SEAMSIDE: Exploring the Inner Work of Textiles

Tyrrell Tapaha , a sixth-generation Diné weaver and sheepherder, will tell you there’s nothing in his work that specifically belongs to him. And while it may be true that there’s nothing new under the sun and that all artists draw from deep wells of collective experience, I can’t help but think that there is something special about Tyrrell’s work—the use of text, the collage-like shifts in weaving...

Time continually marching forward. Each new day just piles on top of yesterday and gets buried further back in what we have come to call history. I think there's a problem with thinking about time that way, and that's what we're exploring today on SEAMSIDE. I'm going to share with you a quilt that I made called Generation. It's part of the Southern White Amnesia, a body of work that I've pulled to...

My good friend Maura Grace Ambrose joins for me for this SEAMSIDE special episode I’m calling FREE ADVICE where we answer your questions on quilting and the creative life. In this episode, we share our thoughts on the following questions: ➞ how our quilt aesthetic has changed over time, ➞ how to learn quilting without spending a lot of money or time ➞ what to do with random experimental pieces ➞ h...

In this episode, I share more about a quilt I call LIKE FAMILY. It's part of the Southern White Amnesia Collection, which explores the kinds of stories that Southern White families tell one another, or maybe more importantly, the ones they don’t tell one another about their own family history. You may have heard me talk about other pieces in the same collection on SEAMSIDE before, and if not, I'd...

I first met Victoria Van Der Laan in Catskill, New York, standing in the gravel driveway in front of the HUDDLE House where me and twenty-five other NOOKers where spending a long weekend quilting together. I had assumed she’d just whisk me away for a quick coffee and pastry while I was in town and that would be it, but Victoria ended up coming back to the house for a trunk show and then spent all...

I think I’ve been thinking about time all wrong. I’m not sure it’s linear, but maybe that it accretes and infuses itself into itself. What does all that mean? This quilt says it better than I ever can. In this SEAMSIDE conversation, I share some stories about: ① how we need a new way of thinking about time ② the life cycle of a single garment ③ how we can tend and nourish the past → Get your free...

Talking to Kathryn Greenwood Swanson is like completing an electrical circuit that you hadn’t realized was open. Big ideas just light up this entire conversation. Kathryn and I catch up on the one year anniversary of our SEAMSIDE chat to catch up on everything that’s happened since we last talked. If you haven’t heard our first conversation, Kathryn runs a thriving creative reuse shop in Turner Fa...

Talking to Kathryn Greenwood Swanson is like completing an electrical circuit that you hadn’t realized was open. Big ideas just light up this entire conversation. Kathryn and I catch up on the one year anniversary of our SEAMSIDE chat to catch up on everything that’s happened since we last talked. If you haven’t heard our first conversation, Kathryn runs a thriving creative reuse shop in Turner Fa...

Every time Woomin’s work pops up in my feed it’s a quilty dopamine hit. Her appliqued wall pieces depict scenes from her life in Queens New York and back home in Korea. And you don’t have to see very many of her pieces to realize that her world is abundant in story-telling objects and almost completely devoid of pesky and interfering humans. To hear her talk about how in her previous sculpture pra...

This textile piece, OUR CHILDREN, that we’re talking about today explores how we’re taught about our racial identity, gender, and sexuality from a young age. It’s a part of a collection I’m calling Southern White Amnesia which explores the stories that Southern white families tell (and don't tell) about their own family histories. In this SEAMSIDE conversation, I share thoughts about: ① the first...

The casual Instagram scroller would be forgiven if they scrolled past one of Rachel’s patchwork pieces and assumed it was something generated by artificial intelligence. But AI can only dream of creating the real-world objects of beauty that Rachel creates. They capture light and color, breeze and the occasional animal slops. In this dreamy SEAMSIDE conversation, textile artist and photographer Ra...

In this episode, I share a collection of stories behind SNAKE HANDLER, a large banner I made featuring a writhing white snake. It’s really a three-part story about wrestling, specifically wrestling with identity, privilege, and role in the struggle for racial justice. I share personal reflections on understanding and confronting my privilege, recommending reading suggestions, sharing two strategie...

