Seattle Opera Podcast

Stage Manager Yasmine Kiss and Assistant Stage Manager Cris Reynolds chatted during an intermission of Siegfried when Seattle Opera re-broadcast its 2005 RING cycle on KING-FM in February. Listen to their stories about what it's like backstage getting costumes, props, scenery, human beings, and livestock organized for their onstage appearances.

Violinist Kathy Boyer and horn soloist Mark Robbins chatted during an intermission of Siegfried when Seattle Opera re-broadcast its 2005 RING cycle on KING-FM in February. Listen to their stories of playing this brilliant opera and the various challenges it has presented them over the years.

Lighting Designer Connie Yun and Master Carpenter Tim Buck (who designed the RING's fire & flight effects) chatted during an intermission of DIE WALKÜRE when Seattle Opera re-broadcast its 2005 RING cycle on KING-FM in February. They discuss how to make mermaids swim, mountain ledges burn, and Seattle's long RING tradition.

Bassoon player Paul Rafanelli and violinist Jeannie Wells Yablonsky chatted during an intermission of DIE WALKÜRE when Seattle Opera re-broadcast its 2005 RING cycle on KING-FM in February. Listen to their perspective on playing these operas and Seattle's long RING tradition.

At Seattle Opera we had the great good fortune to work with the late great bass Arthur Woodley many times over 25 years. In this podcast, which will also air on KING FM during the intermission of BORIS GODUNOV on January 9, Seattle Opera Dramaturg Jonathan Dean shares some of Arthur Woodley's extraordinary vocal performances and memories of this beloved singer. Archival clips featuring the Seattle...

Francesca Zambello recalled the extraordinary adventure of making an opera from the literary world of the great Colombian writer Gabriel Garcia Marquez during an intermission chat with Christina Scheppelmann. Zambello, General Director of Washington National Opera and Glimmerglass Festival, is also a stage director who has given Seattle Opera many wonderful productions. This podcast also features...

Donald Byrd, Artistic Director of Spectrum Dance Theater, has choreographed several productions for Seattle Opera over the years. Just before the pandemic began he made valuable choreographic contributions to CHARLIE PARKER'S YARDBIRD. General Director Christina Scheppelmann interviewed Byrd for a "Seattle Opera Mornings on KING FM" re-broadcast of his Seattle Opera debut, our 2007 production of H...

Vinson Cole decided to be an opera singer when he was 9 years old. Beginning in 1988, with his spectacular debut as Gluck's Orphée (Seattle Opera's first-ever Baroque opera and first-ever modern dress production) the tenor became something of a star-in-residence in the Emerald City. He sang a lead role almost every year in Seattle, excelling in a huge swath of repertoire. General Director Christin...

Seattle Opera General Director Christina Scheppelmann spoke with soprano Jane Eaglen when "Seattle Opera Mornings on KING FM" played TRISTAN UND ISOLDE, a 1998 production that featured role debuts for both Eaglen (as Isolde) and Ben Heppner (as Tristan). Eaglen describes that eventful summer, what it's like to sing the Liebestod from Isolde's point of view, and the importance of a prompter!

Peter Kazaras has been a mainstay of Seattle Opera since his 1985 debut onstage singing the role of Steva in JENŮFA. His debut as a stage director came in 2003. As Artistic Director of Seattle Opera's Young Artists Program from 2005 to 2013, plus his ongoing work as Director of Opera at UCLA, he has trained a generation of opera artists. For a KING FM Intermission he discussed with Jonathan Dean V...

Viswa Subbaraman will make his Seattle Opera debut next spring conducting FLIGHT. This young American conductor discussed Lakmé, and the operatic tradition of "exoticism"—European artworks using images of non-European places and cultures—with Seattle Opera General Director Christina Scheppelmann for an intermission feature on a Seattle Opera Mornings on KING FM broadcast.

University of Michigan professor Naomi André is also Seattle Opera's Scholar-in-Residence. For an intermission feature on "Seattle Opera Mornings on KING FM," she discussed Verdi's OTELLO and its 1967 premiere at Seattle Opera.

Italian conductor Carlo Montanaro was in Seattle, working on our fall video version of THE ELIXIR OF LOVE, when he chatted with Seattle Opera General Director Christina Scheppelmann about Donizetti for an intermission feature that played during a rebroadcast of ANNA BOLENA on "Seattle Opera Mornings on KING FM."

