London Review Bookshop Podcast

In her first novel The Last Sane Woman (Verso) poet Hannah Regel investigates the pains and pleasures of artistic practice carried out against the odds. While researching in a small archive dedicated to women’s art young graduate Nicola Long happens upon one half of a correspondence, conducted half a century before, written by a recently graduated ceramicist to a friend. As Nicola reads on she bec...

Poets Ella Frears and Will Burns were at the shop to read from and talk about their new collections. Ella’s Goodlord, from Rough Trade Books, takes the form of a long, lyrical email to an estate agent, interrogating our obsession with ‘property’ with Frears’ characteristic humour and sharpness, while Will’s Natural Burial Ground (Corsair) is the second collection from a writer Max Porter has descr...

In her latest semi-autobiographical novel Playboy (Tuskar Rock, translated by Holly James), leading French writer Constance Debré describes how a woman, at the age of 43, abandons her apartment, her marriage and her successful legal career to lead a new life as an out lesbian and a writer. In a series of short, sharp vignettes the narrator describes a series of meetings with lovers, with her fathe...

Throughout its history feminism has had a troubled relationship with policing, torn between seeking its protection and attacking its ingrained sexist bias. In Why Would Feminists Trust the Police? (Verso) Leah Cowan cuts a trenchant path through the debate, reminding us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren't feminist, and the l...

In her debut novel Scaffolding (Chatto) Lauren Elkin – ‘The Susan Sontag of her generation’, according to Deborah Levy – presents two couples occupying the same Paris apartment, five decades apart. Lauren Elkin’s previous works include Art Monsters, a landmark study of women artists, Flâneuse and a translation of Simone de Beauvoir’s The Inseparables. She was joined in conversation by writer and b...

The Federal Theatre Project, established as part of the New Deal in 1935 to provide employment opportunities for theatre professionals affected by the Great Depression, became the cornerstone of American radical drama, both on stage and on radio, throughout the late 1930s. Its staunchly political stance on labour and race relations and housing and health inequality proved popular with audiences, b...

Anne Serre’s latest novel to appear in English, brilliantly translated from the French by Mark Hutchinson, was written in the aftermath of the death of the author’s younger sister, and recounts the tortured relationship between an unnamed narrator and his close childhood friend Fanny, a young woman suffering from profound psychological distress. Hailed in Le Point as a 'masterpiece of simplicity,...

In her debut novel Experienced (4th Estate) writer and cook Kate Young delves into the world of queer dating following, reluctant Bette on an odyssey of sexual encounters as she tries to catch up on the decade of fun she missed out on before coming out, always intending to return after the adventure to her true love Mei. ‘A fizzing rollercoaster of a romcom,’ writes Caroline O'Donoghue. ‘The sexie...

Born in Belgium in 1954 to conservative, Catholic parents, Lucy Sante migrated to New York in the 1960s, where she became associated with the Bohemian artistic milieu of the city. After producing several highly acclaimed works of history such as Low Life and The Other Paris and translating Félix Fénéon’s feuilletons for NYRB as Novels in Three Lines, she announced in 2021 that she was transitionin...

Born in the pandemic lockdown of 2020, when Britain’s restaurants had closed their doors, Jonathan Nunn founded the online newsletter Vittles, which rapidly established itself as the premier platform for exploring food cultures in Britain and around the world. Out of Vittles was born London Feeds Itself, a fascinating collection of essays written at the intersections of food, architecture, history...

During the Covid lockdown Iain Sinclair took delivery of two large yellow boxes containing fresh prints of photographs by the master-chronicler of Soho John Deakin who died, obscure and penniless, in a Brighton hotel room in 1972. Sinclair, another master-chronicler of London’s hidden past, uses those and other images and memories – (‘an invaluable catalogue of artists and divas, actors, film prod...

CAConrad is one of the most productive and inventive poets of their generation. Writing in the New York Times, Tracey K. Smith described how Conrad’s poetry ‘invites the reader to become an agent in a joint act of recovery, to step outside of passivity and propriety and to become susceptible to the illogical and the mysterious’ – a susceptibility fully evidenced in Conrad’s latest Penguin collecti...

Drawing on her own experience restoring a walled garden in Suffolk, and moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Olivia Laing’s The Garden Against Time interrogates the sometimes shocking cost of making paradise on earth. She was joined in...

