diaries Revisited: Melissa's Story.

A live interview with 2014 Third Coast International Audio Festival Award winners, Luke Malone and Pat Walters.

Rob Rosenthal talks with producer Bradley Campbell about "barf drafts." A technique for producing radio stories that Bradley swears by. Especially when he's on a tight deadline.

The podcast, “Criminal” has enjoyed a big jump in popularity. Rob Rosenthal talks with “Criminal’s” host Phoebe Judge about growth—how good press and partnership helps, how doing good work helps, and the “Serial” effect.

"Burroughs at 100" with Iggy Pop. What's not to like? A HowSound recorded live at the Third Coast International Audio Festival with award winning producer Colin McNulty.

An Australian radio sampler with Julie Shapiro, Executive Producer for the Creative Radio Unit at Australian Public Broadcasting.