Light The Fuse - The Official Mission: Impossible Podcast

Alexander Payne joins us on “The Directors,” where we touch on his other Paramount gems – the road trip movie “Nebraska” and the underrated “Downsizing.” Learn how he got the studio to agree to black-and-white for “Nebraska” and why he thinks “Downsizing” should have been a television series instead. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of “The Directors” we are joined by Alexander Payne, who takes us through the inception and making of his early Paramount classic “Election.” Payne discusses the challenges with multiple voiceovers, working with MTV and his playful sense of continuity. If you love “Election” as much as we do (and even if you don’t), this is a very fun conversation. Learn more about your ad choices....

Michael Giacchino is a world-famous composer who did both “Mission: Impossible III” and “Mission: Impossible – Ghost Protocol.” He is also a very cool guy. We talked to him about how he got involved with the franchise, working with filmmakers J.J. Abrams and Brad Bird, and his debut solo album. And yes, we also talk about the amazing track names on the score albums. This episode was originally rel...

We are joined by Jonathan Lynn, who made the cult comedy classic “Clue,” this time talking about the film’s release and some of his other projects, notably “The Distinguished Gentleman,” “The Whole Nine Yards” and the Oscar-winning “My Cousin Vinny.” It’s a good one. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Jonathan Lynn, the filmmaker behind the immortal based-on-a-board-game comedic mystery “Clue.” Learn how he joined the project, the decision to engage with the multiple endings idea and how there was a fourth ending that was ultimately cut. It doesn’t take a detective to see that this is a super-entertaining chat! Learn more about your ad choices. Visit megaphone.fm/adchoices

John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on the first film to get his name in the opening credits, working with “Mission: Impossible – Ghost Protocol” director Brad Bird on the unmade earthquake epic “1...

We’re joined by Howard Deutch, the filmmaker behind “Pretty in Pink.” Learn what advice Deutch was given by “Mission: Impossible” director Brian De Palma, go behind the scenes of “Some Kind of Wonderful,” hear about how much John Candy hated making “The Great Outdoors," and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

On “The Directors,” we are so thrilled to be chatting with filmmaker Howard Deutch, who directed “Pretty in Pink” and “Some Kind of Wonderful.” This week we get into his collaborative relationship with John Hughes, how Duckie was a controversial figure, and his unmade Hughes project “Oil and Vinegar” – plus much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to look your best because we are joined by Michael Kaplan, the genius costume designer for “Mission: Impossible – Ghost Protocol” and one of the most talented people currently living (just look up his résumé). We discuss Tom Cruise’s quick-change outfit, the gecko gloves and – of course! – the snow ensembles that he created but were never used. This is an amazing conversation, down to the las...

We are joined by Jim Abrahams, David Zucker, and Jerry Zucker, better known as the ZAZ team. And while we continue our deep dive into the making of “Airplane!,” we also discuss “Top Secret!,” “Police Squad,” “The Naked Gun” and – of course! – “Ghost,” which was directed by Jerry and became a phenomenon. You’ll laugh, you’ll cry, you’ll question every decision you’ve ever made! Learn more about you...

We are really joined by The Directors this week – directors Jim Abrahams, David Zucker, and Jerry Zucker, otherwise known as ZAZ. This week we dive deep into the making of their immortal comedy classic “Airplane!.” Learn about the movie’s connection to “Mission: Impossible” and so much more. It’s a gas! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorne Balfe’s score for “Mission: Impossible – Fallout” is an all-time classic, so you can imagine how thrilled we were to talk to the composer about how it all came together. Learn his inspiration for unforgettable cues and how composing the music was its own (almost) impossible mission. This episode was originally released in October 2018. You can own “Mission: Impossible – Dead Reckoning” on di...

“Wayne’s World” director Penelope Spheeris shares the secret to making a movie based on a “Saturday Night Live" sketch, discusses whether it's true Dana Carvey wanted to quit before filming started, and reveals whether or not the headbanging was improvised. Plus, get bonus stories about Alice Cooper and the late, great Chris Farley. It rocks. Learn more about your ad choices. Visit megaphone.fm/ad...

