Longform

Dan P. Lee is a contributing writer at New York. "I don't believe in answers. That's what compels me to write all of these stories. None of them ends nicely, none of them ends neatly." Thanks to TinyLetter for sponsoring this week's episode. Show notes: @Dan_P_Lee Lee on Longform Lee's New York archive [13:30] "Who Killed Ellen Andros?" (Philadelphia Magazine • Oct 2006) [22:45] "Travis the Menace...

Evan Wright, a two-time National Magazine Award winner, is the author of Generation Kill. "When people were killed, civilians especially, I realized I was the only person there who would write it down. I was frantic about getting names, and in the book there are a few Arabic names, some of the victims. Not that anyone cares. But I thought, 'At least somewhere there's a record of this.'" Thanks to...

Hanna Rosin is a senior editor at The Atlantic and a founder and editor at DoubleX. “I often think of reporting as dating, or even speed dating. You’re looking for someone where there’s a spark there between you and them. Sometimes that happens right away and sometimes it takes forever. ... You have to determine if they're reflective, friendly, open. It could be love at first sight and they're sti...

Meghan Daum's latest book of essays is The Unspeakable. “As writers we think, well there has to be closure, there has to be a beginning middle end, the character has to go through a change. And then in life we're supposed to have some sort of arc or aha moment, as if the experience isn't legitimate unless we get something out of it. That's so culturally constructed, as they say. It's so artificial...

Katie J.M. Baker is a reporter for BuzzFeed. “I went to Steubenville a year after the sexual assault to cover their first big football game of the season and I was face-to-face with these people who I had been writing about without knowing much about them. From far away it seems like, do these details matter? Do we care if these people’s lives get messed up when the narrative is so strong, when St...

Alec Wilkinson is a staff writer for The New Yorker. “My hero was Joseph Mitchell, that was how you did reporting. There was nothing conniving about it or cunning — you just simply kept returning and kept returning.” Thanks to TinyLetter for sponsoring this week's episode. Show Notes: Wilkinson on Longform [2:00] "The Protest Singer" (New Yorker • Apr 2006) [6:00] Midnights: A Year With the Welfle...

Emma Carmichael, a former editor at Deadspin and The Hairpin, is the editor in chief of Jezebel. "Online feminism has more and more rules lately. There are only so many things you can say. And while our opinions are getting more constrained online, personal feminism and face-to-face conversations are looser and more complicated and don't go by any rules. ... The ideal with Jezebel is getting to a...

Reihan Salam is the executive editor of National Review. "I’m incredibly curious about other people. I’m curious about what they think of as the constraints operating on their lives. Why do they think what they think? If I weren’t doing this job, I’d want to be a high school guidance counselor." Thanks to TinyLetter, Bonobos, and Cards Against Humanity’s Ten Days or Whatever of Kwanzaa for sponsor...

Jake Halpern, a contributor to This American Life, has written for The New Yorker and The New York Times Magazine. His latest book is Bad Paper: Chasing Debt from Wall Street to the Underworld. "I test out my stories on my kids. You should be able to tell any story, now matter how complicated, to a seven-year-old in a way that they understand. If you can't, that probably means that either a) you'r...

Jen Percy is the author of Demon Camp: A Soldier's Exorcism. "As is the nature of obsession, you just start gathering materials, hoarding documents and taking notes in a way that’s totally chaotic and overwhelming. You don’t even care yet because you’re so excited by what you’re gathering. If you start trying to make a narrative out of it too soon it will be false or it will fall apart." Thanks to...

Jessica Pressler writes for New York, Elle and GQ. "I really like hustlers, stories about someone who comes out of nowhere and tries to do it for themselves. Those people are just easy to like. Even when they're sort of terrible, they're easy to like." Thanks to TinyLetter and Warby Parker for sponsoring this week's episode. Show Notes: @jpressler Pressler on Longform [3:00] jessicapressler.com [1...

Wendy MacNaughton is a graphic journalist and the co-author of Pen & Ink: Tattoos and the Stories Behind Them. "We mostly hear stories from big personalities who already have a spotlight on them. I think that everybody carries stories that are just as profound as the ones we hear from celebrities or whoever. I’m interested in the stories of people who don’t usually get to tell them. I think those...

Don Van Natta Jr., a three-time Pulitzer Prize winner, writes for ESPN and is the author of several books, including Wonder Girl. "The nature of the kind of work I do as an investigative reporter, every story you do is going to get attacked and the tires are going to get kicked. It’s going to get scrutinized down to every phrase and down to every letter. You have to have multiple sources for key f...

