New Books Network

New Books in Science Fiction

Arts EN ↓ 267 episodes

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠ newbooksnetwork.com ⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠ https://newbooksnetwork.substack.com/ ⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Sup...

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Jun 11, 2026

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Episodes

Katherine Addison, “The Goblin Emperor” (Tor Books, 2014) 08.11.2015

Katherine Addison‘s The Goblin Emperor has earned what might be termed a fantasy Grand Slam: the Locus Award for Best Fantasy Novel and nominations for the Nebula, Hugo and World Fantasy awards. To make her achievement even more noteworthy, Addison, like Maia, the royal goblin at the heart of the book, is herself a fiction. The pseudonym was created by author Sarah Monette to satisfy the demands o...

Jane Lindskold, “Artemis Invaded” (Tor, 2015) 05.10.2015

At a time when science fiction is more likely to portray ecosystems collapsing rather than flourishing, Jane Lindskold‘s Artemis series is an anomaly. Its eponymous planet is not an ecological disaster but rather full of so many wonders that it was once a vacation paradise for a now vanished society. Of course, like any good science fiction (or fiction, in general, for that matter) Lindskold’s Art...

Melinda Snodgrass, “Edge of Dawn” (Tor, 2015) 04.09.2015

What do the jobs of opera singer, lawyer and science fiction writer have in common? Answer: Melinda Snodgrass. The author of the just published Edge of Dawn‘s first ambition was to sing opera. But after studying opera in Vienna, she came to the conclusion that “I had a nice voice, [but] I didn’t have a world-class voice.” She then went to law school and worked for several years as a lawyer. Unfort...

James L. Cambias, “Corsair” (Tor Books, 2015) 17.08.2015

For his second novel, James L. Cambias chose one of the most challenging settings for a science fiction writer: the near future. Unlike speculative fiction that leaps centuries or millennia ahead or takes place on other planets, a book about the near future presents a world that varies only incrementally from the present. The risk, of course, is that the author’s vision will all-too-quickly be pro...

Peter Oberg, ed., “Waiting for the Machines to Fall Asleep” (Affront Publishing, 2015) 31.07.2015

There’s far more to Swedish literature than Pippi Longstocking and The Girl with the Dragon Tattoo. That’s the message Anna Jakobsson Lund and Oskar Kallner are trying to send the English-speaking world through their contributions to Waiting for the Machines to Fall Asleep (Affront Publishing, 2015), a collection of short stories by Swedish authors. Until recently, the world of science fiction in...

Porochista Khakpour, “The Last Illusion” (Bloomsbury USA, 2014) 17.07.2015

Porochista Khakpour moved to an apartment with large picture windows in downtown Manhattan shortly before September 11, 2001, giving her a painfully perfect view of the terrorist attacks. “The big event of my life was of course 9/11,” Khakpour says. “I experienced a lot of post traumatic stress from it and think about it constantly.” It’s no surprise that the assault on the Twin Towers features pr...

Ferrett Steinmetz, “Flex” (Angry Robot 2015) 23.06.2015

Ferrett Steinmetz first built an audience as a blogger, penning provocative essays about “puns, politics and polyamory” (among other things) with titles like “Dear Daughter: I Hope You Have Awesome Sex” and “How Kids React To My Pretty Princess Nails.” In recent years, he has drawn accolades as an author of speculative fiction, writing short stories and earning a Nebula nomination in 2011 for his...

Meg Elison, “The Book of the Unnamed Midwife” (Sybaritic Press, 2014) 07.06.2015

Despite the odds, Meg Elison did it. First, she finished the book she wanted to write. Second, she found a publisher–without an agent. Third, she won the Philip K. Dick Award for Distinguished Science Fiction, a stunning achievement for a first-time author with a small, independent press. The Book of the Unnamed Midwife (Sybaritic Press, 2014) is set in the American West after an epidemic has kill...

Ken Liu, “The Grace of Kings” (Saga Press, 2015) 02.06.2015

Short story writing, novel writing, and translating require a variety of skills and strengths that are hardly ever found in a single person. Ken Liu is one of those rare individuals who has them all. He is perhaps best known for short stories like The Paper Menagerie, which (according to his Wikipedia entry) was the first work of fiction to earn Nebula, Hugo, and World Fantasy Awards. But this yea...

Claire North, “The First Fifteen Lives of Harry August” (Redhook) 28.04.2015

When an author creates a character, she can churn through as many re-writes as she’d like until she gets it right. This, of course, is in stark contrast to reality, where people get only one shot. There’s no going back, no do-overs, only an inexorable march to the end. But what if life were different? Catherine Webb, under the pen name Claire North, offers two worlds where this is possible. In The...

Chris Morgan, “The Comic Galaxy of Mystery Science Theater 3000” (McFarland, 2015) 17.04.2015

While there are many well known cult television shows still revered by fans, MST3K continues to have an incredibly large following with a thriving following 25 years after its final episode. Chris Morgan‘s book The Comic Galaxy of Mystery Science Theater 3000 (McFarland, 2015) looks at the films used by the cast and crew to present their comedy. He discusses his love of the show and the importance...

Jennifer Marie Brissett, “Elysium, or the World After” (Aqueduct Press, 2014) 30.03.2015

Jennifer Marie Brissett‘s first novel, Elysium, or the World After (Aqueduct Press, 2014), portrays a fractured world, one whose seemingly irreversible destruction does nothing to dampen the survivors’ collective will to live. Brissett showed similar determination in writing the book, whose non-traditional structure places it outside the mainstream. Fortunately, her approach has been validated, fi...