Leslie Rogers is an unpinnable butterfly of a human. Her creative practice flits from quilts to performance to garment-making to puppetry. She’s a deeply thoughtful artist whose often whimsical or jarring pieces are underpinned by hours of historical research. Leslie and I met at Penland, and if her name sounds familiar, it’s because she came up in my conversation recently with Paolo Arao. That ep...

As you may have heard the NOOK had our first in-person gathering recently called a HUDDLE. As part of this gathering, I asked participants to share what they were thinking about over the weekend. Funny enough in this old house, there was an old wooden phone booth that provided just enough privacy for us to sit and speak our thoughts into a small digital handheld recorder. What you're about to hear...

A few weeks ago, I caught up with quilt researcher and author Janneken Smucker to thumb through her new book together. If you haven’t heard our conversation yet on A New Deal for Quilts, I recommend you go back and catch that episode first, and then come join me for this conversation. Because today we’re going behind the scenes, behind the book, and into the International Quilt Museum itself. I’m...

For most of my life, I had a tough time wrapping my head around the idea of privilege. But as I started researching my own family, something became crystal clear: the two branches of my family tree had two different experiences here in this country. On my dad's line, they are all subsistence farmers. They barely had enough money to get it registered on the census. On my mom's side of the family, h...

By now you’ve probably heard that our good friend Heidi Parkes is the 15th Artist in Residence at the Pfister Hotel in Milwaukee. I talk about Heidi like everyone knows her, and if you’ve been in my world for very long, I’m sure you’ve heard me talk about her. We are both former public school educators turned professional artists and have been friends for almost a decade now. If you’re not familia...

I’m convinced that Roderick Kiracofe is one part human being and one part guardian angel. He’s been a huge support both of me and many other quilters out there, generously lending his experience and insight that only come from the decades he’s spent as an advocate for quilts. On a recent trip to NYC, he and I caught up at Tatter’s Blue Library to immerse ourselves in Brooklyn’s beautiful textile r...

In this quilt talk, I share the KNIFEMAN quilt: a story-driven project shaped by an encounter I had while purchasing a foraging knife, exploring themes of identity and how each one of us living our best lives gives permission to everyone around us to the same. You can see images of quilts we discuss on the episode website https://www.zakfoster.com/seamside/ knifeman WHY LISTEN TO THIS EPISODE? The...

To get 2024 started right, I thought I would pull together some of my favorite moments out of the last year as a way of not only reflecting, but mining it again for the wisdom, the advice, the perspective and experience that my guests have offered, and hopes of setting all of us up for a more creative, more fulfilling, more satisfying 2024. When I sat down to begin thinking who would I pull in fro...

The Great Depression wasn’t something we talked much about in my family. I do know it’s what made my grandfather quit school in the eighth grade to go work in his father’s grocery store. When we think of this time in international history, which lasted roughly from the Stock Market crash in 1929 until the lead-up to World War 2, we often think of the photographs of Dorothea Lange and the New Deal...

I take you behind the scenes with one of my most recent finishes, a quilt I’m calling the Beach Shirt quilt. I found the shirt walking down along Brighton Beach on a cool gray morning about six weeks ago. We walked to the far end of the beach beyond Coney Island where things turn more residential, and that’s where I found it: this clump of sand-colored fabric. When I picked it up and shook it clea...

Last week when Paolo Arao talked about our textile practices, we mentioned that one of the things that we have in common is our shared love of taro. So in this special SEAMSIDE bonus episode, you'll hear us share about our own personal tarot practice and how it plays into our creative practice. If you have a tarot practice, I hope you pick up some new nuggets. And if you don't have a tarot practic...

The fact that Paolo Arao and I both showed up to the podcast studio wearing orange winter hats and navy hoodies should tell you something of the kindred connection I feel with Paolo. After years of being online friends, we met up for breakfast about a month ago before going to see his most recent show that was about to close. Over a massive (and truly delicious) breakfast sandwich, we kept discove...

I recently spent a week in Chicago with my good friend, Amanda Nadig , making this quilt together. Since I had recently bought a small handheld recorder, we thought it'd be fun to take you behind the scenes day by day as we're making this quilt encountering creative obstacles, when things aren't turning out our way and how we navigate through this particular project together. In part one, Amanda a...