New Books in Art

Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists’ work throughout the black diaspora.  In Black Queer Freedom: Spaces of Injury and...

In The Other End of the Needle (Rutgers University Press, 2020), David C. Lane, Ph. D. investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tat...

The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country’s politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of document...

Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indiana...

Is color a phenomenon of science or a thing of art? Over the years, color has dazzled, enhanced, and clarified the world we see, embraced through the experimental palettes of painting, the advent of the color photograph, Technicolor pictures, color printing, on and on, a vivid and vibrant celebrated continuum. These turns to represent reality in “living color” echo our evolutionary reliance on and...

What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? Knowledge Beside Itself: Contemporary Art's Epistemic Politics (Sternberg Press, 2020) delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.” Tom Holert, author of Knowledge Besid...

Myroslav Shkandrij’s Avant-Garde Art in Ukraine, 1910-1930: Contested Memory (Academic Studies Press, 2019) offers an insight into the development of the Ukrainian avant-garde, a topic which still remains unjustifiably understudied. The book is an important contribution to the reevaluation of the artistic legacies of the world-renowned artists: Kazimir Malevich, David Burliuk, Mykhailo Boichuk, Va...

The preface to Robin Mitchell's new book, Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartmann's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect ent...

In Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (Princeton University Press, 2020), Roland Betancourt reveals the fascinating, little-examined conversations in medieval thought and visual culture around matters of sexual and reproductive consent, bullying and slut-shaming, homosocial and homoerotic relationships, trans and nonbinary gender identities, and the depicti...

Today I talked to Peter Gordon and Juan José Morales about their book Painter and Patron: The Maritime Silk Road in the Códice Casanatense (Abbreviated Press, 2020). The Códice Casanatense, or Codex Casanatense 1889 as it is formally known, is a 16th-century Indo-Portuguese collection of some 76 captioned watercolours now held in the Biblioteca Casanatense in Rome. Deposited there at the beginning...

Architecture can seem complicated, mysterious or even ill-defined, especially to a student being introduced to architectural ideas for the first time. One way to approach architecture is simply as the design of human environments. When we consider architecture in this way, there is a good place to start – ourselves. Our engagement in our environment has shaped the way we think which we, in turn, u...

On this episode of New Books in History, Jana Byars talks with Ara Marjian, Professor of Italian and affiliate of the Institute of Fine Arts and the Department of Art History at New York University about his newest book Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism (University of Chicago Press, 2020). Paosolini, a filmmaker who created art in a variety of media,...

In Insect Artifice: Nature and Art in the Dutch Revolt (Princeton UP, 2019) Marissa Anne Bass explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At the book’s center is a neglected treasure of the late Renaissance: the Four Elements manus...

In Italian Neorealism: A Cultural History (University of Toronto Press, 2020), Charles Leavitt steps back from the micro-histories focusing more narrowly on, for example, Italian cinema so as to weave together divers cultural strands (literature, the visual arts, drama, journalism, poetry, essays) into a tapestry of historical practice. Which realisms are being invoked under the category of “Neore...

The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan (U Hawaii Press, 2019) examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in...

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practic...

We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast Asia, the Indian Ocean including the African coasts, the Americas and Europe, consumers desired Chinese porcelains. Many of these were made in the kilns in and surrounding Jingdezhen. Found in almost every part of the world, Jingdezhen's porcelains had a far-reaching impact on global consumption, w...

In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from l...

Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In Games: Agency as Art (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abil...

What is an art school? In Art Schools and Place: Geographies of Emerging Artists and Art Scenes (Rowman and Littlefield, 2020), Dr Silvie Jacobi, a researcher and head of education at London School of Mosaic, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nation...

In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthe...

Superfluous Women: Art, Feminism, and Revolution in Twenty-First Century Ukraine (University of Toronto Press, 2020) tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connota...

It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they th...

How do we distinguish art from non-art artifacts, and what does cognitive science have to do with it? In Attentional Engines: A Perceptual Theory of the Arts (Oxford University Press, 2020), William Seeley offers a cognitive science-based account of how we engage with art, what it is that artworks do, and what artists do to make sure they do it. In his diagnostic recognition framework for locating...

In The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (Columbia UP 2020), Jill Richards radically rewrites our understanding of first-wave feminism by demonstrating its proximity to international avant-garde movements including surrealism, Dada, and futurism. Using case studies including the movement for a proletarian birth strike, the anti-Nazi pranks of Claud...