Opera - We love singing

Send us Fan Mail In this season we are reviewing the most popular arias and songs of all times. Who doesn't know this piece of music that Andrea Bocelli made very famous in the 1990s? This song has been part of the programs for tenors and sopranos across the globe since then. In this particular case, there was a polemic on whether this should be part of the season, which was resolved by a vot...

Send us Fan Mail This is the audio piece of the vblog entry that can be found here: https://youtu.be/doRonTeTLlo Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging

Send us Fan Mail This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https:...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this hyper famous aria from Il Barbiere di Siviglia by Maestro Rossini? By far, one of the most popular melodies ever written for the baritone voice. Always a huge success for these male voices. In this season we talk about the author, and we analyze the aria from a technical vocal point of...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Barbiere di Siviglia by Maestro Rossini? By far, one of the most attractive and playful melodies ever written for the Mezzosoprano voice. And sopranos have made it part of their repertoire as well.  In this season we talk about the author, and we analyze the aria from a tec...

Send us Fan Mail This final episode on the series with the subject of Maria Callas is in a format of 10 Q&A. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging

Send us Fan Mail This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https:...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Le Nozze di Figaro by Maestro W.A. Mozart? By far, one of the most beautiful melodies ever written for the bass voice. There is no bass who doesn't have it in his repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal point of...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal point of view a...

Send us Fan Mail This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https:...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this song by Mexican composer Maria Grever?  Tenors and Sopranos of all nationalities very often make it part of their recitals.  In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the cha...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Trovatore by Maestro Verdi? A very interesting piece for the Mezzosoprano voice. And still, hardly ever a regular on their presentations. Very brief piece also by the way. In this season we talk about the author, and we analyze the aria from a technical vocal point of view...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this Neapolitan song by Maestro Cardillo? One of the most beautiful melodies ever written for the tenor voice. There is no tenor (and many times sopranos) who doesn't have it in his repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal poin...

Send us Fan Mail This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https:...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Turandot by Maestro Puccini? At the end of the last century Luciano Pavarotti made this a regular in his concerts. By far, one of the most beautiful melodies ever written for the tenor voice. Most tenors would like to have it in their repertoire, though very few can handle it....

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Samson et Dalila by Maestro Camille Saint-Saens? Ceertainly one of the most beautiful melodies ever written for the mezzo soprano voice. There is no mezzosoprano who doesn't want to have it in her repertoire. But it is also a likely aria for a contralto. In this season we...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this duet from La Traviata by Maestro Verdi? By far, the great favorite to close a concert. There are times when even other tessituras join it and make it a superb experience for the public. In this season we talk about the author, and we analyze the aria from a technical vocal point of view...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria. By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal p...

Send us Fan Mail In this last time travel to Palacio de Bellas Artes in Mexico City, year 1952, we will witness a good variety of titles that show the wide range of roles and the versatility of her voice. Achievements that would add to would later be known as La Divina. The result is a little uneven, with Rigoletto standing on the way and whose results are not that good, as she herself would admit...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi? By far, one of the most well-known melodies ever written for the tenor voice. All tenors would like to have it in their repertoire. By far one of the melodies people have heard before even if they're not familiar with Opera. In this season we t...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi? By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't want to have it in her repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal point of...

Send us Fan Mail In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from L' Arlesiana from Maestro Cilea? This incredible piece of music has been sung by tenors for decades already and for sure for many decades to come. This aria, as many in this season, is unfortunately very often overdone, with singers paying to little attention to the notes...

Send us Fan Mail 1951 in Mexico City was for Maria Meneghini Callas a little different from the previous year, with only two titles. The cast was different, and Sigora Meneghini Callas would continue to make her path in this country that would never forget her. Some of the content here referred is based on The Callas Imprint book, for your reference: https://www.amazon.com/Callas-Imprint-Centennia...

Send us Fan Mail Three quick updates: We are starting as of this July 2024 the live episodes recording in YouTube.  Follow our Telegram Channel for quicker updates, just a click away Google is shutting down Google Podcasts, please take action if you would like to keep following our content Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging

Send us Fan Mail Is information provided by ChatGPT 3.5 worth reading it if I wanted to learn more about a given opera composer? In the quest of answering it, this series will ask ChatGPT to provide info that when scarce, vague, just a platitude or simply wrong, new questions will be asked to guide the IA to provide more relevant information. Hope this technology does not get old too soon!!! This...