Longform

Ariel Levy is a staff writer at The New Yorker. "I like an older awesome lady, I don't think enough is written about older awesome ladies and I don't think there are enough role models for younger awesome ladies. It’s great fun hanging out with an older awesome lady. It’s inspiring. And it makes you think 'Jesus, I might be rocking it when I’m 80!'" Thanks to ProFlowers and TinyLetter for sponsori...

Dan P. Lee is a contributing writer at New York. "I don't believe in answers. That's what compels me to write all of these stories. None of them ends nicely, none of them ends neatly." Thanks to TinyLetter for sponsoring this week's episode. Show notes: @Dan_P_Lee Lee on Longform Lee's New York archive [13:30] "Who Killed Ellen Andros?" (Philadelphia Magazine • Oct 2006) [22:45] "Travis the Menace...

Roger D. Hodge is the editor of Oxford American. "My career isn't all that interesting insofar as I've been an editor. I'm much more interested in talking about writers and stories. That's the main thing: telling these stories, creating this platform, this context for the best possible storytelling." Thanks to TinyLetter and Random House for sponsoring this week's episode. Show notes: @RogerDHodge...

George Saunders has written for The New Yorker and GQ. His latest collection of short stories is Tenth of December. "Maybe you would understand your artistry to be: put me anywhere. I'll find human beings, I'll find human interest, I'll find literature. And I guess you could argue the weirder, or maybe the less explored the place, the better." Thanks to TinyLetter and Audible for sponsoring this w...

Jon Mooallem, a contributing writer at The New York Times Magazine, is the author of Wild Ones and American Hippopotamus, the latest story from The Atavist. "I'm terrible at writing nut graphs. I never know why people should keep reading. That’s the menace of my professional existence, trying to figure that out. Because often you have to explain that to an editor before you even start, and I may n...

Joe Sexton is a senior editor at ProPublica and a former reporter and editor at the New York Times, where he led the team that produced "Snow Fall." "My experience in a newspaper newsroom over the years has been: The word you hear least often, the word that's hardest for people to say in that environment, is the word yes. It's safer to say no. You get second-guessed less often if you say no. Your...

Andrew Leland is an editor at The Believer and hosts The Organist. "I think a good editor has a strong stomach for crazy assholes. Because often crazy assholes are really brilliant great writers." Thanks to TinyLetter and Squarespace for sponsoring this week's episode. Show notes: Leland's archive at the Oakland Standard Leland's blog, "Good Jobbbbbbbbb" [4:00] "Web Dreams" (Josh Quittner • Wired...

Jason Fagone, a contributing editor at Wired and a writer-at-large for Philadelphia, is the author of Ingenious. "It seemed like all the big guys in American society had let us down, all the elites. And here was a contest that was explicitly looking to the little guy and saying, 'We don't care what you've done before or how much money you have in your pocket. If you solve this problem, you win the...

Amy Wallace is an editor-at-large for Los Angeles and a correspondent for GQ . "I've written about the anti-vaccine movement. I love true crime. I've written a lot of murder stories. The thing that unites all of them—whether it's a celebrity profile or a biologist who murdered a bunch of people or Justin Timberlake—it's almost trite to say, but there's a humanity to each of these people. And figur...

Rachel Aviv is a staff writer at The New Yorker. "If I'm writing about the criminal justice system, I wish I were a lawyer. If I'm writing about psychiatry, I wish I were a psychiatrist. I have often filled out half my application to get a Ph. D in clinical psychology. That is one area where I am constantly on the verge of jumping the fence. But even when I wrote about religion, I thought I wanted...

Monika Bauerlein and Clara Jeffery are the co-editors of Mother Jones. "We probably pay more attention to our fact-checking and our research than almost everybody in our industry. By the time we publish stuff, we make sure it's unimpeachable because people would like to impeach it." Thanks to TinyLetter and HostGator for sponsoring this week's episode. Show notes: @MonikaBauerlein @ClaraJeffery mo...

Evan Wright, a two-time National Magazine Award winner, is the author of Generation Kill. "When people were killed, civilians especially, I realized I was the only person there who would write it down. I was frantic about getting names, and in the book there are a few Arabic names, some of the victims. Not that anyone cares. But I thought, 'At least somewhere there's a record of this.'" Thanks to...

