Small Beans

It’s a mailbag episode! That means the star is you! You’re the awkward one! But down worry, Sarah and Bridgett open up about being bullies in school. Yes, they feel terrible about it and it wasn’t cool but in their defense they’re horrible. Then, we go through your emails and bask in your delicious rough stuff like schadenfrude-pigs in your awkwardness mud. Stay tuned until the end of the episode...

Michael has been waiting for this one! He loves Salem’s Lot! Can’t get enough of it! Abe brings him back to Earth by reminding him that this TV movie, the second film/TV adaptation of Stephen King’s career, had a small budget, the director was their second choice, and the production attempted to shoot a TV miniseries and a theatrical version at the same time. So, you know, it already looks good on...

Abe is out of control. He must be stopped. He just talked for an hour about how The Mask utilizes a very specific color strategy in its set decoration, props, costumes, and make up. Who is this podcast for? Why would you listen to this podcast? Because you gotta. Features: Abe Epperson: https://twitter.com/AbeTheMighty Adam Ganser: https://twitter.com/therealganz Support Small Beans and access Add...

Oh my Malkovich! Our resident Charlie Kaufman scholar, Brooks Brown, returns for the first major Kaufman feature release, Malkovich. The trio discusses the writer’s humble beginnings in comedy, his collaboration with Spike Jonze, and ultimately what separates his early scripts from his later scripts and direction. It’s truly a Malkovich you don’t want to miss, Malkovich! Features: Brooks Brown: @q...

As voted on by our patreon “Show Me” producers, this episode features Maggie and Adam’s picks of their nightmare fuel movie. What does Maggie find terrifying? What would Adam never wish to show his mother? Adam and Maggie talk about their failing brains and arms. If you patronize us, feel free to email us suggestions for episodes at any time at magsandganz@gmail.com. Adam Ganser: https://twitter.c...

Adam walks us through the vision of the Hughes Brothers and the techniques deployed so the film’s final twist isn’t doesn’t feel so hard to swallow. It succeeds and fails in different ways, but there’s plenty of craftsmanship in this extremely flawed film. Sometimes it’s about what you don’t see, you see. It’s like jazz. Sweet, sweet Denzel-Washington-clapping-a-bar-full-of-hooligans-with-a-scimit...

Here’s the deal. Our very bean Michael Swaim and Gamefully Unemployed’s David Christopher Bell have decided to create a dream team. A supergroup. The Traveling Wilburys of podcasting. The Cream of audio. So get in here and listen to this audio cream! The whole concept at play here is that Michael and Dave realized that every Futurama episode has a corresponding Star Trek: The Next Generation episo...

Last week on 1upsmanship, Michael got Adam to play Psychonauts, a beloved game from his childhood. This week on Frame Rate, Michael gets to wax poetic about Dark City, the Alex Proyas film that is basically The Matrix and pre-dated the Matrix by about a year. Twitch streamer Alebrelle joins the party and the three investigate the meaning of this mind-bending noir. They also take cheap shots at it...

Ah yes, the personification of the Stephen King everyman: Arnold Schwarzenegger. As we’ve learned, King’s protagonists are often nerds, dweebs, heck, even goofballs. So when the producers of the film approached Schwarzenegger with the adaptation of The Running Man, penned by King’s nom de plume, you know King was ecstatic about it. Michael and Abe discuss the outrageous and basic parody that perme...

This episode examines the extremely lean production of It Follows (2014) and how choosing specific directorial tactics can both keep the budget reasonable and make for satisfying artistic choices. Director David Robert Mitchell takes advantage of his lens package, camera support, editorial strategy, and musical arrangements in order to make a consistent vision that speaks to the themes of the film...

Teresa Lee returns to Frame Rate! In this episode, the gang discusses the philosophical and symbolic efforts of Jim Henson’s Labyrinth. Why is Jareth doing this? What are the goblins? What does the Bog of Eternal Stench represent? It couldn’t be as simple as buttholes, right? I mean, it really seems like it philosophically represents somebody’s butthole, but we should go deeper. Teresa’s there to...

A very special 2-hour episode for our Show Me Patrons! In this one, Maggie talks about building a Catio for her cats and declares war on YouTube commenters of this show. Adam dubs himself America’s Dad and America agrees. Also today, we’re teaching you a game that Adam and his brother created to curb indecision and the rules are as follows: Each player introduces six songs. Each player eliminates...

