Record Review Podcast

Each week Andrew recommends recordings of music by a Proms composer whose music deserves to be heard more often. This week's Proms Composer, William Alwyn, was a flautist with the LSO and wrote no fewer than five symphonies along with operas, songs and chamber music but he’s perhaps best remembered as the composer of over 200 film scores.

Sir Neville Marriner reflects on half-a-century of recording history with the ensemble he founded in the late 50s, the Academy of St Martin in the Fields.

Caroline Gill joins Andrew live to discuss a 50-CD box set dedicated to L’Oiseau-Lyre’s founding commitment – the music of the Baroque. It contains a range of acclaimed, pioneering recordings that span a fascinating range of repertoire and performing styles.

Each week during the BBC Proms Andrew recommends recordings of music by a composer featured at the festival whose music deserves to be heard more often. Alfredo Casella was an Italian composer influenced by time spent in Paris in the 1910s. Along with a large compositional output, some of which boasts fantastically original scorings, he was a busy teacher, concert organiser and promoter of new mus...

Each week Andrew recommends recordings of music by a Proms composer whose music deserves to be heard more often. This week's Proms Composer, Sally Beamish, is an individual voice who draws both on her Scottish heritage and her background as a distinguished chamber musician.

A session report from Istanbul. Andrew talks to the conductor and players from The Borusan Istanbul Philharmonic Orchestra as they record Rimsky-Korsakov's Scheherazade. Their Austrian conductor, Sascha Goetzel, explains their vision of being a bridge between the people of Turkey and the European tradition in classical music.

Andrew talks to Kristian Bezuidenhout about his cycle of Mozart keyboard works and the joys (and challenges) of playing fortepianos.

Each week during the Proms Andrew recommends recordings of music by a Proms composer whose music deserves to be heard more often. This week's Proms Composer, E.J.Moeran, was heavily influenced by English folk song and wrote in a very lyrical, accessible style recognisably his own.

Martin Cotton with a personal recommendation from recordings of Wagner's intimate musical birthday gift for his wife, Cosima

Simon Heighes compares recordings of Gluck's great reform opera on both CD and DVD and makes a personal recommendation

William Mival compares recordings of Ravel's La Valse and makes a personal recommendation

Helen Wallace with a personal recommendation from recordings of Elgar's autumnal Cello Concerto

Nicholas Kenyon compares recordings on both harpsichord and piano of Rameau's volumes of harpsichord music and makes a personal recommendation

Richard Osborne considers the available recordings of Strauss's opera Der Rosenkavalier and recommends his favourite version

Kenneth Hamilton considers the available versions of Schumann's Kreisleriana and recommends his favourite recording.

Rob Cowan joins Andrew McGregor in the studio to make a recommendation from the available recordings of Beethoven's 2nd Symphony

Nicholas Baragwanath makes a recommendation from the available recordings of Mussorgsky's Songs and Dances of Death

Sarah Lenton with a personal recommendation from the many DVD versions of Mozart's serious comedy, the opera The Marriage of Figaro

Chris De Souza recommends a version from the available recordings of Tchaikovsky's 1st Piano Concerto.

Misha Donat recommends a version from the available recordings of Haydn's Symphony No.101 "The Clock"

David Fanning recommends a version from the available recordings of Nielsen's 2nd Symphony.

Robert Philip with a personal recommendation from nearly 80 years of recordings of Schubert's first set of Impromptus for piano, D899

Caroline Gill with a personal recommendation from recordings of Vivaldi's intensely personal Stabat mater

Mark Lowther compares recordings, and the various versions, of Copland's 'Ballet for Martha' Appalachian Spring and makes a personal recommendation

Jeremy Summerly with a recommendation from the available recordings of Mozart's Coronation mass