Pop Screen

After making one of the definitive rock biopics with Sid & Nancy, Alex Cox was hired to document The Pogues, Joe Strummer and Elvis Costello as they toured Nicaragua. When it was decided that sending a bunch of rock stars to tour a country which had recently been at war was a bad idea, Cox made Straight to Hell instead, a spaghetti Western parody with Strummer as the leader of a group of bank...

Cum on Feel the Podcazt! This week Pop Screen celebrates the festive period with a band who, without a sleigh bell in earshot, conjure up the spirit of Christmas. It can only be Slade, who got debutant director Richard Loncraine to make their one and only feature film, the oft-mistitled (not least by us) Flame, in 1975. Despite being released at the height of their popularity, it wasn't a hit - so...

Pop Screen is going all topical this week, eschewing our usual cult classics and reviewing a film released this year - so be warned, there are spoilers! It's Annette, an extraordinary, divisive musical by extraordinary, divisive director Leos Carax, with a full original score by extraord... you get the picture, it's Sparks, the score is by Sparks. Join Graham and Mark as they examine this surprisi...

We hope all our American listeners had a happy Life Day recently - if not, let this week's Pop Screen put you in the party mood. In 1978, just one year after A New Hope was released, the stars of George Lucas's original blockbuster reconvened for a bizarrely misconceived variety show that's never been officially re-released. They were joined by guests including Art Carney, Jefferson Starship and B...

Shahid Mohammed, cut it with precision: this week Pop Screen is going back to the Daisy Age of hip-hop with Michael Rapaport's documentary Beats Rhymes & Life: The Travels of A Tribe Called Quest. Somewhat incredibly the first ever documentary about a hip-hop band, this warts-and-all look at Tribe's history annoyed Q-Tip by focusing on the tensions between him and the late Phife Dawg. But the...

Pop Screen is back, back, back with Bob Dylan, Bob Dylan, Bob Dylan (x2) as Cult Following 's Ewan Gleadow rejoins Graham to talk about I'm Not There, Todd Haynes's surreal anti-biopic with six different stars embodying different aspects of Dylan's persona. There's Cate Blanchett as the controversially-electrified superstar Dylan, Christian Bale as protest-singer Dylan, Richard Gere as enigmatic r...

Hey you! It's time for Pop Screen to tackle one of the earliest, most expensive and most flamboyant product of the 1980s crossover between music video and cinema: Pink Floyd - The Wall. Based closely on Roger Waters's semi-autobiographical songs, director Alan Parker and animator Gerald Scarfe produced an epic fantasy of isolation, trauma, totalitarianism and grief that caused no less a figure tha...

It's the most wonderful time of the year - Halloween, obviously - and Pop Screen is convening Graham, Rob and Mick to discuss one of the all-time great horror movies featuring a pop star - David Cronenberg's Videodrome, featuring Blondie's Debbie Harry as a media psychotherapist who discovers a conspiracy to use video signals to suppress the new flesh. And what is the new flesh? We've all watched...

Since its premiere at Chicago's Cinepocalypse festival, Glenn Danzig's directorial debut Verotika has gone down in legend. Not a good legend, but then as Countess Elizabeth Bathory would tell you not all legends are good. This week on Pop Screen, Ewan Gleadow from Cult Following rejoins us to discuss Danzig's three-part magnum opus, based on stories from his own Verotik comics imprint. Along the w...

Well, we're certainly not pro-bellum. This week Mick from Behold! pod joins us again to look at a film that seems to have everything going for it: a pair of hotly-tipped debuting directors, a provocative, mind-bending premise, and a quality cast. Even more promisingly, that quality cast is headed up by Janelle Monae, who Graham cites as the only musician capable of filling the void left by Prince...

A trilogy of Black horror and science fiction tales, hosted by the disembodied floating head of funk legend George Clinton? It happened! Kicking off Pop Screen's Halloween month, Geek Show kingpin Rob joins us once again to look at one of the stranger products of HBO's post-Tales from the Crypt hunt for a new anthology series - Reginald D Hudlin's Cosmic Slop. Quickly forgotten, it was edited into...

This week, Pop Screen has been thinking about a line drawn in the sand: specifically, a line drawn between the reasonable criticisms of PJ Harvey's 2016 album The Hope Six Demolition Project, and the ones that took her to task for not working out a viable model for bringing stable democracy to Afghanistan. (Yes, really) 2019's Seamus Murphy-directed documentary A Dog Called Money reopened the cont...

