Money In The Air

Our guest today is Tim Hinkley, musician, producer, session player with over one hundred platinum, gold and silver disc awards. His credits include: George Harrison, Pete Townsend, The Rolling Stones, The Who Van Morrison, Eric Clapton, Alvin Lee, Steve Marriott, Humble Pie, Waylon Jennings, Tom Waits, Tim Buckley, Bad Company, Whitesnake, Gene Pitney, Womack & Womack, Thin Lizzy, Terrence Tre...

Naomi Pohl, Deputy General Secretary of the Musicians'​ Union chats with Stacey Haber about the new bill proposed by Kevin Brennan MP to #FixStreaming and ensure that performers are paid NR on streaming, and other industry fixes. The Bill has its second reading in Parliament on Friday, 4 December 2021. Have listen and find out what the Bill says and why it's extremely important. #BrokenRecord #Ivo...

Amy Jackson talks us through her deep dive into neighbouring rights for her late husband, legendary artist Wayne Jackson, and other legacy artists who had never been paid for their public performances. Wayne was a soul and R&B musician, playing trumpet in the Mar-Keys, the house band at Stax Records and founder of The Memphis Horns, the greatest soul horn section ever. Amy continues to work ti...

Chris Sheehan of Karousel Music and Help Musicians is our special guest this week. The hardest working man in music talks about the charity Help Musicians and its support for musicians of all ages and stages of their career: aid with touring for emerging artists, help with bills for ailing musicians, relocation assistance for performers in dire straits and so much more. He gives first hand experie...

Question are raised about direct deals with Pandora. Hosted on Acast. See acast.com/privacy for more information.

No matter how long ago you recorded your music or played on a recording, you can still claim now for every title you've ever made an audible contribution on. You may not get paid from the date of release, but you will get paid going forward if you can claim the recording with a CMO. Hosted on Acast. See acast.com/privacy for more information.

Reasons why it's so important to keep your IDs up to date, signed and with your current address. A little bit of admin to earn potentially a lot of money. Hosted on Acast. See acast.com/privacy for more information.

Tania, Andrew and Stacey field great questions from legendary artist, producer, writer Errol Henry. https://www.discogs.com/artist/157575-Errol-Henry Hosted on Acast. See acast.com/privacy for more information.

IAFAR's special guest is Chinedu Chukwuji of Purple Blue Entertianment Solutions Ltd. in Nigeria. Mr Chukwuji significantly altered NR in Nigeria by leading the set up of the Nigerian CMO and now repping musicians and rightsholders in the collection of their NR. @IAFAR Hosted on Acast. See acast.com/privacy for more information.

How do you ensure that you're getting paid when your recording has the same title as 700 other tracks out there? Tania Oliveira, Andrew Ullah and Stacey Haber talk you through metadata, ISRCs and CMOs. visit www.iafar.co.uk for definitions of all the pneumonics and jargon. Here's one tip, put anti names in the title! Hosted on Acast. See acast.com/privacy for more information.

A deeper dive into the neighbouring rights earned by performers and rightsholders for music used film and television. Hosted on Acast. See acast.com/privacy for more information.

Learn when to give a worldwide mandate to your home country's CMO and when to register directly with a CMO in another country. It's all down to where you have the most listeners and the particular rules/laws of those countries. Hosted on Acast. See acast.com/privacy for more information.

Andrew Ullah, Tania Oliveira and Stacey Haber explain how to get paid for featured artist credit and dig for any spelling differences that might impact collections. Titles, credits, typos and registrations all have an affect on your neighbouring rights royalties. Hosted on Acast. See acast.com/privacy for more information.

Andrew Mitchley, MD and Co-Founder of Gresham Rights Management (PTY) Ltd and COO/Head of A&R at The David Gresham Record Company joins IAFAR's Andrew Ullah, Gina Deacon, Tania Oliveira, Naomi Asher and Stacey Haber to discuss the NR landscape in South Africa. Hosted on Acast. See acast.com/privacy for more information.

What you need to know if you own your recordings and want to collect your neighboring rights. (i.e.: You MUST register the recordings to be paid as a performer everywhere in the world excluding the USA.) Also tips on choosing a distributor so you don't lose your rights or income. Have a listen and join us at www.iafar.co.uk Hosted on Acast. See acast.com/privacy for more information.

Learn what black box means for neighbouring rights royalties for performers and recording owners. And learn about the dates and deadlines for registrations and payouts. Hosted on Acast. See acast.com/privacy for more information.

Discover the fastest growing neighbouring rights region with very special guest Samantha Schilling Robinson, VP, Neighboring Rights, Songtradr. Hosted on Acast. See acast.com/privacy for more information.

Andrew Ullah and Tania Oliveira discuss what usages don't pay neighbouring rights...yet! Hosted on Acast. See acast.com/privacy for more information.

Learn the basic similarities and differences for neighbouring rights in Latin America. Hosted on Acast. See acast.com/privacy for more information.

Shari Hoffman, CEO and CO-Founder of Transparence Entertainment Group takes us through the bones of the American Fairness Act which proposes to legislate neighbouring rights for AM/FM radio and broadcast in the US. She explains why the US is the only country not paying on terrestrial and why that's not really inequitable (spoiler alert - the US pays out more in NR than most other countries combine...

Dan B. Patrick asks about recording parts of his tracks in the US and others in the UK; who gets paid for what from where, does he need to register the radio version and the digital version and the album version, how do I get the different ISRC numbers, do I have to register the videos at VPL too, what about compilations and as rightsholder do I need to list the other performers? Hosted on Acast....

Many countries around the world have blanket licenses for sync whereby the broadcaster can use any song/recording in the PRO/CMO catalogue for a predetermined fee without artist approval. It's both great and a shock to the system when you hear your song on TV. Find out how it works. Hosted on Acast. See acast.com/privacy for more information.

Find out the evidence you need to claim your neighbouring rights. Learn how to secure your recording credits before you even go into the studio. Negotiate to have your credits in the metadata of the recording. Get the royalties you've earned even if you're paid a flat fee buy out or a signed a work for hire agreement. Hosted on Acast. See acast.com/privacy for more information.

Heather Small, the voice of M People, asks us questions that perplex most artists. Tania Oliviera of Transparence Entertainment Group and Naomi Asher of Sony Music Publishing join Stacey Haber for this fab episode. For example, they explain that Contracted Featured Performer doesn't have the same meaning at PPL, SoundExchange, GVL, etc as it does at Spotify. If you signed a record deal with the la...

Find out how to claim your neighbouring rights if your performance on an older track is sampled onto a new track. Speaking today are IAFAR Board members Naomi Asher, Gina Deacon, Tania Oliviera, Andrew Ullah and Stacey Haber. Shout out to WhoSampled.com and @djhabibeats for your extensive knowledge of who's sampling whom. Hosted on Acast. See acast.com/privacy for more information.