New Books in Performing Arts

“How can dance be sustained by its practitioners in the unstable political and geographical landscape of war?” Satkunaratnam asks this through her text, Moving Bodies, Navigating Conflict: Practicing Bharatanatyam in Colombo, Sri Lanka (Wesleyan UP, 2020), a groundbreaking ethnographic examination of dance practice in Colombo, Sri Lanka, during the civil war (1983–2009). It is the first book of sc...

Yvonne Rainer is one of the most influential living choreographers. After studying with Merce Cunningham she co-founded the Judson Dance Theater, a center of post-modern dance whose influence far outlasted its three years of existence. In the 1970s Rainer transitioned into film directing. She released seven feature films between 1972 and 1996 before returning to choreography in 2000 with After Man...

In his new book, Memoir of a Roadie: Axl said I made a great Cup of Tea…Scott Weiland liked The Carpenters…and Ozzy Drinks Rosé (2020) Joel Miller recounts his time in the early 2000s as a road for Stone Temple Pilots, Guns N’ Roses, Poison, and The Cranberries. Using his journal entries from being on the road, Miller shares what it was like for a young man in his early 20s to be on the road, lear...

How do we distinguish art from non-art artifacts, and what does cognitive science have to do with it? In Attentional Engines: A Perceptual Theory of the Arts (Oxford University Press, 2020), William Seeley offers a cognitive science-based account of how we engage with art, what it is that artworks do, and what artists do to make sure they do it. In his diagnostic recognition framework for locating...

It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they th...

In The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (Columbia UP 2020), Jill Richards radically rewrites our understanding of first-wave feminism by demonstrating its proximity to international avant-garde movements including surrealism, Dada, and futurism. Using case studies including the movement for a proletarian birth strike, the anti-Nazi pranks of Claud...

In After the Party: A Manifesto for Queer of Color Life (NYU Press, 2018) Joshua Chambers-Letson invites you to a party featuring Eiko, Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, and Tseng Kwong Chi. Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that p...

In Everyone Loves Live Music: A Theory of Performance Institutions (University of Chicago Press), Fabian In Everyone Loves Live Music: A Theory of Performance Institutions (University of Chicago Press), Fabian Holt shows how festivals and other institutions of musical performance have evolved in recent decades. Adopting a critical approach, Holt upends commonly-held ideas of live music and introdu...

From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure (Methuen Drama) examines this phenomenon of what the theatre cannot do or has not been...

The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demons...

Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, som...

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a...

Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight...

In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes. Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of...

In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic. Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together i...

The Party Decides is the most (only?) meme'd book in the history of political science. It's the one MTV called the biggest loser after the South Carolina primary in 2016. It is also a book of deep research, scholarship, and collaboration. This episode of the Co-Authored podcast focuses on the team of Marty Cohen, David Karol, Hans Noel, and John Zaller. This group came together to write The Party...

Over the past ten years, Chantal Bilodeau has made a name for herself a playwright singularly dedicated to writing plays about the issue of climate change. These are not dry docu-dramas, but deeply human depictions of life in the far north, where climate change is a daily reality. Forward (Tanlonbooks 2018) is the latest work in her Artic Cycle, and it follows the story of Norwegian explorer Fridt...

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these...

Drawing the Surface of Dance: A Biography in Charts (Wesleyan UP, 2019) collects thirty years of “charts” by renowned choreographer and co-founder of Big Dance Theater Annie-B Parson. These charts serve as an archive of the ephemeral work of choreography. They include charts of favorite verbs, charts of props, a “chart of things rectangular, ” and a recreation of deck of cards for composition mode...

In Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War (Bloomsbury 2016), Adam Broinowski analyzes the emergence of Ankoku Butoh (dance of darkness) in the context of America’s de jure and then de facto occupation of Japan following the Second World War. Broinowski traces the evolution of Butoh from the work of early practitioners like Hijikata Tatsumi to l...

Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020) follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notio...

Through a feminist perspective, Carnival Is Woman: Feminism and Performance in Caribbean Mas (University Press of Mississippi, 2019) examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which they participate in the festivities. Exploring different themes, the authors in this volume explain the power of women in the evolu...

During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. In Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer (Oxford University Press, 2020), the first full biography of Steiner, a...

In 2012, Lisa D'Amour and Katie Pearl--known collectively as PearlDamour--began visiting five small American towns named Milton. From these visits emerged Milton: A Performance & Community Engagement Experiment (53rd State Press). This is a book that will be of interest to anyone interested in theatre as a tool for community engagement. The project moves from tiny details about the residents of ea...

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply...