Selected Shorts

Host Meg Wolitzer presents works that reflect on the loss of love, creatively imagined by a quartet of thoughtful writers. In “The Space,” by Christopher Boucher, a lost love is replaced by—her absence. The reader is Rob Yang. In Wendi Kaufman’s “Helen on Eighty-Sixth Street,” the loss is the backstory, as a lively ‘tween, voiced by Donna Lynne Champlin, finds ways to deflect the emotional fallout...

Host Meg Wolitzer presents two stories about objects of love, and feelings that can't be returned, for very different reasons. In “A Love Letter” by Greg Ames, a boy falls head over heels in a crosswalk. Actor and Young Adult author Maulik Pancholy really captures teen ardor and angst in his reading. And in Kali Fajardo-Anstine’s “Sugar Babies,” another teenager learns about adult responsibility f...

Meg Wolitzer presents four works drawn from an evening of satirical stories about American political history, hosted by Andy Borowitz. Nothing is sacred. First, Joe Yan imagines Abraham Lincoln, huckster, in “I’m Abraham Lincoln and I Beg Of You, Please Commemorate My Birthday With Mattress Sales,” read by Ikechukwu Ufomadu. In “Running for Governor,” Mark Twain imagines himself in the political h...

Rarely do we devote one show to just one writer, but on this Selected Shorts, we turn the show over to universally beloved author George Saunders. Saunders somehow finds the good, or at any rate the imperfectly human, in his characters. The result is a catalog as funny as it is moving, as devastating as it is hopeful. On this program, two stories that perfectly illustrate this. “Love Letter” is fr...

Meg Wolitzer presents three stories about the tricky subject of envy that question whether the grass is in fact always greener somewhere else. In Alexandra Petri’s “Seneca Falls for You,” feminist Elizabeth Cady Stanton almost gets trapped in a romance novel. The reader is Ophira Eisenberg. Ben Phillipe’s sly fairy tale, “The Luck of Others,” read by Joanna Gleason, reminds us to beware of what we...

Meg Wolitzer presents two stories with surprises the characters didn’t anticipate. A smart Mom defies expectations in “Agouti,” by Brenda Williams, performed by Laurine Towler. And a smart house has unexpected features in a classic by sci-fi master Ray Bradbury. Stephen Colbert reads “The Veldt.”

Meg Wolitzer presents two favorite Selected Shorts works in which food and nourishment figure both literally and symbolically. The narrator of Haruki Murakami’s “The Year of Spaghetti” seems to be just sharing pasta recipes, but it’s the recipe for assuaging loneliness that may elude him. The reader is Sopranos alum, Michael Imperioli. And unusual family dynamics shape Amy Bloom’s “Love is Not a P...

Meg Wolitzer presents a show of stories about replacements and stand-ins. While we tend to crave the original, sometimes a substitute can bring more happiness than the “real” thing. In Steve Almond’s “A Happy Dream,” read by Phil LaMarr, a young man assumes a new identity in pursuit of love. In “A Brief Note on the Translation of Winter Women, Written by the Collective Dead, Translated by Amal Rut...

Meg Wolitzer presents two stories about unexpected guests. In Carlos Greaves’ “A Visit from the Tune Squad,” a procrastinating writer gets a surprise intervention, in performances by Santino Fontana, Dylan Marron, and Sarah Messanotte. In our second story, Willa Cather delivers a moving tale of sin and redemption. Patricia Clarkson reads “The Burglar’s Christmas.”

Meg Wolitzer presents a show of stories about our need to have “proof of love”—some demonstration by those nearest and dearest of exactly how much they care. A lot, in Etgar Keret’s sweetly improbable “Almost Everything,” in which a husband looks for the perfect gift for a demanding wife. It’s read by Liev Schreiber. In Jacob Guajardo’s “Conquistadors, on Fairchild,” read by Michael Hartney, old f...

Fitting In by Symphony Space

Meg Wolitzer presents three stories in which plans go awry, or alter completely. In Ben Loory’s “Dandelions,” read by Wyatt Cenac, a suburb is invaded, and experiences a change of heart. Edwidge Danticat imagines an ultimate act and its consequences in “Cane and Roses,” read by Anika Noni Rose. And a romance with comic underpinnings changes course in Ray Bradbury’s “The Laurel and Hardy Love Affai...

Host Meg Wolitzer presents two works that reassess and redefine our ideas of “the West.” It’s both a landscape of awesome beauty, and the scene of cultural appropriation, and we’ve got two masters sharing and shaping our experience. In Louise Erdrich’s “The Hollow Children” a natural disaster tests family ties. It’s read by Tate Donovan. And writer and environmental activist Rick Bass stress tests...

Host Meg Wolitzer presents two works in which characters are out of their element. This is quite literally the case in Robert Coover’s witty reworking of the fable “The Frog Prince,” who finds human life exhausting despite the enthusiasm of his suburban love interest. Parker Posey reads. In Cristina Henríquez’s “Chasing Birds” a married couple share an exotic holiday locale, but not much else. It’...

SELECTED SHORTS host Meg Wolitzer presents four works that were presented as part of our live evening with WNYC’s Radiolab and hosts Lulu Miller and Latif Nasser. The theme was flight in many imaginative manifestations. Randa Jarrar’s “The Lunatics’ Eclipse” is a fable-like story of romance and interstellar travel, read by Abubakr Ali. Our second story is “Roy Spivey,” by Miranda July, and is a sl...

Host Meg Wolitzer presents three works about change. Yalcin Tosun’s “Muzaffer and Bananas” explores the awkward rites of passage of two teenaged boys. It’s performed by Arian Moayed. In Anya DeNiro’s “Take Pills and Wait for Hips,” performed by Pooya Mohseni, a trans woman reflects on her life before and after the change. And a former couple rehearse the disintegration of their relationship—on a s...

Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it nor not. In “Unicorn Me,” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs. A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach’s Wife,” by Helen Phillips. It’s performed by Sarah Steele....

Host Meg Wolitzer presents three works of speculative fiction curated by best-selling author N.K. Jemisin. In John Scalzi’s “When the Yogurt Took Over” a popular breakfast staple decides it’s good for everyone. The reader is Jin Ha. Chatbots and A.I. can be helpful––but sometimes too helpful––as we hear in Alexandra Chang’s “Me and My Algo,” read by Catherine Cohen. And Jemisin herself reworks a c...

Host Meg Wolitzer presents two works about growth helped along by some sort of fantastical assistance. The characters in these pieces are stuck—and consciously or not, they're looking for something to give them just a little push. And that nudge comes in the form of magic. In “Isabella’s Garden,” by Naomi Kritzer, a backyard nature site presents a young family with a new world of fertility. The re...

Count Your Blessings by Symphony Space

Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy. Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Re...

Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s...

Picture Perfect by Symphony Space

Taking Flight with Amy Tan by Symphony Space

Host Meg Wolitzer presents two works about losing something, but finding something revealing to take its place. In “Light,” by Lesley Nkeka Arimah, parents differ about how to raise a strong-willed daughter. The reader is Crystal Dickinson. And in Taryn Bowe’s “Camp Emeline,” performed by Edie Falco, a family struggles after a loss, but grief leads to self-discovery for the determined narrator. Th...