Today we are re-airing our February 2013 interivew with our friend Matt Power, who died earlier this year while on assignment in Uganda, to help raise money for Matthew Power Literary Reporting Award. We have also reprinted Matt's classic 2005 article, "The Lost Buddhas of Bamiyan," which is available online for the first time. Founded by Matt's friends and family, the annual award will support pr...

Anne Helen Petersen writes for BuzzFeed. Her book Scandals of Classic Hollywood is out this week. "I was obsessed with Entertainment Weekly from the very first issue and I obsessively catalogued it. I made a database on my Apple IIe where I put in the title of the magazine and the number and whether it was a little 'e' or a big 'E' on the cover and the different topics and then I gave it a grade....

Chris Hayes hosts All In with Chris Hayes on MSNBC and is an editor-at-large for The Nation. "The instability was so intense and the anguish and frustration were so intense that there wasn’t a ton of time to think through, 'Well, what is my role in this?' Mostly it was: wake up in the morning after two or three hours of sleep and start going to stuff, talking to people, and keep doing that until t...

Buzz Bissinger, a Pulitzer Prize winner, has written for Vanity Fair, The New York Times Magazine, GQ and more. He is the author of several books, including Friday Night Lights. "It’s quiet. And I really felt I needed that quiet. People say, 'Well anger was your edge, and agitation was your edge, and that’s going to hurt your writing.' I don’t know, maybe. It may be that in order to live a happier...

Sean Wilsey has written for The New Yorker, The London Review of Books, The New York Times, and McSweeney’s Quarterly, where he is an editor-at-large. His latest book is More Curious. "I’m actually apparently a fairly competent person at getting things done, making deadlines and all these things. But the Wilsey you might get in the piece about NASA is the guy who eats a ton of oysters and drinks a...

Emily Bazelon is a staff writer at the New York Times Magazine and the author of Sticks and Stones. "There’s nothing purely, or maybe even at all, altruistic about this exchange. It’s transactional in the Janet Malcolm classical sense, but also in the emotional sense. There is a way in which I’m super open. I take in these experiences. They keep me up at night. They really get inside me. But then,...

Zach Baron is a staff writer for GQ. "People love to put celebrity stuff or culture stuff lower on the hierarchy than, say, a serial killer story. I think they're all the same story. If you crack the human, you crack the human." Thanks to TinyLetter and Squarespace for sponsoring this week's episode. Show Notes:   @xzachbaronx Baron's personal site Baron on Longform [7:00] "Kanye West: A Brand-New...

Ben Anderson is a war journalist and documentary filmmaker. His latest book, The Interpreters, is available free from Vice. "You're surrounded by people who are so poor. Maybe their family members have already been killed. And they still can't leave. So compared to that, I can't really take the idea that I've suffered and that I need stop and go to a spa for a few days. I can't take that idea that...

Lewis Lapham, formerly the editor of Harper's, is the founder of Lapham's Quarterly. "The best part of my job was to come across a manuscript. You never knew what would show up. ... I always had the sense of opening a present, hoping to be both delighted and surprised. Often I was disappointed. But when I wasn't, it was a lot of fun. And word got around that I was that kind of an editor, that I wa...

Adam Higginbotham has written for Businessweek, Wired and The New Yorker. His latest story is A Thousand Pounds of Dynamite, for The Atavist. "There's always a narrative in a crime story. Something has always gone wrong. These guys are always in prison, because they all fucked something up or trusted the wrong person. They always get caught in the end. Because if they hadn't, you wouldn't be readi...

Brin-Jonathan Butler has written for SB Nation, ESPN, and The New York Times. His new book is A Cuban Boxer’s Journey. "He smiled at me and just to make small talk, I said, 'You know, you’ve got this gold grill on your teeth. Where did you get that from?' And he said, 'Oh, I just melted my gold medals into my mouth.' And I thought, 'I think I’ve got a story here.'" Thanks to TinyLetter, WW Norton...

Rachel Kaadzi Ghansah has written for The Believer, The LA Review of Books, Transition and The Paris Review. "If He Hollers Let Him Go," her essay on Dave Chappelle, was a 2014 National Magazine Award finalist. "So the stakes are high. I’m not just writing this to write. I’m writing because I think there’s something I need to say. And there’s something that needs to be said. ... What I hope is tha...