At a Bethesda Baptist chapel two worshippers, separated in age by three decades, are drawn together by common interests, driven apart by divergent loves, before being reunited by the mysteries surrounding their small town. Francis Spufford describes Enlightenment (Jonathan Cape) as ‘a book in which everything is kindled into light by Sarah Perry’s rapt, luminous attention: friendship, betrayal, fa...

Held is Anne Michaels’ long-awaited new novel – following on from the 1996 classic Fugitive Pieces and 2009’s The Winter Vault – exploring, in the words of Margaret Atwood, ‘war and its damages, passed through generations over a century’. Michaels shared an extended reading from Held with actor Stephen Dillane, who played Jakob Beer in the 2007 film adaptation of Fugitive Pieces, and was joined in...

Choirboy, drag act, grandson, mentor, poet, lover, activist, performer: Dean Atta has played many roles in his life. In his explosive, candid and courageous memoir Person Unlimited (Canongate) he describes a life lived in defiance of categories. Benjamin Zephaniah wrote of Atta’s work as being ‘As honest as truth itself. He follows no trend; he seeks no favours . . . Beyond black, beyond white, be...

In The Future of Songwriting, lead singer with Throwing Muses, solo artist and songwriter Kristin Hersh reflects on the status and future of her chosen genre over a long, hot Christmas in Australia. In a series of conversations, encounters and philosophical dialogues Hersh delivers a fierce, funny and existential meditation on the art of the song - and its future. She was joined at the Bookshop by...

In her debut novel Amma (Weatherglass), a multi-generational saga set in Sri Lanka, Singapore, Aotearoa New Zealand, Australia and London, Saraid de Silva explores memory, trauma and displacement. She was in conversation with Nina Mingya Powles, author of Tiny Moons and Small Bodies of Water. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megap...

Siblings (Monitor Books) is a unique round-table discussion / poetry collection, convened by Will Harris, between Harris, Jay Bernard, Mary Jean Chan and Nisha Ramayya. The four poets explore real and imaginary siblings, writing communities, and the wayward directions of the lyric mode – writing as makers and friends about the possibilities that poetry enables now. All four poets convened at the B...

When Gillian Rose’s Love’s Work was published shortly before the author’s death in 1995, Marina Warner wrote in the LRB: ‘This small book contains multitudes. It fits to the hand like one of those knobbed hoops that do concise duty for the rosary, each knob giving the mind pause to open up to vistas of meditation on mysteries and passion.’ To mark the publication of a new edition (Penguin Modern C...

1917: Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930: Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman's cottage for sale on the Dorset coast. 1941: Rosamond Lehmann settles in a Berkshire village, seeking a lovers' retreat, a refuge from war, and a means of becoming 'a writer again'. Harriet...

Lauren Oyler is one of our rowdiest and sharpest literary critics, twice causing the LRB website to crash from too much traffic, and author of the novel Fake Accounts. No Judgement is her first collection of non-fiction; a series of interlinked essays connecting internet gossip, the attention economy, and the role of criticism. Oyler is in conversation with journalist and cultural commentator Leo...

Three of Wales' best contemporary writers in an early St David's Day celebration of Wales in words. Novelist Joe Dunthorne, National Poet of Wales Hanan Issa and Carnegie prize-winning novelist and playwright Manon Steffan Ros explore the country's literary history, share its less-known treasures, and discuss the meaning of 'Welshness' today, in a one-off conversation with readings. The event was...

Fernanda Eberstadt’s Bite Your Friends is both a history of the body as a site of resistance to power, and a subversive memoir, drawing on a cast of outrageous heroes including Diogenes, Saint Perpetua, Pasolini, Pussy Riot and the political artist Piotr Pavlensky, who nailed his scrotum to the pavement of Red Square to protest Vladimir Putin’s tyranny. Eberstadt was joined at the Bookshop by crit...

When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Missing Persons, or My Grandmother’s Secrets is a detective story, memoir and cultural history of Ireland’s Mother and Baby homes. ‘Attending to the ways that the past ruptures and grows through the present’, writes Seán Hewitt, ‘this is a history shaken by intimacy – a brave and rigorously humane book.’ Wills...