New Books in Literary Studies

Wojtek Sawa‘s The Wall Speaks: Voices of the Unheard (National Center of Culture, 2016) is a bilingual Polish-English project that engages with the intricacies of remembering and forgetting as part of the individual’s personal history, which appears to challenge and collaborate with documented histories. Evolving out of personal memories, The Wall Speaks seeks to illuminate how the individual resp...

W. G. Sebald, one of the most prominent German-speaking authors of the late 20th century, has been discussed in German literary studies again and again. Nonetheless, many questions about him and his work remain open. In her dissertation Post-Catastrophic Poetics (Post-Katastrophische Poetik [Wilhelm Fink, 2016]), Luisa Banki, postdoc at the University of Wuppertal, challenges common assumptions ab...

Though he never enjoyed the publishing success and fame of such friends as Sherwood Anderson and Ernest Hemingway, Lewis Galantière made a considerable contribution to literature over the course of the twentieth century. In Galantière: The Lost Generation’s Forgotten Man (Overlook Press, 2018), Mark I. Lurie describes the life and career of a dedicated man of letters. The precocious son of Jewish...

In Stefan Zweig und der Europa-Gedanke (Königshausen & Neumann, 2017), Stephan Resch analyzes the Austrian author’s relationship with Europe and the concept of pacifism. To date Stephan Zweig is a contentious figure, especially when it comes to his political activism. In the opinion of many, he did not go far enough in his political work, while others criticize his autobiographical work as euphemi...

Follow-up interviews are always fun. Listen to my follow-up interview with Dahlia Schweitzer, author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018). I talk with her and Rob Thomas, the creator of Veronica Mars and the co-creator of iZombie and Party Down as well as the author of several young adult novels including Rats Saw God and Slave Day. In this in...

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives o...

​In The Talmud: A Biography (Princeton University Press, 2018), Barry Scott Wimpfheimer, associate professor of religious studies and law at Northwestern University, introduces the reader to the Babylonian Talmud, the most studied book in the Jewish canon. Professor Wimpfheimer focuses on one excerpt from the Talmud, showing how its reception, exegesis, and editing represents a process of reflexiv...

At the beginning of the 20th century, surrealists such as André Breton and Man Ray played a game called “Exquisite Corpse.” You can play it by drawing or by writing, and the rules are very simple. Let’s say you’re writing. You would write the beginning of a story or poem at the top of a piece of paper and, when you finished, fold the paper so that only the last line of the poem or story is visible...

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and m...

What do Mary Shelley’s Frankenstein, media theorist Marshall McLuhan and Canadian popular culture have in common? This is the question that Mark A. McCutcheon seeks to answer in his new book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology, published in 2018 by Athabasca University Press. In this unique and penetrating analysis, McCutcheon argues tha...

In Jews, Gentiles, and Other Animals: The Talmud After the Humanities (University of Pennsylvania Press, 2017), Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud’s most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humani...

A History of Infamy: Crime, Truth, and Justice in Mexico (University of California Press, 2017) explores the definitive changes that the justice system as well as criminal ideas and practices underwent during the 1920s-1950s. For his most recent book, Pablo Piccato investigated spaces, actors, and fictions that shaped the complicated relationship between crime, justice, and truth during the consol...

In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded fa...

What does it mean to say that a city can “die”? As Brian Tochterman shows in this compelling intellectual and cultural history, motifs of imminent death—of a “Necropolis” haunting the country’s great “Cosmopolis”—have been a persistent feature of discourse on the probable fate of New York City since the Second World War. The Dying City: Postwar New York and the Ideology of Fear (University of Nort...

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writi...

Katelyn Knox’s book, Race on Display in Twentieth- and Twenty First–Century France (Liverpool University Press, 2016) examines francophone literature, art, dance, music, and fashion, considering how race and national identity intersect in postcolonial France. Emphasizing a widespread “institutionalized spectacularism” in France that exceeds the display of racialized bodies in more explicit, state-...

The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to ask what these collaborations that arise at the crossing points of various fields offer for engaging in reading and wri...

In his new book Autopoiesis and Literature: The Short History of an Endless Process (Autopoiesis und Literatur: Die kurze Geschichte eines endlosen Verfahrens [transcript, 2016]), Marcel Schmid, a visiting postdoc at the German Department of Brown University, analyzes the concept of “autopoiesis.” By reading Heinrich von Kleist as well as Franz Kafka’s The Trial, he focuses on particular dimension...

Published by the University of Hawaii Press in 2016, Nick Admussen’s exciting new book Recite and Refuse: Contemporary Chinese Prose Poetry explores the development of twentieth-century prose poetry within the unique political and cultural context of Communist China. In this ambitious study, Admussen attempts not only to define prose poetry but also to trace its ever-shifting role in modern Chines...

In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of h...

The relationship between humans and apes has been discussed for centuries. That discussion took a new turn with the publication and reception of Darwin’s On the Origin of Species by Means of Natural Selection (1859). In her book, Man, the Ape: Anthropology and the Reception of Darwin in Germany, 1850-1900 (Bohlau, 2016) (Der Mensch, der Affe: Anthropologie und Darwin-Rezeption in Deutschland 1850-...

In How the Wise Men Got to Chelm: The Life and Times of a Yiddish Folk Tradition (New York University Press, 2017), Ruth von Bernuth, Associate Professor in the Department of Germanic and Slavic Languages and Literatures and Director of the Carolina Center for Jewish Studies at the University of North Carolina at Chapel Hill, presents the first in-depth study of Chelm literature and its relationsh...

The cover of Amelia Glaser‘s new edited volume, Stories of Khmelnytsky: Competing Literary Legacies of the 1648 Ukrainian Cossack Uprising (Stanford University Press, 2015), bears a portrait of the formidable Cossack leader by that name. Inside the book, twelve contributing authors including Dr. Glaser, approach this legendary yet enigmatical figure from a number of perspectives—Jewish, Ukrainian,...

In the recent past, anti-Muslim hate crimes and rhetoric have surged across America and Europe. Much of this public discourse revolves around questions of assimilation and where Muslim positions on sexuality and gender fit into national unity. In Sexagon: Muslims, France, and the Sexualization of National Culture (Fordham University Press, 2017), Mehammed Amadeus Mack, Assistant Professor of Frenc...

What did it mean to be perceived as Jewish or non-Jewish in Weimar Germany? How, in an age of growing antisemitism, was Jewishness revealed, or made invisible? Kerry Wallach of Gettysburg College, explores these questions in her new book, Passing Illusions: Jewish Visibility in Weimar Germany (University of Michigan Press, 2017). Wallach examines an array of cultural texts including film, artwork,...