Slop Culture

The boys watch a mid-90's martial arts masterpiece and appreciate a glimpse into Jackie Chan's vision of America--a beautiful and rabid frenzy of a country in which colorful gangs of dirtbike riders battle mullet-sporting, uzi-toting white men for supremacy over New York and hovercrafts are law.

Seann William Scott earns the second N in his name while Chow Yun Fat violates no less than seven out of ten tenets of the Bro Code while finding the time to engage in bouts of fighting surprisingly whimsical Nazis. 

The boys party hard in 2026 by flopping face-down in a big ol' pile of Michael Bay and snorting a line of Nic Cage. Why is Alcatraz a Zelda dungeon? What's Sean Connery's fursona? Is Dale Earnhardt the only one who can stop the Devil? All this and more on the first new episode of Slop Culture in 2026.

This week, the boys fill their goblets and drink deeply from the well of German auteur, Uwe Boll, and find that the taste reminds them fondly of foreign tax incentives, rubber orc suits and Ray Liotta's ghostly wizard juice.

In a new holiday tradition, the boys try to find a Christmas action movie that isn't Die Hard and settle on Tim Burton's relic from the pre-MCU era of superhero movies, Batman Returns--the only movie with the guts to call out the role of penguins in the military industrial complex.

Will and Sam follow the tradition of the Ancient Greeks and engage in some philosophy--is man's virtue an ephemeral and forever-shifting thing, as ceaseless as the Aegean, or is it simply that whoever has less body hair wins? Welcome to Zach Snyder's Frank Miller's 300.

This week, the boys take a look at Guy Ritchie's surprisingly compelling high fantasy mafia movie and then waste the entire time discussing horse stunts, the proper way to meet eels in bars and Jason Statham's burgeoning Chili's franchise.

The boys take a good, long look at John Woo's surprisingly artistic 90's icon in which John Travolta is a sad family man and Nic Cage is a lunatic criminal and then John Travolta is a lunatic family man and Nic Cage is a sad criminal. Join us for dual wielding pistols, sideways lunges and more white doves than a spring wedding. 

This episode, Will and Sam dive deep into the explosive passions of one of cinema's strongest lovers of debris with an unusual grudge against United States landmarks--Roland Emmerich and Will Smith protect earth from all but the coolest explosions in Independence Day.

This week, the boys take their first step into the hallowed halls of one of action cinema's founding fathers and do a lot of impressions of him making machine gun noises with his mouth. Join us as Sylvester Stallone singlehandedly shapes Southeast Asian military policy with a bandana, a bow and a lot of mumbling.

The boys dip a toe into the shiny and visceral pool that is Vin Diesel's artistic milieu with the Chronicles of Riddick, exploring that most profound form of artistic expression: the Original Character (do not steal). NOTE: In this episode, Sam makes the OUTRAGEOUS claim that Glenn Close was in the film The Devil Wears Prada. While we at Slop Culture stand by our assertion that Glenn Close is...

In their first episode, the boys talk about one of the early 2000's most hairless and glistening fantasy trash spectacles. If it has a camel in it, you're in for a good time.