New Books in Performing Arts

On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019), an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of...

For much of the last century, ballet class has been a rite of passage for millions of little girls in the United States. Some of these students have gone on to professional careers as dancers, but many more take class for a few years—or many years—before moving on to other pursuits. But the sheer prevalence of the experience has created an educated and appreciative audience that supports dance com...

Rude Mechs’ Lipstick Traces (53rd State Press, 2019) is Lana Lesley’s graphic novelization of Lipstick Traces by Austin-based theatre collective Rude Mechs, itself an adaptation of Greil Marcus’ classic book Lipstick Traces: A Secret History of the 20th Century. The graphic novel vibrantly recreates the experience of watching Rude Mechs perform: light and sound cues, costume choices, and actors’ f...

Playwright, actor, and director Charles Ludlam (1943-87) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s. Decades after his death, his place in the chronicle of the American theater has remained constant, but his influence has changed. Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain...

Published by Routledge in 2019, Drag, Interperformance, and the Trouble with Queerness is a comparative ethnography of drag king and drag queen performances in Cleveland Ohio. It uses the concept of interperformance as a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Katie Horowitz’s Drag, Interperformance, a...

In The Phenomenology of a Performative Knowledge System: Dancing with Native American Epistemology (Palgrave Macmillian, 2019), Shay Welch investigates the phenomenological ways that dance choreographing and dance performance exemplify both Truth and meaning-making within Native American epistemology, from an analytic philosophical perspective. Given that within Native American communities dance i...

In Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future (Penguin, 2020) renowned Shakespeare scholar James Shapiro turns his attention to the reception of Shakespeare in the US from the colonial period to the present. Shapiro brings us a John Quincy Adams morbidly obsessed with Othello, an Abraham Lincoln who preferred Edwin Booth’s acting over the bombastic performan...

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administr...

How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultur...

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such a...

Can care be enacted through art? Inside a cathedral, staff members from a nursing home work with an artist to perform a poetic text about caregiving, loss, and taking the time to feel one’s feelings. In the months leading up to the performance, the artist navigates her twenties—and art and life converge in unexpected ways. In Stages: On Dying, Working, and Feeling (Thick Press, 2020), Rachel Kaude...

In Discovering the Clown, or The Funny Book of Good Acting (TCG, 2019) Christopher Bayes (Head of Physical Acting at the Yale School of Drama) introduces you to the clown, “the playful self, the unsocialized self, the naive self…the big stupid who just wants to have some fun with the audience.” Learn about “the speed of fun,” find out why the Red Nose is the world’s smallest mask, and discover ins...

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight...

Has can theatre confront racial inequality? In Racial and Ethnic Diversity in the Performing Arts Workforce (Routledge, 2020), Tobie S. Stein, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s theatre industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement wi...

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books,...

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections t...

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better infor...

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular hi...

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to id...

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art....

Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Com...

Harshita M. Kamath's new book The Artifice of Brahmin Masculinity in South Indian Dance (University of California Press, 2019) features an investigation of men donning a women’s guises to impersonate female characters – most notably Satyabhāmā, the wife of the Hindu deity Krishna –within the insular Brahmin community of the Kuchipudi village in Telugu-speaking South India. Kamath broaches the prac...

What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revol...

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Jour...

People have always sought ecstatic experiences - moments where they go beyond their ordinary self and feel connected to something greater than them. Such moments are fundamental to human flourishing, but they can also be dangerous. Beginning around the Enlightenment, western intellectual culture has written off ecstasy as ignorance or delusion. But philosopher Jules Evans argues that this diminish...