New Books in Music

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gre...

In the eighth episode of Soundscapes NYC, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976.  In 2024, Waksman accepted the Leverhulme International Prof...

This Must Be the Place: How Music Can Make Your City Better (Watkins Media Limited, 2023) explores how music can make cities better. This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed. Told in an accessible way through personal storie...

Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025) Some good words from the inside flap: “ A deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this...

2023 Weatherford Award Finalist, Nonfiction How can the craft of musical instrument making help reconnect people to place and reenchant work in Appalachia? How does the sonic search for musical tone change relationships with trees and forests? Following three craftspeople in the mountain forests of Appalachia through their processes of making instruments, Finding the Singing Spruce: Musical Instr...

The Loft was a dance party series organized by DJ David Mancuso in his Manhattan warehouse apartment at 647 Broadway from Valentine’s Day 1970 to June 1974. The parties offered an alternative to New York’s commercial nightclub scene. The invitation-only events featured an egalitarian space for music and dance with a top-of-the-line sound system, eclectic musical selections, and a racially inclusiv...

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell ta...

In this episode Pat speaks with Dr Lexi Eikelboom. Dr Lexi Eikelboom is both a visual artist and a scholar of philosophical theology. Her academic work analyses aesthetic concepts such as rhythm and form as way to illuminate the human implications of the philosophical arguments in which the concepts appear. She also leads collaborative projects investigating art as a form of thinking and the effec...

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried thr...

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. The...

When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University...

In the second episode of Soundscapes N.Y.C., host Ryan Purcell talks with Tony Zanetta. In the late 1960s, Zanetta worked in Off-Off-Broadway theater and ultimately landed a role playing the Andy Warhol character in Pork, an absurdist play based on Warhol’s phone recordings. Zanetta followed the cast to London where he befriended David Bowie who subsequently appointed him president of his manageme...

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock ’n’ roll that critics would identify as punk rock by the end of the seve...

A vivid and intricate study of dance music traditions that reveals the many contradictions of being Syrian in the 21st century Dabke, one of Syria's most beloved dance music traditions, is at the center of the country's war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna M. Silverstein shows how dabke dance musi...

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the...

Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American Music: Three Decades that Changed a Country and Its Sounds (Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that t...

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concer...

When Leah Lax was asked to write an opera to celebrate local immigrants, she began by spending a year listening to accounts of upheaval, migration, and arrival told her in confidence by people from around the globe. She felt she had discovered America, found its great beating heart. In interludes between the astounding and powerful stories in Not From Here: the Song of America (Pegasus Elliot MacK...

A memoir-in-essays on transness, dad rock, and the music that saves us. When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and hon...

How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions...

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson’s career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a fre...

In this episode Pat speaks with Dr Timothy Deane-Freeman. Dr Timothy Deane-Freeman works as a teacher and researcher in philosophy in Naarm/Melbourne. His work is primarily focussed on the intersection of politics and art, and the ways in which sensible materials can be combined to produce different forms of thought. He is currently co-editing a book on philosophical accounts of artistic agency. T...

Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, deve...

Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to...

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John: An Opinionated Guide (Oxford...