New Books in Music

In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which be...

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction w...

Churches have long sought the arts as a vehicle to communicate divine transcendence and to form worshipers. In Glimpses of the New Creation: Worship and the Formative Power of the Arts (Eerdmans, 2019), W. David O. Taylor brings much needed clarity into conversations around the role of arts in Christian liturgy.  After framing the way our theological positions and ecclesiastical traditions carry w...

During the Cold War, cultural diplomacy was one way that the governments of the United States and the Soviet Union tried to cultivate goodwill towards their countries. As Anne Searcy explains in her book, Ballet in the Cold War: A Soviet-American Exchange (Oxford University Press, 2020), dance was part of this effort. She focuses on two tours of the USSR undertaken by American troupes when the Ame...

In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fift...

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her origina...

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this...

In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates...

Ambient Sufism: Ritual Niches and the Social Work of Musical Form (University of Chicago Press, 2021) by Richard C. Jankowsky (an Associate Professor of music at Tufts University) is a rich ethnographic study of the sonic and ritual landscapes of complex religious communities in Tunisia. Using theoretical approaches of ethnomusicology that attends to questions and patterns of form, texture, and in...

In Warhol's Mother's Pantry: Art America and the Mom in Pop (Mad Creek Press, 2020), M.I. Devine introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother, Julia, that provide a literary and cultural history of new pop humanism. "Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smit...

This one's personal. Tyler Sonnichsen's Capitals of Punk: DC, Paris, and Circulation in the Urban Underground (Palgrave, 2019) was an amazing book for me to read and speak with its author about. While I am always fascinated by the different approaches to and thematic areas covered by the books I explore for the podcast, this one took me back to my years as a Montreal teenager, cutting my own hair,...

Nate Chinen's Playing Changes: Jazz for the New Century (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genr...

Today I talked to David A. Lees about his book Memphis Mayhem: A Story of the Music That Shook Up the World (ECW Press, 2020) David Less has studied Memphis music for over 40 years, including work done for the National Endowment for the Humanities, the Smithsonian Institution, and the Gibson Guitar Foundation. He’s been published in Rolling Stone and DownBeat, among other places. This episode seiz...

After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (Oxford University Press, 2020) is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially eng...

As common as it is today to speak of the relative “height” of musical pitches or of the sense of “vocal space” as it opened up by particular recording techniques, we did not always understand sound to be spatial. How did it become so? In Stereophonica: Sound and Space in Science, Technology, and the Arts (MIT Press, 2021), Gascia Ouzounian (Associate Professor of Music, Oxford University; Fellow a...

Premiered in 1944, Appalachian Spring is a ballet developed in a close collaboration between the composer Aaron Copland and choreographer Martha Graham. It is one of Copland’s most famous compositions, but its very popularity has obscured the performance and publication history of this iconic Americana work. In fact, most people are familiar with the orchestral suite Copland arranged from the ball...

Brian Foster, self-identified Black boy from rural Mississippi, joins us today for a conversation about his book, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (The University of North Carolina Press, 2020). In this interview, he shares with us how his experiences growing up in, leaving and returning home to Mississippi shaped his storytelling. Foster first began this ethnogr...

In Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean (University Press of Mississippi, 2016), Dr. Njoroge M. Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptuall...

Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of...

Maybe the People Would Be the Times (Verse Chorus Press, 2020) could be described as a memoir in essay form. Collecting pieces from the past two decades, this book covers Luc Sante's childhood as an immigrant from Belgium, his engagement with the downtown arts scene that gave rise to punk, and the eventual downfall of a version of New York that may have been dangerous but certainly allowed space f...

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contempo...

Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of...

A tale of passion and obsession from a philosophy professor who learns to play Bach on the piano as an adult.  Dan Moller grew up listening to heavy metal in the Boston suburbs. But one day, something shifted when he dug out his mother's record of The Art of the Fugue, inexplicably wedged between ABBA's greatest hits and Kenny Rogers. Moller was fixated on Bach ever since.  In The Way of Bach, he...

Today I talked to Paul O. Jenkins about his book Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World (West Virginia UP, 2020). This episode covers a band that defies expectations. Coming from Hindman, Kentucky, this band formed in 1968 served as ambassadors of U.S. culture in over 60 countries. T were also fairly unique in being an intergenerational band and by having female...

At 10:20pm on August 15th, 1969, Ravi Shankar — then, and still, the most famous practitioner of the sitar and Indian classical music — takes the stage at Woodstock. It’s arguably the zenith of Indian music’s popularity in the West, with musicians like the Beatles, the Byrds and Led Zeppelin embracing elements of Indian music. But this was merely the middle-point of Shankar’s artistic development,...