Radical Research Podcast

Citizens of a scene that demands innovation and progress, Norway’s Dødheimsgard have assembled a body of work that evidences the evolutionary strides common to Norweird, but have nevertheless remained red in tooth and claw. Episode 61 provides a comprehensive survey of Dødheimsgard’s work, from the icy, elemental black metal of Kronet til Konge to the vast, unknowable psychic landscapes of A Umbra...

We at Radical Research have made a habit of descending into the vortices of profound sound, but our adventures with the musical hijinks of Helios Creed make most other sojourns seem, by comparison, like empty gestures. On our 60th episode, we divest ourselves of empty words and, instead, dive headlong into the abysses of FX-saturated deep space sonix. From alien salutations to violet lactations, w...

Even in the bizarro wilderness of Radical Research, Alf Svensson’s Oxiplegatz stands out in its peerless freakishness. A founding member of the epochal Swedish death metal band, At the Gates, Svensson used Oxiplegatz as a conduit for his most perverse cosmic fantasies. Built on a chassis of mangled guitar harmonies, “machine drums,” and an operatic battery of vocal styles, Oxiplegatz’s music defie...

If the wild, transcendent music we exalt were a cluttered yet beautifully arrayed galaxy, the artists making that music would be planets and Rush would be its sun. So much of what ticks off all the right boxes for us is inherent in the music of the legendary Canadian trio. We can't imagine life without Rush, and realize we're hardly alone in our fealty. This episode, we explore 15 snippets proving...

Germany’s Atrocity have been plying their execrable goth-metal wares since 1994’s precipitously tragic Blut , but the band’s first two albums, 1990’s Hallucinations and 1992’s Todessehnsucht (aka Longing for Death ), occupy space in the top tier of death metal’s golden age. Wild, technical, psychotic, and destructive, these two albums document the work of a young band hungry to bend minds and mock...

“If you think it’s pretentious, you’ve been taken for a ride” With this episode, we look at the second half of Genesis’s 1974 double-album, The Lamb Lies Down on Broadway . Garnering a mixed reaction upon release, it eventually grew into a mammoth cult classic. But it still has its detractors -- or, at least, fans saying that it’s “front-loaded,” “top heavy,” “falters in the last half” or other su...

Herewith we present an overview of one of the most beguiling bands to emerge from American soil. Part doomed epic metal, part gothic grandeur, peppered with prog, and very much in the spirit of our other chameleonic favorites, we run through Hammers of Misfortune’s works beginning in 1998 -- when they were called Unholy Cadaver -- and ending with their most recent work, 2016’s Dead Revolution . We...

part 1: In which Hunter is assigned a 7 Degrees of Separation task, with these parameters:  begin in Norwegian metal, end in Norwegian metal. Betwixt, he was free to roam. We start at Ivar Bjornson (Enslaved) and end with Morty Black (TNT). Hunter’s route is circuitous, but he did it. Good show, Radish! [We won’t reveal the entire chain here…you’ll just have to listen.] part 2: In which we ce...

We love to draw lines and conclusions. We hear links and threads where there may be none, or, on a good day, where we might just be onto something. And we love Norway, especially its music. Especially the weird metal stuff. And we have always found that the short life of Ved Buens Ende and the spirit of their sole album, Written in Waters (1995), lived on within the nutty realm of Virus’s Carheart...

A journey through a wilderness of Nembutals and Luciforms, The Mars Volta’s fifth album offers up a radical departure from the itinerant mania of The Bedlam in Goliath , to explore the inscrutable, dream-like vistas of the interior mind. Though songs like “Teflon” and “Cotopaxi” puncture the reverie with their rhythmic brawn, Octahedron is governed by an acquiescence to the spacious, liminal dimen...

Continuing our appreciation for the unloved misfits of Metalopolis, we always considered 1992’s Thresholds , by Florida’s Nocturnus, an honorary 1993 album. Until we found out it was recorded in December 1991. Whatever the case, these eight chunky, blocky, cosmic, technical songs find Nocturnus at its densest and strangest. While every ingredient adds to the peculiar flavor, it’s all about the wil...

Storming the gates with a new wave cover tune, borrowing from Baudelaire and sampling from NASA Apollo transmissions over primitive machine pulses, Swiss pioneers Celtic Frost exploited terrain no metal band had before with their third full-length album. Created under constant stress and duress in the early months of 1987, the self-produced album was a bold, controversial piece of art that continu...