Some episodes of Kings of King are very different from our typical approach to unearthing the symbolism and meaning of Stephen King’s adaptations. This is one of those episodes. The movie is Frank Darabont’s The Green Mile (1999). It has a star-studded cast, a competent director, and a critically-acclaimed photographer. Thomas Newman writes another amazing score. Michael hates this movie. Let’s al...

BOLD is a podcast about race and justice in America, and a collaboration between Small Beans and Showing Up For Racial Justice, produced by White People 4 Black Lives. In this episode, co-hosts Dahlia Ferlito and Ivette Alé sit down live with Hamid Khan, an activist, speaker, organizer, and outspoken advocate for maintaining YOUR rights in the face of invasive state surveillance programs.

Actor and sketch writer/producer Gretchen Dawson jumps on the mic for this episode! Gretchen tells us tales of her childhood with her accidentally woke bullies and her split lives at home and school. In this episode, we examine how older siblings define what is cool for the younger siblings, like, let’s say marionette puppets. Like the coolest thing in the world are marionette puppets. And now you...

Adam tells us the history and classic use of the Steadicam so we can better understand how Christopher Nolan uses it. Not only is he unique in his deployment of the tool but Nolan’s signature speed and momentum exaggerate both the power and flaws of his films. Not only should you be able to identify his approach to camera movement but you’ll more deeply understand why he makes these choices as a d...

Two of the warmest hosts to bless this podcast network take a moment to reflect on some of their coldest days. Both Michael Swaim and Cristian Ramirez have gone through divorces. Cristian, the more recent single, tells Michael about the hardships and eventual self-betterment involved in his experience. Michael in-kind reflects on his own behavior and past circumstances that made him the man he is...

Seanbaby joins the beans to discuss their collective disdain for the recent Wonder Woman movie! They pick apart its many plot holes, discuss the state of the union of DC and Marvel universes, but end up determining maybe they’re not the best people to determine the future of the Wonder Woman franchise. Though, we all agree that we need more and better female superhero movies. And it’s not all hate...

Daniel O’Brien, writer for Last Week Tonight and original gangster, joins Bridgett and Sarah for a candid discussion of how teenagers fall for the allure of playing the role of a protagonist in a tragic romance. Daniel starts with a tale where a teenage crush overheard his undying love via speakerphone and the punishment only endures for the next several years. Don’t worry, Daniel, you all have us...

In this musical episode, the hosts each select the album in their lives that changed them. So we have two albums here. The artists are Dashboard Confessional and Bob Dylan. Close your eyes and guess who! Maggie and Adam get pretty in-depth about how music and lyrics can peer into your youthful soul and spit out a new fully-formed human. Witness the sonic metamorphosis. Also, the hosts discuss thei...

Abe walks us through the plethora of editorial, post-production, and camera tricks used by Nobuhiko Obayashi, the director of the Japanese horror comedy, House. From cutting out mattes and placing them directly on the frame, to rotoscoping, to practical effects, to editorial pacing, Obayashi is able to command a tone and humor entirely of his own creation. Abe talks about how the film influenced w...

The horror! The horror! Stephen King himself helms another cars-gone-mad sci-fi/action/horror narrative and the results are disastrous. The boys discuss the lazy filmmaking, slapped together scene work, inconceivable choices, and inexplicable acting of King’s only attempted feature. Oh, and the cocaine. Out of the white dust settles a picture that might be the worst Stephen King adaptation yet. St...

Tales from the Pit returns with a COVID retrospective. Sitting down with Michael is Twitch Streamer, Creator, and Advocate Alebrelle. The two discuss what it’s been like during quarantine as an autistic and intersectional person. WARNING: there are lengthy discussions and specific examples each give about their depression and suicidal thoughts. Beware, all ye’ who enter here, thar be monsters. Eve...

Oh, behave. Sarah has joined the boys to discuss the 1997 Mike Myers film and its cultural impact on the United States, baby. Does it hold up after 24 years? Is it as horny as we all remember? Abe ruins the mood by bringing up the history of satirical espionage films. Features: Sarah Griffith: https://twitter.com/sk_griffith Michael Swaim: https://twitter.com/SWAIM_CORP Abe Epperson: https://twitt...

Adam chooses to examine 1998’s Murder of Crows, a forgotten Cuba Gooding Jr. vehicle. In the episode, we examine the work of Rowdy Herrington, also popular for Road House, and his directorial approach to this film. A very important part of directing is presenting a series of shots and performances so that the narrative is clear. “Clarity, then elegance,” as someone once said to me. Either due to a...