New Books in Music

The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today. Kheshti did fieldwork at Kinship Records, a pseudonym of a w...

The competition seems to be a crucial part of the classical music world. In Performing Civility: International Competitions in Classical Music (Cambridge University Press, 2015), Dr. Lisa McCormick, a lecturer in sociology at the University of Edinburgh, offers a unique insight into the history, function and meaning of the classical music competition. The book offers both a rich history of competi...

El Sistema, the massive Venezuelan youth orchestra program, has been hailed in some quarters as the next big idea in music education (if not as the savior of classical music itself). Any who have found the press coverage of El Sistema suspiciously rosy, however, will find quite another account in Geoffrey Baker‘s engrossing and at times sharply critical book, El Sistema: Orchestrating Venezuela’s ...

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensib...

Hildegard of Bingen was many things: a religious leader, a prolific letter-writer, a visionary prophet, possibly a compiler of medical lore, and certainly one of the most important composers of the 12th century. In recent years, Hildegard’s reception in academic circles has, for good and compelling reasons, focused on her status as a powerful, educated, and brilliantly creative woman in an era whe...

Is hip hop defined by its artists or by its audience? In Home With Hip Hop Feminism, Aisha Durham returns hip hop scholarship to its roots by engaging in an ethnographic and autoethnographic approach to studying hip hop. Rooting her study in the Diggs Park Public Housing Project in Norfolk, Virginia, Durham examines what hip hop means to ordinary and everyday women who see themselves as hip hop, e...

In the late 1980s, the Baltic Soviet Social Republics seemed to explode into song as Estonian, Latvian and Lithuanian national movements challenged Soviet rule. The leaders of each of these movements espoused nonviolent principles, but the capacity for violence was always there – especially as Soviet authorities engaged in violent repression. In The Power of Song: Nonviolent National Culture in th...

What is hip? Can a piece of music be hip? Or is hipness primarily a way of engaging with music which recognizes the hip potential of the music? Or primarily a manner of being, which allows the hip individual to authentically engage with the hip artwork? Whatever the case may be, we know that the hip is meant to be authentic. We know that it is opposed to the square:all that is inauthentic, conform...

Many people assume that music, especially classical music, is a universal language that transcends racial and class boundaries. At the same time, many musicians, fans, and scholars praise music’s ability to protest injustice, transform social relations and give voice to the marginalized. There is a tension between the ideas of music as a universal language and the voice of the oppressed. In her ne...

“Pop pop pop pop musik” -M Jonathyne Briggs‘ new book, Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980(Oxford University Press, 2015) makes music the historical focus of the Fifth Republic’s first two decades. What made certain sounds “French,” and how did different cultural communities come together, expressing themselves in a variety of musical forms? From Francoise...

John McMillian‘s Beatles vs. Stones (Simon and Schuster, 2013) presents a compelling composite biography of the two seminal bands of the 1960s, examining both the myth-making and reality behind the great pop rivalry. More than just a history of the bands, Beatles vs. Stones explores the complex role both groups played in popular culture during the tumultuous decade of the 1960s. Although the “feud...

In her transformative text Borderlands/La Frontera: The New Mestiza, Gloria Anzaldua referred to the U.S.-Mexico border region as “una herida abierta (an open wound) where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country–a border culture.” To Anzaldua the “open wound” or new culture of the...

What do Aretha Franklin, Rodney Dangerfield, and desegregation in New Orleans have in common? Perhaps, surprisingly, the answer is Playboy. Playboy magazine served as a guidebook for young people in the post-war era and taught this upwardly mobile generation how to live a modern, sophisticated, and cool lifestyle. It also supported the Civil Rights movement and the careers of many musicians and co...

Following the Civil War, Memphis emerged a center of black progress, optimism, and cultural ferment, after a period of turmoil. Preston Lauterbach joins host Jonathan Judaken for an in-depth discussion in advance of the launch of Lauterbach’s latest book, Beale Street Dynasty: Sex, Song, and the Struggle for the Soul of Memphis (Norton, 2015). Robert Church, Sr., who would become “the South’s firs...

Much of the scholarship on heavy metal has assumed that the primary audience is straight white males, who are likely sexist and homophobic. In her new book, Queerness in Heavy Metal Music: Metal Bent (Routledge, 2015), Amber Clifford-Napoleone challenges these assumptions through her ethnographic study of self-identified queer performers and fans of heavy metal. She also reveals some surprising li...

Who is David Bowie? Fans and critics have debated this question throughout his lengthy and storied career. Chris O’Leary, in his new book Rebel Rebel (Zero Books, 2015) meticulously examines Bowie’s earliest recordings and provides crucial insight into how Bowie wrote and recorded these songs. O’Leary considers Bowie’s influences and how his desire for commercial success caused him to experiment w...

Felicia McCarren‘s latest book, French Moves: The Cultural Politics of le hip hop (Oxford University Press, 2013) explores the fascinating evolution of this urban dance form in the French context. Following the choreography and performances of key figures from the hip hop world in France, McCarren’s is a history that pays close attention to dancers and their moves, and especially to the ways in wh...

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargumen...

Discussions of punk tend to focus on groups, like the Ramones, Sex Pistols, The Clash, and the punk scenes of New York, London, and Los Angeles. Punk, however, was a broader musical cultural movement and sprung up in multiple locations. The Dead Kennedys hailed from the San Francisco punk scene... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium...

Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s....

Beyond what people say, what their voices sound like matters. Voice, as Ana Marcia Ochoa Gautier argues in this marvelous new book Aurality: Listening and Knowledge in Nineteenth Century Colombia(Duke University Press, 2014), was embedded in 19th-century conversations and debates about the boundaries between nature and culture, between the civilized and barbaric, between inclusion or marginalizati...

For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer a...

“The chief aim of [philosopher Francois Laruelle’s] life’s work is to consider philosophy without resorting to philosophy in order to do so.” What is non-philosophy, what would it look like to practice it, and what are the implications of doing so? Alexander R. Galloway introduces and explores these questions in a vibrant and thoughtful new book. Laruelle: Against the Digital (University of Minnes...

Bruce Springsteen is an American icon, known to his fans as “Bruce” and the “Boss.” Springsteen burst onto the American music scene in 1975 with the release of his classic album, Born To Run. His concerts are legendary, and his music offers keen insight on American society. In Bruce Springsteen: American Poet and Prophet (Scarecrow Press, 2014), Donald Deardorff explores the lyrics of Bruce Spring...

For many people, filmgoing is a moment to submerge themselves in a new world of meaning and experience a different reality. While film is prominently defined by its ‘moving images’ these alone are not usually able to fully move a viewer. Audiovisual cinema is much more compelling and music has a unique ability to produce emotive power for the viewer. In Scoring Transcendence: Contemporary Film Mus...