No Content For Old Men

James Cameron’s long-awaited sequel to the most successful movie of all time is a big fat hit. I didn’t like it. Let me explain why.

Sight and Sound released their once-per-decade poll of the greatest movies ever, which says less about film history and more about our current moment of internet hot-takery online.

When’s the last time you watched a cannibal love story? Well hey, this one has Timothée Chalamet! It’s gross but good. Give it a shot.

Finally, the algorithmic movie machine spit out two movies tailor made for me. Of course I fell for their charms. What does that say about the rest of the movie landscape? Let’s discuss.

The biggest commercial movie of the year and the biggest critical darling have come out on the same weekend. They’re totally different in every way but one, and I gotta talk about it.

Why are there so many autobiographical movies coming out about the childhoods of directors? Look at the market forces and decide for yourself. Plus my thoughts on “The Good Nurse,” “Rosalind,” and two streaming suggestions you’ll love.

I’m back after a two week break and catching up on all of the newest releases, which finally included the first worthy entry into awards season, a harrowing war movie and a feel-good rom-com. Enjoy!

The big releases of the week are both major bummers. Why are screenwriters so obsessed with trauma? Let’s discuss.

Off-screen drama has overshadowed Olivia Wilde’s latest movie. Brilliant marketing tactic, or career anchor? If the movie’s quality is any indication, I’ll bet the latter.

Is that a good thing? Plus full reviews of the David Bowie documentary “Moonage Daydream” and the whodunit “See How They Run.”

I want to talk about this crazy horror thriller, but it’s almost impossible to do without spoiling. Almost…let me try my best.

All the pieces were in place for a big box office weekend and instead it was old movies that took top spots. Why? Because what’s old is new again, and that trend will only grow in the coming years.

September is usually a dry month for movies, and this year especially we could’ve really used a bump from George Miller’s new fantasy story, or John Boyega in “Breaking.”

A social commentary embedded in a slick neo-noir thriller? That’s gonna hook me every time. But it’s the lead acting performance that really carries this indie darling.

Of all the movies in 2022, this horror comedy might be the one we’re talking about 10 years from now. Plus, a review of another regrettable Netflix movie and some great streaming suggestions for your weekend. Enjoy!

Brad Pitt leads an A-List cast aboard a Japanese bullet train. It’s fun, but is fun enough these days? Plus, the very excellent “Prey,” which strips down all the franchise mumbo jumbo.

Ron Howard’s new movie about the 2018 Thai cave rescue is great, but will it come and go without a peep? Plus, Zoey Deutch in “Not Okay” on Hulu.

Jordan Peele’s new thriller is one of the most-anticipated movies of the year, and leaves us with more questions than answers. Netflix’s blockbuster spy thriller, on the other hand, gave me the answer I finally needed about its Marvel-adjacent directors.

Not only that, but people are turning out to see it in theaters! And they should, rather than staying in for Netflix’s latest Jane Austen adaptation starring Dakota Johnson.

Horror movies have their small, passionate fan base. But, I’d argue, the rest of us are horror fans too, we just don’t realize it. And it’s time to change that!

Plus, my reason why Austin Butler DOESN’T deserve the Oscar for his truly brilliant portrayal of Elvis Presley. And a big recommend for “Marcel The Shell With Shoes On.”

There’s a little something for everyone this week — a new Pixar blockbuster, a Netflix thriller, an indie darling on AppleTV+ and an incredible documentary on HBO Max. What are you waiting for??

This one’s for me, but also might help explain why this guy seems to have inspired many of the most influential people, including filmmakers, of the 21st century.

The Sandman can be relied upon for dumb entertainment, but why does he have to be so good at playing serious? We investigate through his new NBA-centric Netflix drama.

Tom Cruise is back to “save” movies, by giving fans exactly what they want. And we love it! You’d be hard pressed to find a movie more fun than this one.