London Review Bookshop Podcast

In The Original (Scribner), Nell Stevens’s second novel, Grace Inderwick grows up as the ward of a cold Victorian family in which the only warmth and affection is provided by her cousin Charles. After many years missing at sea, Charles returns to the household. But is this the real Charles or an impostor? Nell Stevens brilliantly reconfigures the familiar trope of the returning stranger as a gripp...

In 1958 the 18-year-old Liliane Lijn left New York for Paris, determined to become an artist. Her captivating memoir Liquid Reflections (Hamish Hamilton) tells the story of her meetings with poets, painters, philosophers and revolutionaries and of the development of her groundbreaking artistic practice, pioneering the interaction of art, science, technology, eastern philosophy and feminine mytholo...

Twenty years ago Kathryn Scanlan (Kick the Latch, The Dominant Animal) acquired a diary at a public estate auction. It was kept by Cora E. Lacy, an eighty-six-year-old woman living in a small Illinois town, from 1968 to 1972. Scanlan began to compulsively read and reread the stranger’s diary. In the years following she edited, arranged and rearranged the diarist’s words into the composition that i...

Jeremy Atherton Lin’s Deep House (Allen Lane) is an unexpected romantic comedy haunted by centuries of gay ghosts. It’s 1996, and Jeremy, a young American, has met the British boy of his dreams – just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples rights including immigration. Via forests and deserts, London fashion shows and East Village hotel...

In her new book In Defence of Leisure (Cape), Akshi Singh presents Marion Milner as a writer for our times. In asking the simple question: how do I want to spend my free time? Milner developed a method for discovering her true likes and dislikes. As Singh follows Milner’s approach – from keeping a diary to painting, building a home to travelling to the sea – she discovers the importance of rest, c...

Geoff Dyer has written books on every subject under the sun; now, at last, he turns his hand to memoir. Homework is his account of his childhood and adolescence in provincial England, as the only child of a dinner lady and a sheet-metal worker, and the opportunities afforded by the postwar settlement in the 1960s and 1970s. Merve Emre describes it as being like ‘going for a long walk with a close...

Francesca Wade’s biography, Gertrude Stein: An Afterlife, follows on from her acclaimed Square Haunting (Faber, 2020) to present a portrait of one of 20th century modernism’s most rowdy and confounding geniuses, in what Lisa Appignanesi has described as both a ‘discerning literary biography and a page-turning whodunit’. Wade was joined by Lara Pawson, author of Spent Light (CB Editions, 2024). Mor...

Since its founding, the online food and culture publication Vittles has sought to disrupt mainstream ideas of what food writing looks like. To mark its fifth anniversary, Vittles produced its first print issue – an engaging mix of newly commissioned articles and a selection of some of the best essays it published in the previous five years. At the Bookshop, three contributors to Vittles Issue 1 –...

To celebrate the Penguin Classics reissue of bell hooks’s Art on My Mind, Zarina Muhammad & Lola Olufemi discuss her work. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbksh...

If the first quarter of the 21st Century has been rich in one thing, it is anxiety. Pandemics, asteroids, climate change, global instability, the cost of living, tsunamis, migration – the list of things to be worried about seems to grow longer every day. We should thank our lucky stars then for Oxford Professor of Geography Danny Dorling. In ⁠The Next Crisis⁠ (Verso), he delves into the data with...

In Don’t Forget We’re Here Forever (Bloomsbury) Lamorna Ash, author of the coming-of-age memoir cum anthropological study of the Cornish fishing industry Dark, Salt, Clear, visits Evangelical youth festivals, Quaker meetings, a silent Jesuit retreat along the Welsh coastline and a monastic community in the Inner Hebrides to investigate, through interviews and personal reflections, what drives youn...

In On Breathing (Peninsula Press) Jamieson Webster, a psychoanalyst in private practice in New York and part-time faculty member at The New School for Social Research, draws on psychoanalytic theory to reflect on her own experiences as an asthmatic teenager, a deep-sea diver, a palliative psychologist during covid and a new mother to explore how the experience of air and breathing serves to underm...

Laleh Khalili, Professor of Gulf Studies at the University of Exeter, looks behind the glossy surface promises of frictionless trade and limitless growth to uncover the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry and constantly revealing...