Seattle Opera General Director Christina Scheppelmann spoke with baritone Gordon Hawkins as an intermission feature for "Seattle Opera Mornings on KING FM." In addition to discussing Macbeth and several of his other great roles, Hawkins and Scheppelmann, both of whom knew and admired Ruth Bader Ginsburg, fondly remember the Chief Justice and her love for opera.

Seattle Opera's current General Director, Christina Scheppelmann, chatted with Speight Jenkins, who led the company for three decades, from 1983 through 2014. Speight is a legend in the world of opera, and as you'll hear in this podcast his inimitable, high-energy, opinionated charm is as powerful as ever. They discuss the great tenor Franco Corelli (this conversation was originally an intermissio...

Seattle Opera General Director Christina Scheppelmann spoke with soprano Jane Eaglen as an intermission feature for "Seattle Opera Mornings on KING FM." Eaglen remembers the dramatic circumstances of her Seattle debut, as Norma in 1994, and how coming to Seattle ended up changing her life.

Phil Kelsey, Seattle Opera's Assistant Conductor, remembered the fantastic fall 1990 Seattle Opera premiere of Rusalka during an intermission chat with Dramaturg Jonathan Dean. Kelsey, who had musically prepared several Seattle Rings during the '80s, has been with the company full-time ever since that Rusalka, and was particularly gratified to watch this great Czech opera—long a personal favorite...

Stephen Wall has sung with Seattle Opera for almost 40 seasons...but this season has brought him additional fame, as "Ballard Opera Man," offering regular outdoor recitals for his neighbors (with room for them to maintain social distance!). He discussed both his recent activities and his many years with Seattle Opera with General Director Christina Scheppelmann for a recent intermission feature fo...

Seattle Opera General Director Christina Scheppelmann spoke with baritone Gordon Hawkins as an intermission feature for "Seattle Opera Mornings on KING FM." Between Acts 2 and 3 of NABUCCO, Hawkins, who has sung almost all the great Verdi baritone roles for Seattle Opera, reflected on singing Verdi honestly and his many years with the company.

Many of opera's greatest and most overwhelming moments happen thanks to the chorus. Seattle Opera Dramaturg Jonathan Dean introduces many of the typical functions of the opera chorus, such as saluting a leader, singing in praise—or fear—of God, providing local color, intensifying the drama, and embodying the multitude. Musical excerpts from three decades of Seattle Opera productions feature the wo...

Come down to the bassment and enjoy the deep sound of the bass and bass-baritone voices with Seattle Opera Dramaturg Jonathan Dean. Basses play dads, priests, kings, old bearded guys, God, and the Devil; they get to be evil, they get to be funny, and they always sing with great authority. Includes a 4-pack bass sampler from BORIS GODUNOV, a taste test of Hagens from GÖTTERDÄMMERUNG, and a buffo ba...

Seattle Opera Dramaturg Jonathan Dean introduces the baritone voice, a sound which celebrates the beauty and power of masculinity. In opera, baritones play clowns and kings, urban sophisticates and unlettered innocents; good, bad, and every shade of grey. They win our hearts, melt our hearts, and break our hearts. Featuring musical examples with sweet lyric baritones, proud heroic baritones, snarl...

Seattle Opera General Director Christina Scheppelmann spoke with Marketing Director Kristina Murti about the 2017 production of Madama Butterfly as an intermission feature for "Seattle Opera Mornings on KING FM." They discussed the importance of putting historical works in context, something Seattle Opera strove to do at that production by providing audiences with more information about how the op...

Seattle Opera Dramaturg Jonathan Dean introduces several different types of tenor, from the agile-voiced, graceful and elegant tenori di grazia, to the heroic and powerful tenori di forza, and all points in between. Includes musical examples featuring many favorite Seattle Opera tenors: Antonello Palombi, Edgardo Rocha, Laurence Brownlee, William Burden, Matthew Polenzani, Ben Heppner, James McCra...

Seattle Opera Dramaturg Jonathan Dean investigates two voice types infrequently encountered in opera: trebles (boy sopranos and adolescent female sopranos) and countertenors. Features conversation with Seattle Opera coach-accompanist Jay Rozendaal, and musical examples: TURN OF THE SCREW (Rafi Bellamy Plaice and Forrest Wu), LAKMÉ (Harolyn Blackwell), THE MAGIC FLUTE (Johanna Mergener, Emili Rice,...