Many bands have professed to play death metal, but few have summoned the power of death itself, have forced the very bowels of earth to erupt. Nuclear Death, the lords of their own putrid hell-scape, emerged from the sun-scorched wastes of Phoenix, Arizona to ply some of the most personal, most unsettling metal ever to heave itself out of its own rotting grave. On our 49th episode, we survey the p...

For the second time in a matter of months, your intrepid hosts find themselves in the frosty arms of Trondheim, Norway, this time to investigate the world of the frustratingly private Albino Slug. Known to few but adored by those who do, Albino Slug’s legacy hinges on two, confounding slices of avant-rock and metal. From Melvins-doom to musique concrete, Albino Slug operates, as you will hear, in...

After firing up a band called No Man Is An Island (later shortened to No-Man), a young Steven Wilson corralled a couple friends and some wild ideas to sculpt homespun cassette recordings under the strange name Porcupine Tree. These then-obscure tapes, Tarquin’s Seaweed Farm (1989) and The Nostalgia Factory (1991), were edited and re-sequenced as an oddball album, On the Sunday of Life, in 1992. De...

Bust out the Purell and take a healthy dose of penicillin because the whores are back in town. On this special -- and occasionally-recurring -- episode of Radical Research, we stroll alongside a pornographic buffet of sumptuous synthesizer vibrations. For this globetrotting, sweaty-browed sojourn, we’ll travel from Wuppertal to Richmond to Reykjavik to Los Angeles and all points in between, in sea...

For the 45th episode of Radical Research, we continue our trek north, this time landing in Trondheim, Norway, where we take a close look at the vast and fascinating discography of Manes. Well-respected in black metal circles for their personal and visionary approach to the genre, Manes has spent the last 16 years working through a difficult-to-pigeonhole brew of dark, atmospheric rock and electron...

When Uranus falls, once and for all, in the cosmic background will be heard the humming, buzzing sound of a tragically-overlooked group of travelers. Formed in 1988 in Turku, Finland, Xysma waged a decade-long war against expectation and small-mindedness. With phantasm-like stealth, the band moved from scatalogical grind to groovy Sab-death to vendetta rock, as well as all points in between and be...

After recording two mind-bending and defiant albums -- pieced together, ever so precariously, with the bacterial molecules of metal, ska, contemporary music, free jazz, musique concrete, tango, imaginary soundtracks, and the music of the Middle East -- Mr. Bungle returned to the table in 1999 with their fin de siecle masterpiece, California . Breaking from the hysterical invention of the previous...

Emerging from a web of poststructuralist philosophy and electronic fetishism, France’s Heldon -- whose name is derived from Norman Spinrad novel, The Iron Dream -- functioned from 1974–1979 as a vehicle for Richard Pinhas’ wildest aural fantasies. The group’s first six albums work through an esoteric maze of analog synthesis and post-Fripp guitar histrionics, from the curiously pastoral second alb...

Welcome to the second installment of this occasional episode in the margins...we have fun trying to fool each other by playing an unlabeled, unmarked piece of music. For diehard Radical Research enthusiasts only! Music cited in this episode Sorry, you'll need to listen to find out.

Let’s face it: we live in a world bereft of justice. And so it falls on the shoulders of Radical Research to shine a bit of light into this dim world. On this, our 41st episode, we give a voice to the voiceless and spotlight 5 unsung greats. From the Great Lakes to the land of Ten Thousand Lakes, from Marshalls to Moogs, this episode draws back the curtain to reveal the important but mostly ignore...

Departing from the tractor-beam blasphemy of their seminal first four albums, Bergen, Norway’s Gorgoroth offer a more panoramic approach to (a career in) evil on their daring fifth missive, Incipit Satan . IC absorbs influences from death industrial, morbid rock and roll, and melodic death metal, and transmits them with an elegant cruelty. The album stays true to the band’s revolving-door membersh...

Greetings from the nativity. This podcast began as an examination of the vast and nebulous frontier of Norwegian post-black metal. In that spirit, episode 39 of Radical Research probes the tentacles of the In the Woods... diaspora and gives an ear to Drawn, Stille Opprör, Naervaer, Transit, and Green Carnation. These artists give light to the polyglot transmissions from the distant North and revea...

Toby Driver’s path to the present has been circuitous and inscrutable, which is to say, in keeping with music he has written over the last 25 years. His work in Maudlin of the Well, Kayo Dot, and as a solo artist has encompassed metal, chamber music, serialism, aleatoric composition, electronics, folk, sci-fi soundtracks, and beyond. For this episode of Radical Research, we will be taking a detour...