On the first installment of our miniseries, The Directors, we chat with director Penelope Spheeris, director of “Wayne’s World.” We discuss how she boarded the project, how her background making music documentaries informed her directorial choices, and get great stories about Mike Myers and Dana Carvey. Party on! Learn more about your ad choices. Visit megaphone.fm/adchoices

In our very first miniseries, “The Directors,” we talk to filmmakers who have made truly iconic Paramount movies to find out what that process was like, getting all of the details and juicy tidbits that only we can. From Penelope Spheeris to Alexander Payne, it’s an unforgettable trip through cinema history. Starting March 12th, new episodes every Tuesday! Learn more about your ad choices. Visit m...

They said it couldn’t be done, but we proved the doubters wrong. This is our 100th episode spectacular. And if that’s confusing, well, that’s okay, because this was from the original version of the show. All you need to know is that we are joined by Christopher McQuarrie, Simon Pegg, Hayley Atwell and Lorne Balfe. Also: it’s totally unpredictable and so much fun. Join us, won’t you? This episode w...

Paul Hirsch is one of the most legendary editors of all time, and this week he joins us to talk about the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” Included in this chat: details about Brian De Palma filming his wedding, how Brad Bird’s approach to editing changed him, and a description of a gory “Ghost Protocol” deleted scene. This really has it all! This episode was...

This week we’re taking it back to our very first interview with Eddie Hamilton, the editor of “Mission: Impossible – Rogue Nation” and “Mission: Impossible – Fallout.” Learn about the collaborative process between Hamilton, writer/director Christopher McQuarrie and star Tom Cruise, the making of both films and what Hamilton’s rankings currently are. This episode was originally released in December...

Brad Bird never recorded a commentary track for “Mission: Impossible – Ghost Protocol,” but he did sit down for this extended interview. Learn how close Vanessa Redgrave came to being in the movie, why “Ghost Protocol” has a full title sequence, and the reason why the climax wasn’t grislier. Accept it. This episode was originally released in March 2019. You can own “Mission: Impossible – Dead Reck...

For the anniversary of “Jack Reacher,” we chatted with writer/director Christopher McQuarrie. We go deep on the movie, including how “Jack Reacher” and “Mission: Impossible – Ghost Protocol” are inexorably linked, why Tom Cruise was a perfect Reacher, and how they constructed the movie’s wordless opening. This episode was originally released in December 2022. You can own “Mission: Impossible – Dea...

If you’ve ever wondered what it was like to pull together the script for the first “Mission: Impossible,” let writer David Koepp walk you through it. Koepp shares screenplay credit with Robert Towne and talks us through the characters’ names, does a killer Brian De Palma impression, discusses Luther’s survival, and gets into the criticism that the movie was too confusing. This episode has it all!...

It’s true – we spoke to director Brian De Palma, the filmmaker behind the first “Mission: Impossible” and probably a few of your other favorite movies too. We were celebrating the release of De Palma’s first book with Susan Lehman, “Are Snakes Necessary?” but discuss the making of the first movie, along with his notes for the opening crawl of “Star Wars,” replacing Alan Silvestri with Danny Elfman...

“Mission: Impossible – Dead Reckoning Part One” supervising sound editor James H. Mather is responsible for all of those incredible sounds in the movie – and we were very lucky to get to talk to him. On this episode we go inside two of the biggest stunts in the movie – the motorcycle jump and the train sequence. Plus so much more. Turn the volume up. You can own “Mission: Impossible – Dead Reckoni...

We are joined by James H. Mather, supervising sound editor for “Mission: Impossible – Dead Reckoning Part One,” to talk about all the fabulous sounds that he and his team packed into the movie. This week we discuss how close our dogs got to being in the movie, the overall design of the sounds and finding the “voice” for the Entity. You can own “Mission: Impossible – Dead Reckoning Part One” on dig...

Producer Paula Wagner, who worked on the first three “Mission: Impossible” movies alongside Tom Cruise, joins us for more stories from the franchise. And this week we discuss the sequels – how “M:I-II” came to be, the choice to go with Oliver Stone and eventually John Woo, and the subsequent development of the third movie, which was worked on by everyone from David Fincher to Joe Carnahan. We go d...