New Books in Music

Margaret Hall's Gemignani: Life and Lessons from Broadway and Beyond (Applause Books, 2022) is the definitive book on Broadway's greatest music director. From a youth playing in jazz bands to a storied career conducting Sunday in the Park with George, Sweeney Todd, Evita, and Into the Woods, Gemignani's life story provides a behind-the-scenes look at many of the pivotal moments in musical theatre...

Contingent Encounters: Improvisation in Music and Everyday Life (U Michigan Press, 2022) offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question...

Andrew Simon, a historian of media, popular culture, and the Middle East at Dartmouth College, discusses his new book Media of the Masses: Cassette Culture in Modern Egypt (Stanford University Press, 2022) , with Peoples & Things host, Lee Vinsel. Media of the Masses is an engaging book that examines the impact of cassettes, cassette players, and their users during a particular period in Egypt's r...

In Hit Girls: Women of Punk in the USA, 1975-1983 (Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, Hit Girls shares women's experiences as pioneers of punk....

In 1971, Americans made two historic visits to China that would transform relations between the two countries. One was by US official Henry Kissinger; the other, earlier, visit was by the US table tennis team. Historians have mulled over the transcripts of Kissinger's negotiations with Chinese leaders. However, they have overlooked how, alongside these diplomatic talks, a rich program of travel an...

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects try...

In his memoir, Bang Bang Crash (Counterpoint, 2023), Nic Brown shares his experiences as a rock and roll drummer who abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another In the mid-1990s, fresh out of high school, Nic Brown was living his childhood dream as a rock and r...

Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success.  In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our at...

Music is not merely entertainment—it is a living tradition, a connective tissue linking generations together in a shared pursuit of joy and significance. And through those links across time and space, we build a world of meaning, one improvisation at a time. Guest:  Vijay Iyer is an American composer, pianist, bandleader, producer, and writer based in New York City. The New York Times has called h...

In music, Kimbra found a way to create and share gifts. And through that gifting, she provides space for others to find deep connection and belonging. But music also offers something more mysterious—a language to wrestle with meaning, an attempt to capture and express the experience of life. Guest:  Kimbra is a two-time Grammy Award and six-time Aria winner who mixes pop, R&B, jazz, and rock. Some...

Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and...

Jesse Kavadlo is the classic “renaissance man” – literature and humanities professor, author of acclaimed books and articles, President of the Don DeLillo Society, fantastic husband and father…AND self-taught guitarist and vocalist with Top Gunz, one of the most popular 1980s rock cover bands in America. In this Deep Cuts conversation, Jesse and Bob discuss his guitar-saturated youth and the circu...

The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ev...

In Wild Music: Sound and Sovereignty in Ukraine (Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhi...

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and o...

Many histories of science have been written, but A New History of the Humanities (Oxford UP, 2014) offers the first overarching history of the humanities from Antiquity to the present. There are already historical studies of musicology, logic, art history, linguistics, and historiography, but this volume gathers these, and many other humanities disciplines, into a single coherent account. Its cent...

New York has long been a city where people go to reinvent themselves. And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan. Dylan first set foot in the Village in 1961, and even as he continues...

In the early 1960s, the nation was on track to fulfill its destiny in what was being called the American Century. Baby boomers and rock & roll shared the country's optimism and energy. For one brief, shining moment in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality invol...

Thomas Kuhn’s The Structure of Scientific Revolutions revolutionized the way philosophers and historians of science thought about science, scientific progress, and the nature of scientific knowledge. But Kuhn himself also considered later on how his framework might apply to art. In After Thomas Kuhn: The Structure of Aesthetic Revolutions (De Gruyter, 2022), Oana Serban elaborates on the suggestio...

The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it cam...

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France’s most celebrated musical practices of the twentieth and twenty-first centuries. It centers o...

Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and l...

In April 2006, The Institute held a two day symposium about copyright and intellectual property, titled Comedies of Fair Use. In this session, Lewis Hyde talks about owning art and ideas. Hyde is a cultural critic and scholar, whose work focuses on the nature of imagination, creativity, and property. He is best known for his books, The Gift: Imagination and the Erotic Life of Property, and Trickst...

In this conversation (one of my favorite interviews ever), I talk with Noah Askin of the University of California at Irvine about why some popular children's books, songs, and movies seem to last forever. Is it because the successful ones are similar but different? Is it a fluke? Is it the marketing? Or is it the story that the song/book/movie/anything tells, or is, or is it perhaps the story we m...

On April 16, 2003, Luther Vandross suffered a near-fatal stroke, and the world held its breath. Inside sources said he might never sing again. He was too weak to receive visitors, but cards and good wishes came from Aretha Franklin, David Bowie, Anita Baker, Halle Berry, Patti LaBelle, Jesse Jackson, Burt Bacharach, Bette Midler, Star Jones, Gladys Knight, and Dionne Warwick, among others. With a...