MFA Writers

In this episode, Jared talks with Katie Schorr of Hunter College about overcoming rejection and the failure to sell her first novel, finding her voice through the writing and revising process, and navigating the MFA while raising two kids. Katie Schorr earned her MFA in Fiction from Hunter College. She’s written for McSweeney’s and Motherly and she has also written and performed one-person shows a...

Welcome to Season 2! Jared is joined by Shreya Fadia of Indiana University Bloomington to discuss incorporating genre elements in literary work, making a career change from law to writing, and how editing Indiana Review has helped Shreya cope with rejection. Shreya Fadia is a third-year fiction candidate in the MFA program at Indiana University, where she currently serves as Editor-in-Chief of Ind...

With deep gratitude, we have reached the end of Season 1. The pod team is taking a little vacation and launching Season 2 in two weeks. In the meantime, enjoy this rebroadcast of Music at Midnight, a podcast published by Hobart's Buffalo Buffalo Buffalo. You'll hear an interview between Jared (as interviewee!) and past guest Evan Fleischer (as interviewer!). They discuss MFA programs, what has sur...

Drawing attention to American and Israeli occupation in the Middle East, Tarik Dobbs of the University of Minnesota crafts experimental poetry based on extensive research and personal experience. Tarik joins Jared to discuss the role of poetry in shaping political perspectives, writing as a collaborative process, and how universities can create a more inclusive and diverse academic community. Tari...

How do emotional pacing and narrative structure influence one another in a story? Jared talks to Aggie Stewart of the Newport MFA at Salve Regina University about her memoir, a braided narrative examining family trauma. They discuss embracing false starts and taking the scenic route to her MFA, a low-res program that lets students practice pitches with agents and editors, encourages cross-genre ex...

Fantasy. Sci fi. Literary absurdist fiction. Keith Enterante of San Diego State University’s novel excerpt has it all. He joins Jared to talk about the support and warmth of his program, the importance of starting and finishing pieces, and how the best writing lights up your nerve endings. Keith Enterante is a writer with an MFA from San Diego State University, where he spent three years drafting...

Pursuing an MFA is not only about improving your own writing, but also that of your peers. Evan Fleischer of Emerson College talks to Jared about how the workshop is like teaching, how editing at Hobart benefits his work, and how the best writing is full of surprises. He also does a pretty good Bob Dylan impression. Evan Fleischer is set to graduate from Emerson College with a MFA in fiction at th...

Humor. Experimentation. Sound play. Ellie Black of the University of Mississippi talks to Jared about how her poetry has gotten increasingly weird, the influence of the Gurlesque movement, and the benefits of a high faculty-to-student ratio. Ellie Black is a poetry MFA candidate entering her third year at the University of Mississippi and the incoming senior poetry editor of the Yalobusha Review ....

What does a bilingual MFA program look like in practice? Antonio Villaseñor-Baca of the University of Texas El Paso joins Jared to talk about studying cross-genre work in English and Spanish, launching a music magazine between degrees, and how reading a diverse canon helped him take pride in his Xicanx identity. Antonio Villaseñor-Baca is a Xicanx bilingual journalist, photographer, poet and write...

Creative writing workshops have remained largely unchanged since their creation in 1936. But what if there’s a better, more empowering, more inclusive way? Jared talks to Felicia Rose Chavez about her new book, The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom. They unpack MFA student advocacy, discuss the benefits of collaboration over competition, and reconceptualize the...

With political and social unrest rocking his home country of Venezuela, Alejandro Puyana turned to writing as a way to process. He applied to MFA programs four times before landing an acceptance at the Michener Center for Writers. Now, you can read his work in The Best American Short Stories anthology for 2020. Alejandro and Jared talk rejection, revision, and reimagining the world through fiction...

In Singapore, a young nation focused on economic prosperity, the path to the writer’s life can seem uncertain. Against this backdrop, Jemimah Wei of Columbia University tells Jared about her country’s emerging literary canon, how flash fiction taught her restraint, and how open conversations about funding make MFAs more accessible. Jemimah Wei is a writer and host based in Singapore and New York....

