Podcast Like It's ...

This week on Podcast Like It’s the 2000s, Phil Iscove and Emily St. James continue their Pixar of the 2000s miniseries by diving into Brad Bird’s The Incredibles with critic and writer Libby Hill. Released in 2004, The Incredibles sits at a fascinating crossroads for Pixar part family sitcom, part mid-century spy fantasy, and part superhero deconstruction years before the genre would dominate Holl...

This week on Podcast Like It’s the 2000s, Phil and Emily continue their deep dive into Pixar’s 2000s run with Finding Nemo, joined by critic and writer Caroline Framke. Released in 2003, Finding Nemo marked a major turning point for Pixar pairing cutting-edge animation with a surprisingly emotional story about parenthood, fear, and letting go. The group breaks down how revolutionary the film felt...

Phil and Emily head back to early-2000s Pixar with Monsters, Inc., a movie that feels deceptively simple until you realize how much emotional and thematic weight it’s quietly carrying. Joining them is Griffin Newman for a deep dive into why this film has endured as one of Pixar’s most humane, rewatchable achievements. The conversation unpacks the movie’s elegant world-building, its labor-comedy ro...

Every year on Podcast Like It’s the 2000s, Phil and Emily pick one Chaos Pick a movie that doesn’t quite fit into any miniseries, but demands to be talked about anyway. This year’s selection is Sky Captain and the World of Tomorrow, the ambitious 2004 pulp-sci-fi experiment that looked like the future of filmmaking… and then quietly disappeared. Joining the conversation is Emma Stefansky, here to...

We close out our holiday run It’s Christmas and the Boys Are Sad with Martin McDonagh’s In Bruges, a film that balances brutal violence, pitch-black comedy, and unexpected tenderness against a fairy-tale Christmas backdrop. Phil & Emily joined by writers and podcasters Clay Keller and Alan Sepinwall to unpack why this movie has only grown more beloved and more emotionally complicated over time...

Our holiday miniseries It’s Christmas and the Boys Are Sad continues with Steven Spielberg’s Catch Me If You Can, a movie that feels breezy and charming on the surface and quietly devastating underneath. Phil and Emily are joined by author, video essayist, and YouTuber Lindsay Ellis to unpack why this film has only grown richer with time. The conversation explores the movie’s deceptive simplicity,...

Our 2000s Holiday Noir miniseries kicks off with a film that helped relaunch Robert Downey Jr.’s career and reintroduced Shane Black to a new generation: Kiss Kiss Bang Bang . Phil and Emily are joined by film critic and historian Alonso Duralde to unpack why this meta-crime-comedy still feels like lightning in a bottle. The trio digs into the movie’s razor-sharp script, its chaotic but affectiona...

Our Mike Nichols 2000s miniseries continues with one of the director’s strangest career anomalies: Charlie Wilson’s War. Phil and Emily are joined by critic and writer Sonia Saraiya to unpack how Nichols, Aaron Sorkin, Tom Hanks, and Julia Roberts came together to make a political dramedy that feels breezy on the surface but carries enormous historical weight underneath. The conversation digs into...

This week, we continue our Mike Nichols miniseries with a deep dive into Closer (2004), joined by Sean Fennessey of The Big Picture . It’s a film that captivated many of us in our early 20s only to unravel under rewatch with age, perspective, and healthier emotional boundaries. We unpack why Closer once felt like “grown-up cinema,” how its theatrical origins shape its structure, and why its four l...

In the conclusion to their Mike Nichols miniseries, Phil and Emily welcome Joe Reid (Vulture, This Had Oscar Buzz) to unpack Angels in America: Part Two Perestroika. The trio dives deep into how Nichols translated Tony Kushner’s monumental stage play into one of HBO’s most ambitious miniseries exploring its themes of prophecy, identity, queer resilience, and the intersection of politics and spirit...

This week on Podcast Like It’s The 2000s , Phil and Emily begin their deep dive into Mike Nichols’ monumental HBO miniseries, Angels in America with special guest Adam B. Vary (Variety). Together, they unpack Tony Kushner’s sweeping adaptation of his Pulitzer Prize winning play, exploring how Nichols brought the AIDS crisis, politics, and spirituality to television with raw emotional power. From M...

This week on Podcast Like It’s The 2000s , Phil and Emily welcome writer Emily Hughes to discuss Paranormal Activity — the micro-budget phenomenon that redefined horror for a generation. Together they dig into the film’s scrappy origins, the ingenious use of found footage to build dread, and how Oren Peli’s minimalist approach reshaped studio thinking about what a blockbuster could be. From its DI...