Rod Duncan, “The Bullet-Catcher’s Daughter” (Angry Robot, 2014) 04.03.2015

While science fiction often seeks to imagine the impact of new science on the future, Rod Duncan explores an opposite: what happens when science remains frozen in the past. In The Bullet-Catcher’s Daughter‘s alternate history, the Luddites prevailed in their protests 200 years ago against labor-replacing machinery, leaving science and culture stuck for generations in a Victorian-like age. Against...

Ben H. Winters, “World of Trouble” (Quirk Books, 2014) 03.02.2015

It’s no surprise that when scientists in Ben H. Winters‘ The Last Policeman series declare that a 6.5-mile asteroid is going to destroy life as we know it on October 3, civilization starts to unravel. Governments collapse. People quit their jobs and abandon their families. Survivalists stock up on guns and food, imagining there’s a way to outsmart the impending holocaust. Fatalists sink into hedon...

Kameron Hurley, “The Mirror Empire” (Angry Robot, 2014) 05.01.2015

Kameron Hurley has been honored for her mastery of numerous forms. Her first novel, God’s War, earned her the Sydney J. Bounds Award for Best Newcomer and the Kitschy Award for Best Debut Novel. Her essay “We Have Always Fought”–about the history of women in conflict–was the first blog post ever to win a Hugo Award. And although her tweets haven’t won awards (yet), she is also an animated and arti...

Alex London, “Guardian” (Philomel, 2014) 09.12.2014

This week’s podcast was an experiment. Rather than record the conversation with author Alex London over Skype, I decided to take the subway to Brooklyn and meet with him face-to-face in a coffee shop. I found it liberating to be unchained from an Internet connection, which has been known to fail mid-conversation, but the price of having a barista nearby is boisterous background noise. London’s nov...

Lydia Netzer, “How to Tell Toledo from the Night Sky” (St. Martin’s Press, 2014) 21.11.2014

Astronomy and astrology once went hand in hand: people studied the location and motion of celestial bodies in order to make astrological predictions. In the seventeenth century, the paths of these two disciplines forked so that today astronomy is a well-established science while astrology is allowed only as close to the word “science” as the suffix “pseudo-” allows. Lydia Netzer, in How to Tell To...

Kathryn Cramer and Ed Finn, “Hieroglyph: Stories and Visions for a Better Future” (William Morrow, 2014) 05.11.2014

Before Apollo 11, there was Jules Verne’s novel From the Earth to the Moon. Before the Internet, there was Mark Twain’s short story From the ‘London Times’ of 1904. In other words, before the appearance of many spectacular technologies, a writer imagined it first. This truth underscores one of science fiction’s abiding strengths: its ability to test concepts, both technological and social, without...

Brian Staveley, “The Emperor’s Blades” (Tor, 2014) 21.10.2014

What does it take to be an emperor? That question is at the heart of Brian Staveley‘s debut novel The Emperor’s Blades (Tor, 2014). In this first of a projected trilogy, Staveley focuses on three siblings. They are the children of the assassinated emperor of Annur, a descendant of the Goddess of Fire whose irises look like flames. Kaden, the designated heir, has spent the last eight years training...

Robert Silverberg, “Science Fiction: 101” (Roc, 2014) 07.10.2014

Science Fiction: 101 (Roc, 2014) isn’t just an “exploration of the craft of science fiction” as its subtitle says; it’s also about the impact the stories in this anthology had on the imagination of a young boy. That boy was Robert Silverberg, who was so inspired by the stories he found in pulpy magazines with names like Startling and Thrilling Wonder that he vowed he would one day become a science...

Max Gladstone, “Full Fathom Five” (Tor, 2014) 22.09.2014

Full Fathom Five (Tor, 2014) the third and most recent novel in Max Gladstone’s Craft Sequence, features dying divinities and depositions, idols and investments, priestesses and poets, offerings to gods and options for shareholders. As he explains in the podcast, Gladstone traces his initial inspiration for his Craft Sequence to, among other things, his several years teaching English in rural Chin...

Andy Weir, “The Martian” (Crown, 2014) 06.09.2014

Strand a man on Mars with only a fraction of the supplies he needs to survive and what do you get? A bestseller. Andy Weir‘s The Martian (Crown, 2014) has been on a journey almost as remarkable as its protagonist, but instead of surviving on an airless, waterless planet, The Martian has survived the inhospitable environment known as publishing, floating near the top of bestseller lists since the m...

James L. Cambias, “A Darkling Sea” (Tor, 2014) 19.08.2014

History is shaped by cultures interacting either peacefully (through trade or art, for example) or violently, through war or colonialism. There doesn’t seem to be any way to avoid cultural intermixing–on Earth, at least. Science fiction is another story. The crew of Star Trek was bound by the Prime Directive, the United Federation of Planets’ regulation that prohibited Starfleet personnel from int...

Shelbi Wescott, “Virulent” (Arthur Press, 2013) 04.08.2014

It wasn’t until Shelbi Wescott was deep into her career as a high school teacher that she published her first novel, Virulent: The Release (Arthur Press, 2013). The inspiration for the story came during a class for students who weren’t reading at grade level. “Part of my job in that class is to get students excited about literature,” she says. But one student remained disengaged despite her best e...

Emmi Itaranta, “Memory of Water” (Harper Voyager, 2014) 22.07.2014

It’s clear to most scientists that human activity fuels climate change. What’s less clear is global warming’s long-term impact on geography, ecosystems and human society. If global warming continues at its current pace, what will life be like 50 years from now? A hundred? Five hundred? The further in the future we go, the more we must rely on science fiction writers to help us fill in the details....

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