A joint MA+MFA program allows students to deepen their understanding of literary criticism and theory while crafting creative works. Jeremiah Barker of Northwestern University tells Jared how they balance the workload, how they find self-compassion in the face of pandemic-induced writer’s block, and how writing about trauma is and is not like therapy. Jeremiah Barker is an essayist currently based...

A low-residency MFA program helped Koyé Oyedeji of Warren Wilson College develop the discipline to work full-time while writing his composite novel. He and Jared discuss the ins and outs of the low-res experience, as well as how being a British person of Nigerian descent living in the US inspires Koyé to write about Black relationships through the lens of identity and class. Koyé Oyedeji’s writing...

An MFA-sponsored trip to the Mariana Islands allowed Danielle P. Williams of George Mason University to reconnect with her ancestral culture. She sits down with Jared to discuss exploring Chamorro history through poetry, learning ancient language through translation, and meeting mentors and allies through her program. Danielle P. Williams is a Pushcart-nominated poet, essayist, and spoken-word art...

What’s it like to work on a research-driven nonfiction book in an MFA while freelancing on the side? Sarah Ruth Bates of the University of Arizona joins Jared to talk about how the nonfiction genre is more than memoir, how science and philosophy inform her work, and how pandemic writing can help us center our shared humanity. Sarah Ruth Bates is a second-year nonfiction MFA candidate at the Univer...

How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers’ Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, how poetry can transcend fake news, and how his MFA program gave him an inner editorial voice. Bryan Byrdlong is a Black poet from Chicago,...

Should I go straight into an MFA or take some time between degrees? Emily Holland of American University talks to Jared about how she decided to go back to school, how the structure of a poem influences the reader, and how she’s thinking creatively about the post-MFA job market. Emily Holland is a lesbian writer with poems appearing in publications including Nat. Brut , Homology Lit , bedfellows ,...

Have you ever wondered how contest winners are selected? Kaj Tanaka of the University of Houston takes us behind the scenes of Gulf Coast’s Barthelme Prize for Short Prose. He and Jared also talk about building tension in a story, careers in prison education, and what he learned from his BFA and MFA that influences his PhD work today. Kaj Tanaka is a PhD candidate in fiction at the University of H...

What’s it like to write a poem from the perspective of someone you despise? Michal “MJ” Jones of Mills College joins Jared to discuss their thesis project about the 2018 Hart family murders, writing from a place of anger, and pursuing an MFA as a working parent. Michal "MJ" Jones is a poet and parent in Oakland, CA. Their work is featured or forthcoming at Anomaly , Kissing Dynamite , and Borderla...

Should I get an MFA? What should I consider when applying? How can I strengthen my application? In this special episode, Jared is joined by Cady Vishniac, Editor-in-Chief of The Workshop and MFA graduate from The Ohio State University. Together, they address MFA applicants’ most common questions and concerns, like crafting a solid statement of purpose and finding a program that accommodates studen...

What’s a journalist doing in an MFA program? Dana Liebelson of the University of Wyoming tells Jared how her journalistic habits facilitate and complicate her fiction writing, how her work has become increasingly experimental, and how she wound up with a literary agent. Dana Liebelson is an MFA candidate in creative writing at the University of Wyoming. Her flash fiction was recently published in...

Can writing be a form of protest? And if so, is there room for hope? Jared sits down with Marcus Jamison of the University of South Carolina to talk about Confederate monuments and economic justice, as well as finding solace in writing and crafting poetry after our literary heroes. Marcus Jamison is a poet and scholar from Hamlet, North Carolina. He is in his final year as an MFA candidate in poet...

Do we write because we understand or do we write to reach understanding? Jared and Vanessa Chan of The New School unpack this question. Along the way, they discuss writing about home while living in a foreign country, the long arm of colonialism, and the pros and cons of studying in the literary capital of the world. Vanessa Chan is a Malaysian writer who writes about race, colonization, and women...

Every word matters when writing flash fiction and poetry. Jared sits down with Hannah Cajandig-Taylor of Northern Michigan University to talk about writing and revising short works, crafting plot twists and unexpected imagery, taking a course that includes an overnight island trip, and fighting for an increase in stipends and better access to healthcare. Hannah Cajandig-Taylor is a poet and flash...