This week on Podcast Like It’s The 2000s , hosts @pmiscove and @emilystjams kick off a brand new Halloween miniseries, Somebody Scare Phil , with guest Louis Peitzman ( Chasing Amy Adams ). Together, they dive into the bloody brilliance and DIY spirit of James Wan and Leigh Whannell’s 2004 indie phenomenon Saw a film that reshaped horror on a shoestring budget and gave rise to a genre-defining fra...

Phil and Emily continue their deep-dive into Mike Nichols’ work from the 2000s with Wit , the acclaimed HBO adaptation of Margaret Edson’s Pulitzer Prize–winning play. Joined by writer and producer Eliza Clark ( Y: The Last Man , Animal Kingdom ), they explore how Nichols recalibrated his directorial voice after What Planet Are You From? with this intimate, emotionally devastating story of a schol...

Phil and Emily kick off a brand-new miniseries exploring the films and television of legendary director Mike Nichols in the 2000s. First up: the notorious 2000 sci-fi romantic comedy “What Planet Are You From?”, starring Gary Shandling, Annette Bening, and John Goodman. Joined by critic and returning guest Emma Stefansky, the trio dive deep into this infamous box-office bomb unpacking its chaotic...

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen’s Burn After Reading . They’re joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant , to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure. From the Coens’ tonal whiplash to the film’s biting satire of...

Phil and Emily continue their Oscar-Winning Best Director Follow-Ups miniseries with Ang Lee’s provocative espionage drama Lust, Caution. Joined by Danette Chavez (Editor-in-Chief of The A.V. Club), they dig into the film’s bold mix of eroticism, politics, and moral ambiguity, exploring how Lee followed Brokeback Mountain with a risky and divisive project that tested both audiences and censors. Fr...

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Clint Eastwood’s Flags of Our Fathers . Joined by Mitchell Beaupre, editor and podcast host at Letterboxd, they dig into Eastwood’s haunting take on the Battle of Iwo Jima and the myth making around Joe Rosenthal’s famous photograph of soldiers raising the flag. The conversation unpacks Eastwood...

Phil and Emily continue our Patreon mini series on Oscar-winning Best Director follow-ups from the 2000s with Peter Jackson’s ambitious epic King Kong . Joined by critic, screenwriter, and podcaster Drew McWeeny, they revisit Jackson’s sprawling remake of the 1933 classic and unpack how the film reflects both his greatest strengths and his boldest excesses in the wake of The Lord of the Rings . Fr...

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Oliver Twist (2005), Roman Polanski’s adaptation of Charles Dickens’ classic. They’re joined by writer and producer Bryan Cogman, who may be one of the few people to have actually seen the film in theaters. The conversation dives into Polanski’s unexpected choice to follow The Pianist with this...

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Ron Howard’s The Missing . With guest Patrick Cotnoir ( The George Lucas Talk Show ), they revisit this overlooked Western thriller starring Cate Blanchett and Tommy Lee Jones. The discussion explores Blanchett’s powerful performance, Jones’ turn as an estranged father, Daniel Craig’s early role,...

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Road to Perdition , Sam Mendes’ ambitious second feature after American Beauty . Joining them is film journalist and podcaster Blake Howard ( One Heat Minute Productions ), who helps unpack the film’s technical brilliance, subdued emotional core, and unique place in early 2000s cinema. Together,...

Phil and Emily continue their miniseries on Oscar-winning Best Director follow-ups from the 2000s with Steven Soderbergh’s effortlessly cool Ocean’s 11 . Joined by screenwriter Liz Hannah and producer Brian Millikin, they unpack how this slick, stylish remake redefined the modern heist film. From its razor-sharp script and effortless ensemble chemistry to Soderbergh’s precision, tonal balance, and...

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg’s bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie’s legacy, Kubrick’s influence, and how the film hit differently post-Oscars and post...

Emily and Phil close out their “Films of the Todds” mini series, spotlighting the distinct visions of Haynes, Phillips, Solondz, and Field, with a thoughtful conversation about Todd Solondz’s darkly comic Life During Wartime (2009). Joining them is film critic and podcaster Chris Feil, who brings sharp insight to this follow-up to Happiness and its meditation on forgiveness, trauma, and the ways t...