In the first of a new series from Old Street in which historian focus on a single moment of history, pre-eminent English-language expert on the Soviet Union Sheila Fitzpatrick gives a detailed and darkly humorous account of the day in 1953 on which Stalin died, an event for which, despite its inevitability, both Russia and the wider world were almost completely unprepared. Fitzpatrick discussed Th...

Pear Trees (Hazel Press) is a short story by Laura Beatty, the Ondaatje Prize-shortlisted novelist and biographer. Set in an Albanian mountain village, Pear Trees blends folklore and ecology to pose the largest of questions about our relationship with the living world. Beatty was joined in conversation by potter and author Edmund de Waal, whose most recent books include Letters to Camondo (Chatto)...

On 23 April 1925, T.S. Eliot was invited by Geoffrey Faber to join the newly founded publishing house of Faber & Gwyer. It was to prove the most momentous appointment in 20th-century poetry in English. As a pioneering talent scout for Faber & Gwyer (which would become Faber & Faber in 1928) Eliot launched the careers of W.H. Auden, Louis MacNeice, David Jones and Stephen Spender, and oversaw the p...

In William Blake and The Sea Monsters of Love (4th Estate) – ‘an impassioned magnum opus celebrating Blake’s star-shaken genius by discovering his lineage everywhere in the author’s own crystal cabinet of artists and outlaws,’ in the words of Iain Sinclair – Philip Hoare pays brilliant and digressive tribute to the maverick poet and artist and his abiding influence. Hoare, author of the classic Le...

Sasha Debevec-McKenney’s debut collection Joy Is My Middle Name (Fitzcarraldo) packs a lot in – humour, heartbreak, politics, sex, race, womanhood, addiction, sobriety, consumerism, pop culture and much else besides. ‘Where else can you read about e-girls twerking to LBJ in hell?’ asks Maggie Millner, author of Couplets. ‘Who else can pack microplastics, adultery, and overalls into the same poem,...

In A Year with Gilbert White (Faber) biographer and historian Jenny Uglow continues her exploration of the 18th-century scientific revolution with a journey in the company of the father of British natural history, whose The Natural History of Selborne has been constantly in print since 1789 in over 300 editions to date. Jenny Uglow talked about how the nature notes of an obscure Hampshire clergyma...

Emily LaBarge’s Dog Days (Peninsula Press) begins with a personal trauma – the account of how she and her family were held hostage during the Christmas holidays of 2009 – building on that experience a dazzling exploration of writing, art and the imagination. Drawing on writers and artists such as Vivian Gornick, Robert Burton, David Lynch and Sylvia Plath, LaBarge picks apart the structures of nar...

Wendy Erskine’s two short story collections Sweet Home and Dance Move marked her out as one of the most distinctive voices in contemporary Irish fiction. Now her first novel The Benefactors (Sceptre) looks set to cement that reputation. ‘In all of its glorious polyphony, The Benefactors brims with humanity’, writes Lucy Caldwell. ‘It’s got snap, it’s got sparkle, it’s got soul. All of Belfast is h...

Playful, mind-expanding, dark, funny and endlessly rewarding, Ali Smith’s dystopian parable of an authoritarian future was one of the most talked-about new books when published in hardback last year. To mark the appearance of Gliff in paperback, Smith returned to the shop to talk about it with film-maker Sarah Wood. They also spoke about So in the Spruce Forest, an essay originally written for ‘Ed...

In Flower (Fitzcarraldo), his first work of non-fiction, Copenhagen-based artist Ed Atkins propels us into a world of junk food, invented memories and confessional anti-confessionalism. ‘Sometimes it brought me to tears and I’m not even sure why,’ writes Luke Kennard, ‘It’s the stuff most of us leave out, or wouldn’t even know how to articulate. By which I mean this book has made so much other wri...

In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. In The Alienation Effect (Allen Lane) acclaimed architectural historian Owen Hatherley draws on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, to argue that i...

Ken Worpole, ‘a literary original, a social and architectural historian whose books combine the Orwellian ideal of common decency with understated erudition’ (New Statesman), has written on many subjects during his long career, from cemeteries to hospices to the novels of Alexander Baron, but has often returned to the subject of his beloved Essex. His latest essay collection Brightening from the E...