Oi! I said oi! Pop Screen has its hardest-hitting episode this week - yes, perhaps even grittier than Spice World - with Ben "Plan B" Drew's directorial debut Ill Manors. A multi-stranded tale of drug-dealing, deprivation and all-round dodginess in Forest Gate, it has its roots in Drew's 2008 short film Michelle. On release, however, it became an unexpected talking point thanks to the then-recent...

Once a reviled commercial disaster, today David Lynch's Dune is... a tolerated commercial disaster? It has its fans, it has its naysayers, so before Denis Villeneuve launches his much-anticipated adaptation of (the first half of) Frank Herbert's novel Graham and Archaeon are convening to deliver the final verdict on a film Lynch hated so much he asked for the extended cut to be credited to "Judas...

Best remembered for containing Damon Albarn's one film acting performance, as wet-behind-the-ears aspiring gangster Jason, this week's Pop Screen argues that Antonia Bird's 1997 movie Face deserves more credit. A British gangster movie made in that brief moment before Lock, Stock & Two Smoking Barrels inspired every screenwriter in the country to write a gangster movie, it's a brutal postmorte...

There's always been a steady stream of British acts trying to make it in America, but the American acts trying to make it over here are a more rarefied bunch. Along with Sparks, one of the few US artists to try their hand at the notably Brit-centric early '70s glam rock scene was Suzi Quatro, who arrived with an unforgettable image, a massive bass guitar and some songs you'll know even if you don'...

We're doing a Madonna movie! No, come back! This week, Graham and Sarah go back to the Material Girl's breakthrough moment, when her Nile Rogers-produced sophomore album Like a Virgin proved she wasn't a fluke, and Desperately Seeking Susan became one of the top five highest grossing films of 1985. But don't think this is a safe choice for a young pop star: it's a screwball comedy, a tough genre t...

A biopic of Brian Wilson had been mooted ever since the late 1980s, but it wasn't until 2014 that Bill Pohlad's Love & Mercy was released, with its bold time-hopping structure that allowed both Paul Dano and John Cusack to play the Beach Boys' chief songwriter. The former played Wilson as he recorded Pet Sounds and his legendary unrealised Smile project, the latter played him as he struggled t...

Could the King of Pop have become the King of Cinema? Not, perhaps, on the evidence of 1988's Moonwalker, a curious, personal but deeply overbudgeted melange of music videos, live performance, claymation and a bewildering plot-line where Jackson fights back against Joe Pesci's not exactly Scorsese-worthy drug dealer by turning into a car. Critics at the time found it bizarre, self-indulgent and in...

The director of Deliverance made a film starring the Dave Clark Five? It happened! This week, We Are Cult's Mark Cunliffe rejoins the podcast to talk about John Boorman's very uncharacteristic debut Catch Us If You Can, starring Clark as a stuntman who goes on the run with Barbara Ferris's frustrated advertising spokeswoman. Made in the shadow of A Hard Day's Night, its unsettling satire on the PR...

There aren't many pop movies of the 2010s that won an Oscar, but then there aren't many pop movies as well-crafted and emotionally devastating as Asif Kapadia's 2015 documentary Amy. A bruising look at the rise and fall of Amy Winehouse told with intimate archive footage, it's both a celebration of a unique talent and an excoriation of the culture that led to her death. On this week's Pop Screen,...

The long-awaited biopic of Sir Elton Hercules John - wait, Hercules? Yes, Hercules - was always going to be a flamboyant affair, but no-one suspected it would be a full-scale, dancing-in-the-streets musical. Yet that is exactly what director Dexter Fletcher and screenwriter Lee Hall delivered in 2019's Rocketman. This week, the Ben, the Ben, the Ben is back to help Graham make sense of the extraor...

Phyllida Lloyd's 2008 film Mamma Mia! was a box-office sensation - so why are we vaulting straight over it to review its 2018 sequel? A lot of reasons, as Mark and Graham discover on this week's episode of Pop Screen. Beginning with an absolutely gonzo rendition of When I Kissed the Teacher, Mamma Mia! Here We Go Again takes plenty of big, weird chances, not least the decision to pattern its plot...

Look at the film we're covering on this week's Pop Screen. Who can say it's not beautiful? That's right, this week Graham and Ewan are reviewing True Stories, the sole directorial credit for Talking Heads frontman David Byrne. A drily comic compilation of stories inspired by Byrne's love of local tabloids, it gave John Goodman an early starring role, it gave Thom Yorke a band name and it gave Warn...

Christina Aguilera waited ten years to make her first film, and when she did the reviews suggested she could have waited a little longer. This week, Joe and Graham look at Burlesque, which pairs Christina with one of the most accomplished (Oscar-winning!) singers-turned-actors in history, Cher. It's a strange mix of let's-put-the-show-on-here cliches, Bob Fosse lifts and discussion of local zoning...