Andy Ward, a former editor at Esquire and GQ, is the editorial director of nonfiction at Random House. "How you gain that trust is a hard thing to quantify. The way I try do it is by caring. If you don't care about every word and every sentence in the piece, writers pick up on that. ... Ultimately, it's their book or their magazine article. Their name is on it, not mine. I always try to keep that...

Elizabeth Wurtzel is the author of four books, including Prozac Nation. "It's not that hard to be a lawyer. Any fool can be a lawyer. It's really hard to be a writer. You have to be born with incredible amounts of talent. Then you have to work hard. Then you have to be able to handle tons of rejection and not mind it and just keep pushing away at it. You have to show up at people's doors. You can'...

Gay Talese, who wrote for Esquire in the 1960s and currently contributes to The New Yorker, is the author of several books. His latest is A Writer's Life. "I want to know how people did what they did. And I want to know how that compares with how I did what I did. That's my whole life. It's not really a life. It's a life of inquiry. It's a life of getting off your ass, knocking on a door, walking...

Jon Ronson, a contributor to This American Life, The Guardian and GQ, is the author of six books, including The Men Who Stare at Goats. His latest is Lost at Sea: The Jon Ronson Mysteries. "The older you get, you realize that no uncomfortable fact makes your story worse. Contradictions are great. What's bad, what to me is the worst journalistic sin, is ridiculous polemicism. ... To me, the contrad...

Malcolm Gladwell is a staff writer at The New Yorker. His latest book is David and Goliath: Underdogs, Misfits, and the Art of Battling Giants. "The categories are in motion. You turn into a Goliath, then you topple because of your bigness. You fall to the bottom again. And Davids, after a while, are no longer Davids. Facebook is no longer an underdog—it's now everything it once despised. I'm ever...

Cord Jefferson is the West Coast Editor at Gawker. "I consider myself to be a sincere human being. And I think that the way the internet carries itself, the way the internet has dialogues, is often insincere. That concerns me. I don't ever want to lose my sincerity. I don't ever want to lose my ability to feel emotional about things that I write about. I don't ever want to have a distance from eve...

Hamilton Morris is the science editor for Vice and a contributor to Harper's. "It's a shame that there isn't more of an interdisciplinary approach to a lot of scientific investigations, because often the result is that misinformation is produced. Again, there's misinformation in journalism and there's misinformation in science. And if you combine the best elements of both of those disciplines you...

Nancy Jo Sales writes for Vanity Fair and is the author of The Bling Ring. "I'm a mom now, so my life's a little different. I can't do certain things that I used to do, and I won't, because they're dangerous or ridiculous or keep me out till five in the morning or whatever. But back in those days, I didn't even really have—I didn't even have a pet! This was everything I did. This was my whole life...

Sarah Stillman is a staff writer for The New Yorker. "People don't really care about issues so much as they care about the stories and the characters that bring those issues to life. ... A story needs an engine or something to propel you forward and it can't just be a collection of like, 'Oh, hmm, this was interesting over here and this was interesting over there.' Realizing that helped me sit dow...

Eli Saslow is a staff writer at the Washington Post and a contributor at ESPN the Magazine. It's not really my place to complain about it being hard for me to write. I wrote the story ("After Newtown Shooting, Mourning Parents Enter Into the Lonely Quiet") and I got to leave it. And even when I was writing the story, I was only experiencing what they were experiencing in a super fractional way. Th...

Joshuah Bearman is the co-founder of Epic Magazine and a freelance writer. His latest story is "Coronado High." "People who know me well will realize that parts of this story are actually about me. … It's about loss of innocence and getting to a certain point in your life where you realize the excitement of youth is over. Life at a certain point gets complicated and there are consequences and thin...

Amy Harmon, a Pulitzer Prize winner, covers science and society for the New York Times. "I'm not looking to expose science as problematic and I'm not looking to celebrate it. But it can be double edged. Genetic knowledge can certainly be double edged. Often the science outpaces where our culture is in terms of grappling with it, with the implications of it. Part of the reason for this widespread f...

Sean Flynn is a GQ correspondent and National Magazine Award winner. "I find it satisfying to be able to give a voice to people that sort of get lost…You know, when these big horrible things happen, and the spotlight is very briefly on them, and then it moves away, and it's not that I'm dragging them out and forcing them to 'Relive your horrible moments!' It's more a thing of, 'If you'd like to re...